Tag Archives: Playground Theatre

Ida Rubinstein: The Final Act

★★

Playground Theatre

Ida Rubinstein: The Final Act

Ida Rubinstein: The Final Act

The Playground Theatre

Reviewed – 27th September 2021

★★

 

“With a touch more light and shade in the performances, the individual gems of this production will be able to shine”

 

In every era, there are always a few people in the arts whose life and career seem like something out of a movie or novel. Such a characterization can be applied to the dancer and actress, Ida Rubinstein; the Russian-Jewish ‘femme fatale’. A figure who commanded the limelight in Paris for nearly half a century, her name is somehow largely forgotten today, despite her varied career and fame throughout the first half of the twentieth century.

Born in 1885 into a fabulously wealthy family belonging to the Ukraine’s Jewish mercantile elite. Orphaned at an early age, the lucky child was raised in St. Petersburg by relatives who were firmly integrated into the social fabric of the Imperial Capital. Her arts-loving family ensured maximum exposure to the cultural activities of the city. While her talent could be sometimes doubted, it was her money, privilege and enigmatic beauty that bought her ticket into the dance and theatre world. She used these assets to great effect, courting and buying many influential men in her quest for beauty, art, and stardom.

“Ida Rubinstein: The Final Act” retells, in epic fashion, the scandalous life. A career that ran afoul of the period’s social prejudices. Theatrical choices that lead her family to commit her to an asylum; her bisexual love affairs, the assassination of her long-term lover and her ultimate selfless devotion to wounded soldiers in both World Wars. A daunting task for Naomi Sorkin the actor and former ballerina who takes on the role. “Where to begin?” she asks in character, addressing Edward Clément (Max Wilson) a reporter who has arrived to interview her. It’s a neat and deceptively simple theatrical device that allows Sorkin to vicariously dip into memories and reflections, combining music, movement and projections to reassert the legend that was Rubinstein. Wilson’s natural charm as Clément melts Sorkin’s initial reluctance to kiss and tell.

The painstaking research gives a true biography of the diva’s life, yet Sorkin’s performance lacks the variety and dynamism to show the true colours. The figures that weave themselves into the anecdotes are often more interesting. Darren Berry’s Ravel is a delight as he recounts at first hand the composer’s creative process behind his ‘Bolero’. And then meticulously plays it at the piano. But overall, the ambition of the piece exceeds the capabilities of this otherwise strong cast. Director Christian Holder has created something that could be very special indeed and with David Roger’s design, complemented by Declan Randall’s lighting, it is beautiful to watch. Yet somehow the feeling is one of witnessing the earlier stages of a devised piece, in which the ideas outshine the emotional impact. We are aware of the textures of this fascinating story but cannot yet appreciate the finely tailored result.

With a touch more light and shade in the performances, the individual gems of this production will be able to shine; perhaps even dazzle us. Ida Rubinstein’s colourful and inspirational life deserves to be written back into history but, as yet it’s still an early draft.

 

 

Reviewed by Jonathan Evans

Photography by Gareth McLeod

 


Ida Rubinstein: The Final Act

The Playground Theatre until 16th October

 

Previously reviewed by Jonathan this year:
Sherlock Holmes: The Case of the Hung Parliament | ★★★★ | Online | February 2021
Remembering the Oscars | ★★★ | Online | March 2021
The Picture of Dorian Gray | ★★★★ | Online | March 2021
Disenchanted | ★★★ | Online | April 2021
Bklyn The Musical | ★★★★★ | Online | March 2021
Abba Mania | ★★★★ | Shaftesbury Theatre | May 2021
Cruise | ★★★★★ | Duchess Theatre | May 2021
Preludes in Concert | ★★★★★ | Online | May 2021
You Are Here | ★★★★ | Southwark Playhouse | May 2021
Amélie The Musical | ★★★★ | Criterion Theatre | June 2021
Bad Days And Odd Nights | ★★★★★ | Greenwich Theatre | June 2021
Express G&S | ★★★★ | Pleasance Theatre | June 2021
Forever Plaid | ★★★★ | Upstairs at the Gatehouse | June 2021
The Hooley | ★★★★★ | Chiswick House & Gardens | June 2021
Forgetful Heart | ★★★★ | Online | June 2021
Staircase | ★★★ | Southwark Playhouse | June 2021
Be More Chill | ★★★★ | Shaftesbury Theatre | July 2021
Heathers | ★★★ | Theatre Royal Haymarket | July 2021
The Two Character Play | ★★★★ | Hampstead Theatre | July 2021
My Night With Reg | ★★★★ | The Turbine Theatre | July 2021
Big Big Sky | ★★★★ | Hampstead Theatre | August 2021
The Windsors: Endgame | ★★★ | Prince of Wales Theatre | August 2021
The Rice Krispie Killer | ★★★★ | Lion and Unicorn Theatre | August 2021
Constellations | ★★★★ | Vaudeville Theatre | August 2021
Operation Mincemeat | ★★★★★ | Southwark Playhouse | August 2021
When Darkness Falls | ★★★ | Park Theatre | August 2021
Cinderella | ★★★★★ | Gillian Lynne Theatre | August 2021
Fever Pitch | ★★★★ | Hope Theatre | September 2021

 

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Great Expectations

★★★★

Playground Theatre

Great Expectations

Playground Theatre

Reviewed – 16th December 2019

★★★★

 

“an immensely impressive show: beautifully directed, with a brilliant cast and gorgeous mise en scène”

 

Theatre Lab Company brings to the Playground Theatre their gothic twist on the classic Charles Dickens’ tale, Great Expectations.

The well-known to British audiences tale of love, loss and journey from rags to riches got some intensive and extensive tuning. While retaining the main, basic plotline, Theatre Lab Company’s adaptation completely changes perspective and load factor, shifting attention to a more feminine point of view.

Cleverly adapted by Lydia Vie, the show’s main focus is on Miss Havisham (Helen Bang) and her doomful influence on Estella (Denise Moreno) and Pip’s (Samuel Lawrence) lives and their relationship; she remains on stage throughout almost the entire first act. Bang’s star shines the brightest of the entire – admittedly brilliant – cast, with hardly any stage movement whatsoever, her ferocity and vulnerability create a powerful, emotional volcano. Lawrence and Moreno are excellent as never-to-be lovers, and the arc of their relationship, particularly in the context of the very subtly altered ending, is beautifully complete. The other subplots are sort of rushed and actors, except Shaun Amos (Herbert Pocket), hardly have time for their characters to really vibrate on a similar wavelength.

The most impressive part of this show is, and by far, the direction by Anastasia Revi. The exceptional set (Eirini Kariori) and lighting design (Chuma Emembolu) help to build a gloomy, gothic atmosphere. Scenes from Pip and Estella’s childhood are especially engaging, played to the haunting tune of The Garden by Einsturzende Neubaten. Scene shifts are beautifully subtle and the use of dance immensely clever. It is, by all means, a five star direction of a show that otherwise tells a tiny bit too much and shows a tiny bit not enough.

Pacing of the adaptation is probably its biggest downside of. The first act is 70 minutes long, whereas the second one lasts only 30 minutes – the story in the first is unwinding slow, which results in the second act being crammed with the biggest reveals and the story “jumping” from one character to another just to finish their respective subplots. It does not, though, diminish the opportunity to immerse oneself in this show – there is just too much to admire.

It is, overall, an immensely impressive show: beautifully directed, with a brilliant cast and gorgeous mise en scène. The perfect play it is not – but you will love it.

 

Reviewed by Dominika Fleszar

Photography by Panayis Chrysovergis

 


Great Expectations

Playground Theatre

 

Previously reviewed at this venue:
Fanatical – the Musical | ★★★ | November 2018
Sacha Guitry, Ma Fille Et Moi | ★★★½ | January 2019
My Brother’s Keeper | ★★★★ | February 2019
Gaslight | ★★★★ | October 2019
The Jazz Age | ★★★★★ | October 2019

 

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