Tag Archives: Mark Senior

HOLD ON TO YOUR BUTTS

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Arcola Theatre

HOLD ON TO YOUR BUTTS

Arcola Theatre

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“Although lacking the traditional sleigh bells and Santa, it does have sufficient nostalgia, silliness and giggles to fill a panto-shaped hole”

In case you’re wondering, β€œHold on to your butts” is a line from Samuel L Jackson as he is about to reboot the computer systems of Jurassic Park in the 1993 ground-breaking monster flick.

It’s a terrible title for a fun evening but, I suppose, theatre company Recent Cutbacks can’t stick β€œJurassic Park” anywhere near the poster for legal reasons.

But the copyright holders need not fear for their intellectual property. It’s in safe hands. This madcap shot-for-shot re-creation of the mega-dinosaur smash is made by people who adore the movie. And love movie-making.

It’s 10 years since this slick whistlestop tribute opened in New York City, later wowing crowds at the Edinburgh Fringe and now setting up at the Arcola under the direction of Kristin McCarthy Parker. Although lacking the traditional sleigh bells and Santa, it does have sufficient nostalgia, silliness and giggles to fill a panto-shaped hole.

This production takes you back. Not just to Steven Spielberg’s genius film, but to your garage, or garden, or park. Where on a rainy Sunday, with nothing else to do and the wifi down, you and your mates stumble upon a cardboard box from Tesco which once held pineapples. The box becomes everything – castle, racing car, majestic pirate ship scything the seven seas…

Here, two performers and a sound artist perform a similar feat of ingenuity and imagination in this lo-fi, charming and very funny evocation of the original.

What’s that you say? A herd of serene brachiosaurus sweeping across the plains of Isla Nublar? Here you go. A mosquito trapped in a piece of amber? A barley sugar will suffice, no?

Performers Jack Baldwin and Laurence Pears tread the fine line between slavish adoration of the original and good-natured fanboy parody. On the sidelines, but equally a star, is foley artist Charlie Ives recreating T-Rex roars, rainstorms, computer beeps, creaking branches and everything else that helps make the fun funnier.

The humour is often of the Airplane! variety – aforementioned (pre-Pulp Fiction) Samuel L Jackson’s growing smoking habit an example – and much of the joy is in the anticipation, figuring out how two men and some props retrieved from a trash can are going to make a car fall through a tree, or create the tension of a raptor hunt. And there’s much humour to be mined in the script too – such as Jeff Goldblum’s wry β€œchaotician” delivering his memorable brow-knitted cod-philosophies studded with Pinteresque β€˜umms’ and pauses. Or that perky and patronising strand of DNA explaining how cloning works.

It helps to know something about the film because the sheer challenge of miniaturisation does lend itself to some confusion, but the iconic scenes are all there as anchors – the ripples on the cup of water, T-Rex going to town on a toilet-bound Donald Gennaro, probing a big pile of dino-poop, sweaty Wayne Knight, girlie Laura Dern…

This is the perfect night for anyone who’s ever seen a stack of cone party hats and thought – three of them, artfully placed – there’s my triceratops!



HOLD ON TO YOUR BUTTS

Arcola Theatre

Reviewed on 13th December 2024

by Giles Broadbent

Photography by Mark Senior

 

 

 


 

 

 

 

Previously reviewed at this venue:

DISTANT MEMORIES OF THE NEAR FUTURE | β˜…β˜…β˜… | November 2024
THE BAND BACK TOGETHER | β˜…β˜…β˜…β˜… | September 2024
MR PUNCH AT THE OPERA | β˜…β˜…β˜… | August 2024
FABULOUS CREATURES | β˜…β˜…β˜… | May 2024
THE BOOK OF GRACE | β˜…β˜…β˜…β˜…β˜… | May 2024
LIFE WITH OSCAR | β˜…β˜…β˜… | April 2024
WHEN YOU PASS OVER MY TOMB | β˜…β˜…β˜…β˜…β˜… | February 2024
SPUTNIK SWEETHEART | β˜…β˜…β˜… | October 2023
GENTLEMEN | β˜…β˜…β˜…β˜… | October 2023
THE BRIEF LIFE & MYSTERIOUS DEATH OF BORIS III, KING OF BULGARIA | β˜…β˜…β˜…β˜…β˜… | September 2023
THE WETSUITMAN | β˜…β˜…β˜… | August 2023
UNION | β˜…β˜…β˜… | July 2023

HOLD ON TO YOUR BUTTS

HOLD ON TO YOUR BUTTS

HOLD ON TO YOUR BUTTS

 

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DICK WHITTINGTON AND HIS CAT

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Hackney Empire

DICK WHITTINGTON AND HIS CAT

Hackney Empire

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“This is a campy and silly way to spend an evening, but feels festive and fun”

This is a rollicking rollercoaster of a panto. Written by Will Brenton and directed by Clive Rowe (who also stars) it remains true to the classic traditions while feeling decidedly fresh and joyously fun. There are many old favourites, with the audience prepped to shout out β€˜he’s behind you’ and β€˜wakey-wakey’ at every opportunity, but it never feels tired or obvious (well, no more than a panto should).

The story of Dick Whittington is a pantomime staple, though it is a little convoluted. For those who don’t know, Dick heads for London, is gifted a magic talking cat by the Fairy Bowbells and arrives to a city not paved with gold, but beset by rats. He gets a job, falls in love and his cat chases away the rats. Then he and the gang head off to sea, in search of goods to sell and riches to be made. When they arrive back in London, Dick becomes Mayor and they all live happily ever after.

The plot is not really important. The show is about the musical numbers, dancing and groan-worthy puns. Kandaka Moore, as Dick, and Aryana Ramkhalawon as Alice, valiantly perform their more serious plot line. They showcase their beautiful vocals and carry the show’s message, which is the importance of striving for your dreams. It’s nice to have a woman playing Dick, and makes their storyline feel more modern, as it matters less that Alice is a slightly undeveloped love interest. Their romance is sweet and provides an emotional note to offset the silliness.

Graham MacDuff is fabulous as the deliciously evil rat king, dressed as a steampunk with a tail. He rocks out to remixes of Backstreet Boys and Chappell Roan, just some of the exquisitely playful music from Steven Edis. It’s delightfully silly.

Kat B is excellent as Tommy the Cat, especially during his solo, where black light and neon puppets are used to produce the most incredible effect of floating under the sea. It is a sudden and startlingly beautiful piece of direction.

However, the unquestionable star is Clive Rowe as Sarah the Cook. He commands the stage with cheekiness and flair, toeing the line perfectly between naughty and family friendly. Everyone in the audience, regardless of age, is eating out of his hand. He’s particularly joyous with Hackney panto staple Tony Timberlake, where they have a chance to play off each other and improv a little. Rowe’s musical numbers are rich and boppy, his puns awful but wonderful and his stage presence is unparalleled.

He wouldn’t be the star he is, however, without costume designer Cleo Pettitt. Each costume change is more outlandish and higher concept than the last – some favourites include a cash register, a pepper grinder and an entire cruise ship.

The supporting cast all ooze with panto giddiness, especially in dance numbers by choreographer Shay Barclay. Jemima Dawes and Alfie Simmons are particularly fun as cartoonish rat villains. Particular ensemble standouts are Olivia Kate Holding’s crystal-clear vocals, showcased in a short solo, and Fraser Stewart who gives every dance number 120% energy. Also, the Hackney Empire Young Ensemble who play the rat chorus and villagers are charming and adorable.

This is a campy and silly way to spend an evening, but feels festive and fun. It’s not stuck in the past and is a great night out for the whole family.


DICK WHITTINGTON AND HIS CAT at Hackney Empire

Reviewed on 5th December 2024

by Auriol Reddaway

Photography by Mark Senior

 

 


 

 

 

 

 

Previously reviewed at this venue:

ALADDIN | β˜…β˜…β˜…β˜… | November 2023

DICK WHITTINGTON AND HIS CAT

DICK WHITTINGTON AND HIS CAT

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