Tag Archives: Mihaela Bodlovic

THE MOUNTAINTOP

★★★★

Royal Lyceum Theatre

THE MOUNTAINTOP

Royal Lyceum Theatre

★★★★

“a powerful play with a satisfying, if unrealistic, ending”

Katori Hall’s award winning play The Mountaintop is a timely revival at Edinburgh’s Lyceum Theatre, as the United States once again faces, in King’s words, “the urgency of the moment.” Directed by Rikki Henry, with Caleb Roberts as Dr Martin Luther King Jr., and Shannon Hayes as Camae, this production delivers a theatrical examination of King’s last night alive in the Lorraine Motel in Memphis, Tennessee on April 3rd, 1968. If you’re thinking this will be a naturalistic drama about a charismatic civil rights leader and the forthright maid he encounters when he orders room service, prepare to be surprised.

We encounter Dr King on a night when he is at his physical lowest. He is coughing incessantly, smoking cigarettes that only make things worse, and is increasingly paranoid (with good reason) about the covert surveillance of the FBI on his political activities. Paradoxically, his achievements as a civil rights leader have never been greater. He is a winner of the Nobel Peace Prize. He has already delivered his most iconic speeches, and is in Memphis having delivered yet another historic speech in support of striking sanitation workers. It is in reference to this speech that playwright Katori Hall takes her title The Mountaintop.

The beginning of the drama is naturalistic enough. We see Dr King go through the motions of anyone who finds himself in a motel room, after midnight, with an exhausting work day behind him. Hall presents us with Martin Luther King, Jr. the man, not the legend. A man trying to find a cigarette, and to reach his wife and children with a telephone call. Outside the Lorraine Motel a typical Southern thunderstorm is battering Memphis, to King’s evident discomfort, and even fear. Hall has chosen to present King as vulnerable, afraid, and desperately in need of that cigarette, and a cup of coffee. Salvation arrives in the form of Camae, a pretty and beguilingly outspoken young woman who rescues King with both. From that point on, The Mountaintop is really Camae’s play, as she alternatively flirts, shocks, comforts and drives King into the arms of his eventual destiny. The play parts company with naturalism when, in a totally unexpected jog into surrealism, it transpires that Camae is not just a maid with room service, but an angel of death, preparing King for what awaits him the following day.

In this production, set designer Hyemi Shin has prepared the way for the surrealistic jog. The set is set at an angle, with the boundaries of the room sketched in. There’s something surrealistic about the television set as well—as though it were broadcasting images not of this world. Actors Shannon Hayes and Caleb Roberts have plenty of space to burst through the boundaries of the motel room when the moment arrives, and director Rikki Henry encourages them to be bold in their use of it. The show may begin in a motel room in Memphis, but it ends at an apocalyptic moment in American history, and Hyemi Shin’s costume designs are up to the challenge as well. With powerful composition and sound design by Pippa Murphy, and lighting design by Benny Goodman, we are free to focus on the performances by Hayes and Roberts. Shannon Hayes makes the most of the role of Camae. She is strong, confident and not afraid to challenge Roberts at every turn in the drama. This is essential since though there are surprises throughout the drama, there’s not much that could be called suspenseful. Caleb Roberts is a good foil as Martin Luther King, Jr. He shows the range of the man, with a sensitive performance that includes weaknesses for tobacco and women, and King’s fear of meeting a violent fate before his work in the Civil Rights Movement is complete. While the dramaturgy is uneven at times, it is still a powerful play with a satisfying, if unrealistic, ending.

The Lyceum’s revival is well worth attending. Spend a little time reminding yourself of the history of the Civil Rights Movement in the United States in the 1960s, and the life and writing of Dr Martin Luther King Jr. before you go. It will make your visit all the more meaningful. Recommended.

 



THE MOUNTAINTOP

Royal Lyceum Theatre

Reviewed on 4th June 2025

by Dominica Plummer

Photography by Mihaela Bodlovic

 

 


 

 

 

Previously reviewed at this venue:

TREASURE ISLAND | ★★★ | November 2024

 

 

 

 

THE MOUNTAINTOP

THE MOUNTAINTOP

THE MOUNTAINTOP

PRIDE & PREJUDICE* (*SORT OF)

★★★

UK Tour

PRIDE & PREJUDICE* (*SORT OF)

Theatre Royal Windsor

★★★

“The audience were there for a fun night out and they left happy”

The UK national tour of Pride & Prejudice* (*Sort Of) opened this week at the beautiful Theatre Royal Windsor.

Pride & Prejudice* (*Sort Of) by Isobel McArthur, after Jane Austen, is a fun reinvention of Austen’s caustic tale of love and manners, performed by an all-female cast of five, with double-quick costume changes, playing all the roles. Audiences never seem to tire of the endless TV, films and theatre productions based on Austen’s beloved classic period romance, and devoted fans will quickly recognise a nod to Colin Firth’s Darcy “wet shirt” scene in this adaptation.

The original production of the show started life at the Tron Theatre in Glasgow, went to the Fringe, toured, transferred to the West End and won an Olivier Award for Best New Comedy in 2022. This current touring production feels somewhat re-hashed and clunky, knowing too well where the comedy moments are; be it the cast as baaing sheep, presenting a plate of Ferrero Rocher at a ball, grabbing a mike and singing a karaoke song or a quick change – it will get a laugh out of the audience. The biggest laughs of the night were always the casual expletives.…

Comedy is centre stage as we meet the five, playing below stairs maids wearing white Regency style petticoats and yellow marigolds, cleaning the Bennet family’s chamber pots. They rue Austen’s lack of care for the servants in her books, who never get a happy ending. Then with a grab of a microphone they break into song and turn into Mrs Bennet and the five Bennet sisters – well four Bennet sisters, we don’t ever meet Kitty.

McArthur’s adaptation is for modern audiences to enjoy and mostly keeps close to the original story of the Regency period dating game, when women could not inherit wealth and must marry for financial gain. A few new touches include friend Charlotte’s unrequited love for Elizabeth Bennet – but she still ends up with Mr Collins.

The cast of young actresses Emma Rose Creaner, Eleanor Kane, Rhianna McGreevy, Naomi Preston Low and Christine Steel clearly relish all the roles that they play as the tale of the uncouth Mrs Bennet’s race to marry off her five dowry-less daughters before they lose the family home unfolds. We never meet Mr Bennet, who is played by a back facing armchair reading an open newspaper – genius casting! Love is eventually found with Mr Bingley and Mr Darcy but not with the devil may care Wickham.

Slightly disconcerting to the ear, was the fact that all the Bennet family members had different accents, as the cast were playing them with their own natural accent, making the production feel slightly studenty, but perhaps that was the intention. A standout moment was Rhianna McGreevy capturing Darcy’s pride with his sincere love for Elizabeth Bennet, with the audience routing for him to win her hand. And then there was Emma Rose Creaner whose every role was beautifully delivered be it her feisty Irish maid, the accident prone, stuck hand in a Pringle carton Mr Bingley, the dull yet softly spoken Charlotte or the stuck-up vicious Caroline Bingley.

Ana Inés Jabares-Pita’s set featuring a curved staircase, was cleverly designed to transform into another stately home or ballroom by simply adding a modern standard lamp or a life size horse (!), and her costumes were uncomplicated yet said everything that needed to be said about each character.

The audience were there for a fun night out and they left happy.



PRIDE & PREJUDICE* (*SORT OF)

Theatre Royal Windsor then UK Tour continues

Reviewed on 17th February 2025

by Debbie Rich

Photography by Mihaela Bodlovic

 

 

 


 

 

 

 

Previously reviewed at this venue:

BOYS FROM THE BLACKSTUFF | ★★★★ | January 2025
FILUMENA | ★★★★ | October 2024
THE GATES OF KYIV | ★★★★ | September 2024
ACCOLADE | ★★★½ | June 2024
OH WHAT A LOVELY WAR | ★★★★ | April 2024
CLOSURE | ★★★★ | February 2024
THE GREAT GATSBY | ★★★ | February 2024
ALONE TOGETHER | ★★★★ | August 2023

PRIDE

PRIDE

PRIDE