Tag Archives: Mika Eglinton

ONE SMALL STEP

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Charing Cross Theatre

ONE SMALL STEP at the Charing Cross Theatre

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“Milla Clarke’s slowly revolving set reflects a narrative going round in circles”

Set in the not-too-distant future, Takuya Kato’s β€œOne Small Step” depicts a society where colonising the moon has become a practical reality. The scenario throws up many questions, some of which are touched upon in this short two-hander from Japan, but the focus of the story is very much rooted in present day, down-to-earth problems within the confines of a conventional marriage. The premise is a fascinating one, but ultimately it doesn’t really go anywhere. It’s all very well setting your sights on the moon, but you need to figure out the launchpad first.

Takashi (Mark Takeshi Ota) and Narumi (Susan Momoko Hingley) are a married couple working for a major company that is establishing a city on the moon. They share, with a touching yet naΓ―ve idealism, a wide-eyed enthusiasm at being part of humanity’s β€˜fresh start’. Perhaps it’s because their own relationship needs a fresh start, as they spend the next hour bickering inconclusively. The mundane swiftly progresses to the central dilemma of the narrative. Narumi is pregnant, which puts her involvement in the forthcoming moon-shot in jeopardy. Cue the tried-and-tested, quasi-intellectual debates about abortion, the rights of women (and men), the right to life, corporate attitudes to maternity, careerism.

Narumi cannot seem to make up her mind about anything as Hingley plays tug-of-war with her character. We never really know whether she intends to keep her baby or not, but unfortunately, we cease to care. Little wonder then that Ota’s Takashi ends up in a whirl of schoolyard frustration. The discussions they repeat are pretty puerile given the subject matter. As the couple orbit around each other we expect them to gradually get closer, but there is little chemistry between the two and the inward spiralling of the script is claustrophobic. Milla Clarke’s slowly revolving set reflects a narrative going round in circles. At one point a robotic floor cleaner is seen surreptitiously scuttling around; presumably to sweep up dialogue that has fallen flat.

Somewhere in there is a gem of a story. It is the stuff of dreams, quite literally. Some may argue that the dream is closer than we think, but whatever way you look at it the textural landscape is a goldmine. β€œOne Small Step” even has a cow on the moon (I wonder if it jumped over it first), which bizarrely mirrors the elephant in the room for the play’s protagonists. There are moments of humour in Kato’s script, which the actors do successfully seize upon. We want more of this – the lightness of touch lends more weight to the message, and we pay more attention.

A live camera feed projects the actors in close-up onto overhead screens. There is perhaps a reason for this beyond the bandwagon that Kato (who also directs) has jumped on. But, like the other choices made, it is lost in translation. We should be getting lost in the story but, as much as the pair’s fine performance draws us in, we are kept outside of their inner circle. Which is a shame as the issues are universal.

The moon belongs to nobody (despite the American flag up there). For now, at least, it belongs to anybody. The dreams, stories, ambitions and desires it has inspired belong to everybody. β€œOne Small Step” has the potential to latch onto those visions, embracing the human problems inherent in mankind’s grand objectives. Yet it remains a small step, and needs more thrust to achieve lift off.

 


ONE SMALL STEP at the Charing Cross Theatre

Reviewed on 1st October 2024

by Jonathan Evans

Photography by Mark Senior

 

 

 

 

 

 

Previously reviewed at this venue:

MARIE CURIE | β˜…β˜…β˜… | June 2024
BRONCO BILLY – THE MUSICAL | β˜…β˜…β˜… | January 2024
SLEEPING BEAUTY TAKES A PRICK! | β˜…β˜…β˜…β˜… | November 2023
REBECCA | β˜…β˜…β˜…β˜… | September 2023
GEORGE TAKEI’S ALLEGIANCE | β˜…β˜…β˜…β˜… | January 2023
FROM HERE TO ETERNITY | β˜…β˜…β˜…β˜… | November 2022
THE MILK TRAIN DOESN’T STOP HERE ANYMORE | β˜…β˜…β˜… | October 2022
RIDE | β˜…β˜…β˜…β˜…β˜… | August 2022
VANYA AND SONIA AND MASHA AND SPIKE | β˜…β˜…β˜… | November 2021
PIPPIN | β˜…β˜…β˜…β˜… | July 2021

ONE SMALL STEP

ONE SMALL STEP

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