Peter Pan
Park Theatre
Reviewed – 11th December 2018
★★★★
“This production is funny and touching, with a delightful simplicity”
This is a charming production, based on JM Barrie’s original text, and occasionally updated with contemporary references. Peter Pan is a story that many of us have grown up with. We wait for Captain Hook’s villainy, clap to save Tinkerbell, and look on in wonder as Peter flies. This production manages to create the atmosphere of those childhood encounters with the story, without the full on nature of pantomime, or the facilities of a large West End theatre.
Several of the cast play multiple roles. Alfie Webster plays two pirates and a dog, and Harveen Mann successfully managing to convince with her five characters! We are aware that it’s the same actor, and that’s part of the joke, particularly when she transforms from Jukes to Cecco. There are plenty of laughs to be had and some outstanding performances, particularly from Nickcolia King-N’Da as Peter Pan and Alexander Vlahos as Hook. King N’Da’s Peter is an innocent, cocky and immensely likeable boy. It’s a lovely moment when he first flies in, peddling through the air with a huge grin. He is a kid we could meet on the streets of Finsbury Park, ballsy, joyful, vulnerable and stubborn, but with added magic. His encounters with Hook are nicely done, and Hook’s use of a leaf blower as a weapon is inspired. Vlahos is a different kind of Hook. He is full of himself, overconfident, and hilariously terrified of the crocodile. He struts and preens with more than a little camp thrown in, ably and enthusiastically aided by Smee, played by Natalie Grady, who also plays Mrs Darling.
The two Darling boys are convincing as kids, Adam Buchanan plays Michael as a very believable little boy with a giant teddy, and Jason Kajdi is John, his older brother. Rosemary Boyle plays Wendy, and beautifully portrays the difficulties of a young girl becoming a woman. She is attracted to Peter, very much wanting a kiss. Wanting him to be her ‘husband’ rather than her ‘son.’ But, of course, he doesn’t get it. She finds it hard to be a mother to the lost boys too. I’ve never understood Wendy so well before, and it adds another level to the emotional strata of the story.
This production is funny and touching, with a delightful simplicity. In a space such as the Park Two Hundred it is good to see such a well designed and flexible set. Gregor Donnelly has done a great job with it, allowing the cast to easily transform the space from the Darling’s home to Neverland, to a pirate ship and back. When the sound and lighting, by Adrienne Quartly and Nic Farman are added, the stage is set for magic to happen. The only thing that I didn’t like was the puppet of Nana, the dog. In contrast to the naturalistic, yet fantastical feeing of the rest of the production, Nana looked like an autumnal sea monster that, despite Alfie Webster’s able puppetry, failed to convince. Jonathan O’Boyle’s direction is assured, and he has enabled his actors to shine and enjoy themselves hugely in this lovely show.
Reviewed by Katre
Photography by Chris Gardner
Peter Pan
Park Theatre until 5th January
Previously reviewed at this venue:
Building the Wall | ★★★★ | May 2018
End of the Pier | ★★★★ | July 2018
The Rise & Fall of Little Voice | ★★★★ | August 2018
Distance | ★★★★ | September 2018
The Other Place | ★★★ | September 2018
And Before I Forget I Love You, I Love You | ★★★★ | October 2018
Dangerous Giant Animals | ★★★ | October 2018
Honour | ★★★ | October 2018
A Pupil | ★★★★ | November 2018
Dialektikon | ★★★½ | December 2018
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