Tag Archives: Old Red Lion Theatre

Circa

Circa
★★★★

Old Red Lion Theatre

Circa

Circa

Old Red Lion Theatre

Reviewed – 7th March 2019

★★★★

 

“filled to the brim with truth, emotion and wit”

 

Good ideas stick, great plays take time, and Tom Ratcliffe’s ‘Circa’, first seen in London two and a half years ago, has benefitted from having a long gestation period. Ratcliffe, together with director Andy Twyman, has constructed a nuanced, honest and touching story of one man’s journey through life, love, relationships, and sex.

From an insecure young man moving to London to broaden his artistic and sexual horizons, through the trails and tedium of middle-age and the quest for monogamy and a family, to an older man coming to grips with how technology has terribly altered his search for companionship, ‘Circa’ charts one man’s life through his relationships. Simultaneously intimate and epic, we are introduced to recurring characters, one-night-stands, rent boys and first loves, all linking together to show how past experiences inevitably press on present concerns.

To reveal more would spoil the journey. Ratcliffe has developed a wonderfully entertaining play that leaves on a poignant note. In the context of gay life, where is community to be found? Loneliness emerges as a key theme, and methods of finding love and sex remain illicit and clandestine in a play that places gay men’s lives in the context of a straight man’s world.

Three actors play our lead character in the three iterations of his life, and all five members of the ensemble play multiple roles throughout (with the exception of Jenna Fincken, sadly underused representing the protagonist’s only attempt at heterosexuality). The whole cast is on top form throughout, but more work is needed to physically differentiate one character from the next. Twyman’s direction keeps the story precise and clear, with Ted White’s sound and Luke W. Robson’s lighting working beautifully to express the passing of time and closing of scenes. Robson’s set, resembling the sort of thing you’d see in a contemporary art gallery, is a cool blank canvas for any situation to be projected onto.

Whilst last year’s ‘The Inheritance’ dealt with the legacy of gay history, ‘Circa’ addresses the legacy of one person’s past relationships. As a synecdoche for many gay men’s stories, Ratcliffe has it spot on. This play is filled to the brim with truth, emotion and wit. As entertaining as it is moving, ‘Circa’ is unmissable theatre for anyone interested in queer stories, and, indeed, anyone interested in love.

 

Reviewed by Joseph Prestwich

Photography by Lidia Crisafulli

 


Circa

Old Red Lion Theatre until 30th March

 

Previously reviewed at this venue:
Welcome Home | ★★★ | August 2018
Hear me Howl | ★★★★ | September 2018
That Girl | ★★★ | September 2018
Hedgehogs & Porcupines | ★★★ | October 2018
Phantasmagorical | ★★★ | October 2018
The Agency | ★★ | October 2018
Indebted to Chance | ★★★★ | November 2018
Voices From Home | ★★★½ | November 2018
Anomaly | ★★★★ | January 2019
In Search Of Applause | ★★ | February 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

In Search of Applause

In Search of Applause
★★

Old Red Lion Theatre

In Search of Applause

In Search of Applause

Old Red Lion Theatre

Reviewed – 13th February 2019

★★

“Though there is some good writing and funny moments, the format is difficult to engage in, and an unrelatable protagonist with an unrelatable problem doesn’t help”

 

Lorelei loves the stage. She’s a professional clown, or she would be, if it wasn’t so competitive and London wasn’t so expensive. She had to take regular jobs to survive. But then she met Nigel. Nigel has money to burn, and suddenly Lorelei finds herself in a situation where she doesn’t need to work. She’s comfortable. Secure. She has all the time in the world to pursue clowning. And yet, somehow, two years later, she still hasn’t got around to it.

In Search of Applause is billed as a one-woman romantic comedy about the sacrifices we make for security. The play, written and performed by Maroussia Vladi, and directed by Andrew Hurst, does not match the description. First, it’s not a romantic comedy. It’s a series of Lorelei’s ruminations on why, even with Nigel’s endless resources at her disposal, she isn’t happy. Vladi uses elements of physical theatre, including mime, to set a light, comedic tone. But ‘romantic comedy’ is a genre that establishes very concrete expectations, none of which are met.

Second, the programme says the play asks how much we’re willing to sacrifice for comfort and security. It’s misleading because it suggests the relatable dilemma of sacrificing dreams for stability and careers that pay. In Search of Applause isn’t about this. The actual question the play poses is: would you stay with someone you didn’t love for his or her money? It’s not surprising the show isn’t billed this way, as it’s an outdated premise modern audiences will have little interest in.

Because the set, costumes, and props are 1950s, it’s perplexing to be made gradually aware the play is set in the present day. The 50s style may be a metaphor for Lorelei’s “old-fashioned”, How to Marry a Millionaire mentality, but it’s so contrived and disorienting it works against the story rather than for it. While the design is aesthetically interesting, and there’s clever use of props, it’s hard enough to believe we’re anywhere but a small pub theatre without the set screaming the wrong era.

The show itself is a long sixty minutes of stilted, one-sided conversations – an onslaught of rambling and artless ideas. Though there is some good writing and funny moments, the format is difficult to engage in, and an unrelatable protagonist with an unrelatable problem doesn’t help.

The script, in many ways, paints Lorelei as vapid, “insensitive and spoilt”. A stereotypical ‘trophy wife’. She wears heels and lingerie slips. That this person could also be a clown stretches the limits of imagination. And we’re given no assistance. For a story about someone who loves clowning, the almost complete absence of it form the show leaves a gaping hole. We never see Lorelei as a clown. It’s a missed chance for boldness, an infusion of much needed freshness to the performance, and believable depth to the character.

In Search of Applause has glimmers of intriguing ideas, but they need development.

 

Reviewed by Addison Waite

Photography by Ian Hart

 


In Search of Applause

Old Red Lion Theatre until 2nd March

 

Last ten shows reviewed at this venue:
Lamplighters | ★★★★ | July 2018
Welcome Home | ★★★ | August 2018
Hear me Howl | ★★★★ | September 2018
That Girl | ★★★ | September 2018
Hedgehogs & Porcupines | ★★★ | October 2018
Phantasmagorical | ★★★ | October 2018
The Agency | ★★ | October 2018
Indebted to Chance | ★★★★ | November 2018
Voices From Home | ★★★½ | November 2018
Anomaly | ★★★★ | January 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com