MOUNTAINS AND SEAS – SONG OF TODAY
Omnibus Theatre
★★★
“visually striking, often intellectually stimulating, and performed with deep commitment”
How do we stage myth in the present? And do the songs of today still carry weight? In Mountains and Seas – Song of Today, a collectively devised work by Xie Rong, Daniel York Loh and Beibei Wang, ambition is never in short supply. Commissioned and co-produced with Kakilang, the show draws inspiration from the ancient Chinese classic Mountains and Seas to confront a sweeping range of contemporary anxieties: climate collapse, digital surveillance, rising global fascism and existential dread.
The show begins on a note of quiet, arresting clarity. Jennifer Lim stands centre stage and delivers Daniel York Loh’s poetic opening with calm authority: “There is no civilisation,” she tells us, “Only mountains and seas.” In these opening moments, the piece feels anchored and evocative, promising a meditation on deep time and fragility. Lim remains the production’s emotional anchor throughout, even as the work fractures into more unstable and volatile territory. Her narrator is subtly shaped through Fan Jiayi and Tash Tung’s physical movement, and through moments of dialogue and exchange with Xie Rong, giving the role a layered theatrical life beyond spoken text alone.
That calm is soon ruptured by an unexpected burst of Beijing Opera–style singing. From here, the production refuses to settle into any single form. It becomes a restless hybrid — part ritual, part political address, part physical theatre, part live concert — with music surging through multiple styles, from folk to rock to instrumental soundscape.
At its strongest, the piece achieves moments of genuine visual power. Yiran Duan (Yi Craft Studio)’s costume and jewellery design is exquisite: metallic, reflective and ceremonial, situating the performers in a world that feels ancient yet futuristic. Danni Zheng and Ao Lei’s lighting design creates some of the evening’s most memorable images — performers standing framed within triangular beams of light, laser-like reflections flashing from costume surfaces, and, near the end, cloud motifs drifting across the stage with quiet magic.
Daniel York Loh’s script is densely poetic and fiercely intelligent, but the sheer number of crises it attempts to contain — ecological collapse, political extremism, technological anxiety — creates a sense of conceptual congestion. The performance shifts rapidly between spoken word, operatic outburst, live music, abstract movement and visual installation. Without firmer stage direction or clearer rhythmic control, these elements begin to compete rather than deepen one another. By the end, the overriding impression is of a group of highly skilled artists attempting to hold more than the form can comfortably sustain. The reference to Mountains and Seas remains an evocative motif rather than a true structural or philosophical engine — a poetic backdrop rather than the production’s organising spine. The question that lingers is not whether these themes matter — they undoubtedly do — but whether the work has yet found a coherent theatrical language capable of holding them together.
Mountains and Seas – Song of Today is visually striking, often intellectually stimulating, and performed with deep commitment. Its seriousness of purpose is undeniable, and many of its individual images linger in the mind. Yet as the audience moves through waves of climate panic, political dread and existential anxiety, the journey often feels closer to a constellation of urgent fragments than a fully unified theatrical arc. Perhaps what the work most needs is not more ideas, but one clear line to carry us through the storm. As the performance itself suggests: “Mountains and seas are endless.” So too are our fears, hopes and imagination — but only when shaped with clarity can they truly transform. With sharper dramaturgical focus and greater trust in the physical language of performance, this work may yet achieve the mythic force it seeks. For now, it stands as a provocative contemporary myth in draft form — intriguing, ambitious, and still searching for its final shape.
MOUNTAINS AND SEAS – SONG OF TODAY
Omnibus Theatre
Reviewed on 3rd December 2025
by Portia Yuran Li
Photography by Jamie Baker
Previously reviewed at this venue:
THE GOOD LANDLORD | ★★ | November 2025
JULIUS CAESAR | ★★★★ | October 2025
THE ENDLESS HOTEL | ★½ | October 2025
CUL-DE-SAC | ★★★ | May 2025
BLOOD WEDDING | ★★★★ | May 2025
THE GUEST | ★★★★★ | April 2025
