CLOSURE at the Theatre Royal Windsor
★★★★
“a witty, pacey and up-to-the-minute thriller”
Theatre Royal Windsor’s current offering is ‘Closure’ – a brand new thriller by experienced writing duo Catherine O’Reilly and Tim Churchill. They were given enthusiastic support in developing this fast-moving premier by the late Bill Kenwright, the renowned producer whose company owns and operates the theatre.
Family tensions run very high indeed in the first half of the evening as normality unravels like it is going very rapidly out of fashion. Josh and Emma Carlisle (Joseph Thompson and Roxanne McKee) are holding a dinner party at their impressive new country home (set design un-credited) to which they have invited their extended family. Their guests include Susan Penhaligon as Libby Kennedy, a rather splendidly dipsomaniac matriarch with more than a passing infatuation for several bottles of Merlot. Just what is it with all the conspicuous consumption of booze in plays like this? She is partnered by another equally experienced actor (and sometime Blue Peter presenter) Peter Duncan. He plays an ex-cop of what turn out to be rather dubious morals.
Hollyoaks’ Jemma Donovan and Christopher Jeffers make impressive entrances as the couple’s younger daughter Becca and her new boyfriend Alex – both of them rather splendid Love Island wannabes (costumes Hilary Bloomfield).
Director Charlotte Peters ably turns the theatrical spotlight on each of these flawed characters in turn. What happens when good people do bad things? When the pressure mounts, what cracks will appear? And when bad turns to worse, can we the audience guess just what these increasingly manic characters will do next? As well as all this edge-of-the-seat action, there are some daft comedic twists which mean that the dramatic tension is reliably interspersed with laughter. The cast list is competed by Marcus Adolphy who plays a senior police officer with a talent for turning up just when he is least wanted.
‘Closure’ takes a few heavy-handed pot shots at the Insta generation, with lighting effects designed by Douglas Kuhrt. A darker story about trauma and grief underpins the plot, but this is not the kind of play which holds these weighty themes up to serious examination. ‘Closure’ is not conceived as a traditional murder mystery in the style of Agatha Christie’s ‘Mousetrap’ and other such theatrical workhorses. It is most certainly a witty, pacey and up-to-the-minute thriller which at tonight’s packed performance did not fail to disappoint its enthusiastic audience.
CLOSURE at the Theatre Royal Windsor
Reviewed on 28th February 2024
by David Woodward
Photography by Jack Merriman
Previously reviewed at this venue:
THE GREAT GATSBY | ★★★ | February 2024
ALONE TOGETHER | ★★★★ | August 2023
BLOOD BROTHERS | ★★★★★ | January 2022
THE CHERRY ORCHARD | ★★★★ | October 2021
CLOSURE
CLOSURE
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