Tag Archives: Pippin

The Wasp

The Wasp
β˜…β˜…β˜…Β½

Etcetera Theatre

The Wasp

The Wasp

Etcetera Theatre

Reviewed – 24th June 2019

β˜…β˜…β˜…Β½

 

“Lacey and Sammons both acknowledged the significance of each word so the author’s themes could be truly heard”

 

The Wasp, by Morgan Lloyd Malcolm depicts the encounter of two old school mates as they are reunited for the first time in twenty years. These two friends could not be more different, yet a startling proposition bonds them once more as their fraught history resurfaces with serious repercussions.

Peppered Wit Productions took this ambitious play on with great confidence and control, not being intimidated by the density of it. As a two-hander both actresses, Joanne Sammons and Tara Lacey kept up their stamina and their energy buoyant throughout the ninety minute play. Barely leaving the stage, they were engaging and took the audience on a journey with them providing a believable performance with the characters developing well.

Malcolm’s writing at times can be curt and Pinteresque and then contrast with lengthy monologue type responses – this could easily be lost by actors with less understanding, yet Lacey and Sammons both acknowledged the significance of each word so the author’s themes could be truly heard.

Peppered Wit Productions is a self funded company, creating their work collectively. They are an example of what collaboration done well looks like. The set design and directorial choices were well placed and executed with quality and professionalism – all done on what one can only image to be a somewhat meagre budget. They are also dedicated to bring theatre to audiences far and wide, making it accessible to communities who are often marginalised and left on the outskirts of the theatrical world. This is a very commendable trait of this accomplished theatre troupe.

The Wasp is a tale of psychological turns and societal dichotomies. Malcolm asks questions about the inherent nature of violence within human beings, about nature vs nurture and how childhood is more than simply a time in our past but the foundation and catalyst to our future life choices – all of which was depicted with dexterity, humour and commitment.

 

Reviewed by Pippin

Photography courtesy Peppered Wit

 

Etcetera Theatre

The Wasp

Etcetera Theatre ahead of Edinburgh Festival Fringe

 

Last ten shows reviewed at this venue:
Little by Little | β˜…β˜… | September 2018
The Break-up Autopsy | β˜…β˜…β˜…β˜… | October 2018
Never Swim Alone | β˜…β˜…β˜…β˜… | November 2018
Rats | β˜… | November 2018
Vol 2.0 | β˜…β˜…β˜… | November 2018
Jailbirds | β˜…β˜… | December 2018
The Very Well-Fed Caterpillar | β˜…β˜…β˜…β˜… | December 2018
Bricks of the Wall | β˜… | January 2019
Saga | β˜…β˜…β˜…β˜… | March 2019
Safety Net | β˜…Β½ | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Ino Moxo

Ino Moxo
β˜…β˜…Β½

Purcell Room

Ino Moxo

Ino Moxo

Purcell Room, Southbank Centre

Reviewed – 15th June 2019

β˜…β˜…Β½

 

“the arbitrary cultivation of the whole piece was too random to come away with anything cohesive”

 

Ino Moxo is part of Border Crossing’s Origins Festival of First Nations which is being hosted across a wide range of London venues. This year marks its 10th anniversary and will feature a plethora of events celebrating indigenous diasporas across the globe. What is wonderful about this festival is its celebratory focus on how integral these past and present nations have been (and still are) in founding what we understand as our modern day society. It recognises the urgency to educate on the wealth these cultures and traditions possess, lest they be forgotten into the vast expanse of history.

Ino Moxo is performed by Peru’s Grupo Integro (consisting of five performers) and is inspired by the novel β€˜Three Halves of Ino Moxo: Teachings of the Wizard of the Upper Amazon’ by CΓ©sar Calvo. In the novel, Ino Moxo is a legendary sorcerer residing in the Amazon jungle. Grupo Integro’s performance is not an interpretation of the text but rather, as quoted in the programme, β€œa synaesthetic (sic) experience allowing us to resonate with its essence”.

With each movement; navigated with grace and precision, the troupe devised a performance that was slightly hypnotic at times. Perhaps this was induced by the purposeful repetition compounded by the visuals (Juan Carlos Yanaura and Carlos Letts) projected onto a sheer, black fabric acting as a translucent fourth wall, that helped induce a portentous dream-like state. The live singing by Rawa (RoldΓ‘n Munoz Agustin) was quite evocative; reminiscent of the ritualistic singing of shamans and both the musical arrangement (Santiago Pillado) and staging (Oscar Naters) enhanced the feeling of other-worldliness akin to an isolated limbo.

The show was certainly one of β€˜essence’ rather than any tangible meaning. And though there were references to the destruction of sacred cultures for profit, the performance was incredibly abstract and especially turgid to dissect. Often, very little happened and the stage itself would be left empty. Whether this was an intentional incongruity is still up for question, but it did nothing to enhance the piece as a whole. The aim of Ino Moxo was to create an ambiance, a feeling for which the audience could intimately resonate with, yet the arbitrary cultivation of the whole piece was too random to come away with anything cohesive.

It is clear that Grupo Integro care passionately about the importance of this work. It’s translated and conveyed in the detail of each flick of a head to the curl of every fingertip. If you are a fan of abstract physical theatre and dance, this show is certainly for you and if not, there is an array of fascinating events still to see at the Origins festival that will most certainly capture your imagination.

 

Reviewed by Pippin

 

SOUTHBANK CENTRE

Ino Moxo

Purcell Room, Southbank Centre until 16th June

 

Shows previously covered by this reviewer:
Fighter | β˜…β˜…β˜… | April 2019
The Half-God of Rainfall | β˜…β˜…β˜…β˜… | April 2019
Outrageous Fortune | β˜…β˜…β˜… | May 2019
Shift | β˜…β˜…β˜…β˜… | May 2019
The Mind Reading Experiments | β˜…β˜…β˜… | May 2019
Cuttings | β˜…β˜…β˜…Β½ | June 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com