Tag Archives: Portia Yuran Li

PEPPA PIG’S BIG FAMILY SHOW

★★★★

UK Tour

PEPPA PIG’S BIG FAMILY SHOW

Theatre Royal Haymarket

★★★★

“a warm, playful introduction to theatre for very young audiences”

From the moment the signature theme music swells through the theatre, audiences of every age are gently ushered back into Peppa Pig’s bright, familiar universe. When the much-loved song “Today is the Day” starts up, the tiniest theatregoers practically lift out of their seats, sensing that a full day of play and adventure is about to unfold. The unexpected heart of this new stage outing, however, lies in the introduction of baby Evie — a storyline fans have only just begun to encounter in recent announcements. Seeing it play out live gives the production an immediate emotional charge, as if the young audience has been invited to witness a family milestone from inside the Pig household itself.

Daisy, the show’s human guide, anchors us inside the oversized puppetry world with warmth and clarity. Through her perspective, the children learn what it means to prepare for a new sibling: decorating the house, helping the grown-ups, and sharing in the anticipation. Scenes with Peppa and George preparing baby Evie’s room gently invite children to think about pregnancy, family change, and what it means to welcome someone new. The narrator’s performance is sharply tuned to the cartoon’s vocal style, giving the sense of a television episode brought to life. Music drives the production, with nearly every number built around interactive dance moments — from decorating the house to playing outdoor games — ensuring young viewers seldom sit still for long.

The most inventive sequences come from the show’s playful use of theatre magic. When George cries real water tears, droplets shoot out toward the audience, causing delighted shrieks across the stalls. Later, a glowing nighttime tableau appears as fluorescent ducks, a rising moon, and three enchanted paint buckets emerge from behind a lowered black curtain. Brushes seem to dance and paint on their own, transforming the set in a moment of genuine stagecraft charm.

The second act quietens in tone as baby Evie finally arrives. The entire auditorium lowers its voice to greet the newborn — a surprisingly tender communal moment. A song about Evie learning and growing resonates with parents, especially when the sound of a newborn’s soft cry drifts through the theatre. The finale returns to high energy with a game of musical statues and an appearance from Santa, who, despite resembling a very slim Santa image, delights the children nonetheless.

Where the production falters is in its target age range, the storytelling and interaction level skew strongly toward children aged two to four. For older children, the narrative may feel too simple, closer to an early-years activity session than a full theatrical experience. Meanwhile, for toddlers under two, the long running time can feel demanding.

Overall, this Peppa Pig stage outing delivers exactly what its core audience hopes for: bright colours, gentle humour, familiar songs, and moments of theatrical magic that feel lifted straight from the cartoon. While its age targeting could be clearer, the production succeeds as a warm, playful introduction to theatre for very young audiences — and a charming celebration of Peppa’s ever-expanding family.



PEPPA PIG’S BIG FAMILY SHOW

Theatre Royal Haymarket then UK Tour continues

Reviewed on 7th December 2025

by Portia Yuran Li

Photography by Mark Senior


 

Shows most recently reviewed at this venue:

OTHELLO | ★★★★★ | November 2025
SALOMÉ | ★★★★ | September 2025
THE SCORE | ★★★½ | February 2025
WAITING FOR GODOT | ★★★★ | September 2024

 

 

PEPPA PIG

PEPPA PIG

PEPPA PIG

THE SNOW QUEEN: A WOODLAND ADVENTURE

★★★★

The Albany

THE SNOW QUEEN: A WOODLAND ADVENTURE

The Albany

★★★★

“a glowing winter treat for the very young and for anyone still young at heart”

What if the joyful heart of winter turned cold and bleak? In The Snow Queen: A Woodland Adventure, a charming new family production from Icon Theatre and the Albany, Hans Christian Andersen’s winter tale is reimagined as an intimate, interactive woodland quest. Directed and written by Nancy Hirst, the show follows the mice Gerda‘s adventure through a frost-bound forest to break the Snow Queen’s spell—a journey that becomes as much about collective warmth as it is about seasonal magic.

The production’s welcoming, immersive atmosphere begins the moment families enter performers greet children in character, colourful seating draws them forward, and the pre-show becomes part of the world. Participation flows naturally from there—children help find missing socks, play musical statues, vote in a ceremonious “best cheese” contest, and later join hands (or elbows) to steady the “magic boat” crossing an icy river. Each moment reinforces the story’s themes of cooperation and shared courage.

Eve Pereira’s Gerda is the emotional anchor of the piece—sweet, earnest, and instantly inviting. She is warmly supported by Freya Stephenson as the caring Mother Mouse and Henry Regan as the spirited Kai. The ensemble handles multiple roles with ease, though it is the chemistry between Pereira and the young audience that truly fuels the narrative.

Visually, the show is delicately enchanting. Laura McEwen’s set and costumes evoke Bluebell Wood with crisp simplicity, gradually overtaken by the Snow Queen’s chill. Callum Macdonald’s lighting deepens this transformation, shifting from warm woodland glow to glittering frost with a sense of genuine magic. These transitions capture the emotional stakes of the story—the tug between warmth and cold, belonging and isolation.

Eamonn O’Dwyer’s music provides the production’s beating heart. The melodies are simple, memorable and accessible to young voices. When the audience joins the cast in singing “Shine, Star, Shine,” lighting a star overhead through collective song, the effect is quietly moving and beautifully pitched to families.

While not all elements land with the same gentleness. A few sharper words used in moments of conflict (“mean,” “loser”) feel slightly misaligned with the show’s otherwise tender tone and its intended age bracket, sadly pulling some parents out of the spell. Similarly, the Snow Queen’s monologue leans toward the didactic where physical storytelling might better captivate young viewers. A tighter, more physically expressive opening could also help audiences settle into the world more swiftly.

Even so, The Snow Queen: A Woodland Adventure succeeds as a visually engaging and musically uplifting piece of participatory theatre. Its greatest strength lies in recognising that children respond most deeply when invited to co-create the magic rather than merely watch it. The finale—snow drifting down as cast and audience unite in song—beautifully encapsulates this spirit. With its empathetic performances, thoughtful interactivity and a warm celebration of friendship, it is a glowing winter treat for the very young and for anyone still young at heart.

 

THE SNOW QUEEN: A WOODLAND ADVENTURE

The Albany

Reviewed on 6th December 2025

by Portia Yuran Li

Photography by Roswitha Chesher


 

 

THE SNOW QUEEN

THE SNOW QUEEN

THE SNOW QUEEN