GENTLEMEN at the Arcola Theatre

★★★★

“There are brilliant nods to The History Boys in this performance, but it feels like a fresh, very current take on those dynamics.”

Three men sit in the welfare office of a prestigious British University. It is never stated whether it is Oxford or Cambridge, but it doesn’t matter, it’s one of the two. There has been an incident of plagiarism and one student, the quintessential lad about town Greg (Charlie Beck) is accused of copying his quiet bisexual peer Casper (Issam Al Ghussain). Bumbling and cringeworthy welfare officer ‘Timby’ (Edward Judge) just wants to show he’s one of the boys – he’s a student too! Laddish showboating, mute resentment and shameless pandering continue as do the reported incidents. But as the severity of the accusations escalates, so too does the complexity and moral confusion of these three characters.

Richard Speir’s direction complements Matt Parvin’s script to create a tense and uncomfortable piece, which subverts and contorts traditional power dynamics and builds a mounting sense of dread. The play is also very funny, especially at the beginning. The first half builds up archetypal characters which the second half breaks down. It could have taken it further, but the moral tangles and muddied sense of right and wrong which the play toys with are fascinating.

All three performers have shining moments. Beck brings emotional depth to the laddish party boy Greg, and his performance is genuinely moving. Al Ghussain has mesmerising physicality, demonstrated particularly in a piece of physical theatre during a dream sequence and a joyous moment of dance. However, the stand-out performance is from Edward Judge as the tragic, and easily swayed welfare officer. There are brilliant nods to The History Boys in this performance, but it feels like a fresh, very current take on those dynamics.

Cecilia Trono’s set is an evocative, naturalistic replica of this kind of office, and the attention to detail transports us there. Will Alder’s lighting design is able to go wild in a nightclub scene and a dream sequence, and Jamie Lu’s sound design becomes particularly interesting in the second half.

The play is not perfect, and there are certainly elements that don’t work. For example, there are repeated references to General Franco’s attitude to gay men, which is not explored in enough detail to make it worth including, and feels like a lack of confidence in the beautiful simplicity of this concept. The best part of this play is the claustrophobic moral mess that these three men are trapped in. However, the idea behind this play, and the way it explores it, is interesting enough to make it recommendable.

 

GENTLEMEN at the Arcola Theatre

Reviewed on 9th October 2023

by Auriol Reddaway

Photography by Alex Brenner

 

 

 

Previously reviewed at this venue:

The Brief Life & Mysterious Death Of Boris III, King Of Bulgaria | ★★★★★ | September 2023

The Wetsuitman | ★★★ | August 2023

Union | ★★★ | July 2023

Duck | ★★★★ | June 2023

Possession | ★★★★★ | June 2023

Under The Black Rock | ★★★ | March 2023

The Mistake | ★★★★ | January 2023

The Poltergeist | ★★½ | October 2022

The Apology | ★★★★ | September 2022

L’Incoronazione Di Poppea | ★★★★ | July 2022

Gentlemen

Gentlemen

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