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Riot Act

Riot Act
★★★★★

Arcola Theatre & UK Tour

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Riot Act

Riot Act

Arcola Theatre

Reviewed – 16th June 2019

★★★★★

 

“Gregory remains an incredibly watchable and powerful figure on stage”

 

Just under a year since its mesmerising turn at the King’s Head Theatre, ‘Riot Act’ is on the move. The Arcola Theatre plays host this time for three performances that commemorate the 50th anniversary of the Stonewall riots, and the show will soon embark on a UK tour. I reviewed the show last year, and found it powerful, deeply moving and politically rousing. None of that has changed, and the show, along with writer and star Alexis Gregory, have only got better.

This is verbatim theatre utilising personal stories in the best way. Created from hours of interviews, we meet three gay men from three different generations: Michael, one of the last remaining witnesses to the Stonewall Riots; Lavinia, Hackney drag queen of the 70s; and Paul, Act Up activist and successful writer in his own right. These three stories come together to present a powerful collective experience. Struggles with identity and finding community. The freedom of gay liberation post-Stonewall. The unimaginable pain and suffering of the AIDS crisis. These oral histories give us tales beyond the mainstream. They ask us: what does it mean to be gay? What do we know about gay history? Do we take things for granted that in reality aren’t?

Paul’s message about “constant vigilance” seems even more potent in light of recent events. The cancelling of a performance of ‘Rotterdam’ in Southampton after stars Lucy Jane Parkinson and Rebecca Banatvala were pelted with stones. The headline grabbing attack on a London bus of Melania Geymonat and her girlfriend Chris. This show reminds us these aren’t random, but the continuation of a culture of intolerance we all know well. The question is: what can you do to change things?

Gregory remains an incredibly watchable and powerful figure on stage. He morphs effortlessly into the three characters using voice and stance to expertly delineate between them all. His speech rhythms also change – it’s real dedication to character on display here. Rikki Beadle-Blair directs, and the pair play around with lighting to create drama. Beadle-Blair allows Gregory to enjoy the comedic moments – and this audience was loving it. Laughter of surprise and recognition mixes in this vibrant and diverse audience. The show invites conversation. Speak to the person next to you! Ask them questions! Remember your shared history!

In all, ‘Riot Act’ remains one of the best queer shows I’ve seen in London. I’m so glad the rest of the UK will get chance to hear these stories and respond to them. How much are the metropolitan experiences of the men in the show shared by people from across the UK? What parallels will emerge? And what of the future of ‘Riot Act’? Gregory mentioned a ‘women’s riot act’ – so the future looks bright. Beautiful, engaging and moving, I recommend this show to everyone.

 

Reviewed by Joseph Prestwich

Photography by Dawson James

 


Riot Act

Arcola Theatre until 30th June then UK tour continues

 

Last ten shows reviewed at this venue:
The Rape of Lucretia | ★★★★ | July 2018
Elephant Steps | ★★★★ | August 2018
Greek | ★★★★ | August 2018
Forgotten | ★★★ | October 2018
Mrs Dalloway | ★★★★ | October 2018
A Hero of our Time | ★★★★★ | November 2018
Stop and Search | ★★ | January 2019
The Daughter-In-Law | ★★★★★ | January 2019
Little Miss Sunshine | ★★★★★ | April 2019
The Glass Menagerie | ★★★★ | May 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Riot Act – 5 Stars

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Riot

Riot Act

King’s Head Theatre

Reviewed – 31st July 2018

★★★★★

“packs an emotional and political punch that will move and inspire”

 

A powerful, emotional and rousing piece of verbatim theatre, ‘Riot Act’ is by far one of the most moving pieces of new queer writing currently being performed in London. Alexis Gregory, the creator and performer of the piece, has assembled three epic monologues from interviews with three gay men: Michael in New York, who tells of his experience at the Stonewall Riots; Lavinia from Hackney, who recounts their life on the London drag scene; and Paul, a gay rights activist reminiscing about his time on the front line.

All older gay men, these people (characters?) tell stories of amazing scope, encompassing gay liberation, the hedonistic seventies, devasting eighties and nineties, and the freedoms (or, indeed, lack thereof) that were fought for over the past five decades. Legacy and history are important to these men, and all seem impressed in the end that Gregory is taking the time to interview them and hear their stories. People simply “don’t ask”. Is there a link between strong gay male communities and an engagement with the past? ‘Riot Act’ argues there is, and that through understanding the struggles previous generations battled through we can better appreciate what we have now. Peter Tatchell is quoted in Paul’s interview, and the message sticks: vigilance, in a world where gay men still face abuse on a day to day basis (yes, even at 67!), is key. The piece is less a call to arms and more a kind reminder that communities, especially LGBTQ+ ones, are often stronger than individuals alone, and provide a necessary support network we cannot see get lost.

Gregory himself gives a startlingly punchy, grounded and virtuosic performance. Easily sashaying from character to character, a simple change of costume, voice and physicality denotes personality, and in his hands, the monologues become at once powerful, forceful and yet intimately personal. Rikki Beadle-Blair directs Gregory well, drawing out his physicality and strength, as well as the comedy within the monologues.

The impact of these stories was made all the more potent by the interviewees actually being in the audience on opening night. Bringing home the struggles and joys of older gay men’s lives, ‘Riot Act’ packs an emotional and political punch that will move and inspire well beyond it’s closing lines.

 

Reviewed by Joseph Prestwich

Photography by Dawson James

 


Riot Act

King’s Head Theatre until 5th August

 

Related
Also by Alexis Gregory
Sex/Crime | ★★★★ | The Glory | April 2018

 

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