Tag Archives: Robert Khan

THE GANG OF THREE

★★★★

King’s Head Theatre

THE GANG OF THREE

King’s Head Theatre

★★★★

“At the centre of director Kirsty Patrick Ward’s bitchy and erudite psychodrama are three rounded and convincing performances”

The occasional soundtrack behind this formidable political drama tells of a nation undergoing change, from the raucous rock of the early ’70s to the chaotic onslaught of punk and New Wave as the ’80s approach.

But inside Libby Watson’s evocative set – all dusty books, leather sofas, and drinks trolleys – the same argument goes round and round.

Three giants of the Labour movement – Tony Crosland, Roy Jenkins, Denis Healey – all pals from war-time Oxford – cannot fathom how to seize the leadership of their party and the country.

It’s right there for the taking, if only they can agree on who should carry the flame.

With such a prize will come influence for generations. Think: no Margaret Thatcher; the leftist tendency put to the sword; no third party politics.

But these towering figures are also – and perhaps more so – towering egos and none will relinquish their claim.

In the end, the prize is lost.

In writers Robert Khan and Tom Salinksky’s reckoning, the what-ifs fly like shrapnel through the years.

That is not to suggest these three upholstered middle-aged men were on the outside. No, they were close to power, becoming the embodiment of the privileged elite. Roy Jenkins, the father of the permissive ’60s, Denis Healey, arguably the last truly charismatic chancellor, and – brightest of them all – Tony Crosland and his seminal thinking on the future of socialism.

And yet, the prize eluded them and was granted to lesser men, in their eyes. They marvel, at one point, how the hard left stole the party after the 1979 election defeat simply because Tony Benn and Michael Foot did a deal that avoided splitting the vote, a feat the magnificent minds of The Gang of Three simply couldn’t pull off. For years.

As Healey says at one point, “We are all children wearing our fathers’ clothes, hoping no-one will notice.”

They know their fate is to sink together, to cancel each other out, but still they cling to old disputes while the country moves on.

At the centre of director Kirsty Patrick Ward’s bitchy and erudite psychodrama are three rounded and convincing performances, not impressions but capturing the spirit of those mighty figures.

Alan Cox is Crosland, all camp teasing and frivolity; booming Colin Tierney captures the avuncular yet menacing manoeuvrings of Denis Healey; while Hywel Morgan has the hunched-up physicality (and the mispronounced Rs) of the uptight, humourless Roy Jenkins, so desperate to run a party, he eventually founded his own.

In the brisk, knowing script we jump from April 1972, just as Jenkins throws his toys out of the pram and resigns the deputy leadership, to the mournful 1980 post-mortem, Thatcher in power for a generation and Jenkins still plotting to claim the liberal throne.

By then Crosland is dead at 58, his stellar potential left unfulfilled.

There is an unfortunate flashback to 1940, suggesting a homosexual fling between Jenkins and Crosland, but beyond that, the play never puts a foot wrong. The script is dense with argument about the difficult politics of the left but all is handled with a deft and playful touch.

To those who were there, it is an exciting tribute to great men of charisma in an age of titans – and to those too young to remember, it serves as a reminder that nothing – least of all fratricide – is new in politics.

The Gang of Three is an accomplished and satisfying work, with polished performances, a witty script, endless gins and a cascade of awkward truths that are still relevant today.



THE GANG OF THREE

King’s Head Theatre

Reviewed on 6th May 2025

by Giles Broadbent

Photography by Manuel Harlan

 

 

 


 

 

 

 

 

 

Previously reviewed at this venue:

(THIS IS NOT A) HAPPY ROOM | ★★★ | March 2025
FIREBIRD | ★★★★ | January 2025
LOOKING FOR GIANTS | ★★★ | January 2025
LADY MONTAGU UNVEILED | ★★★ | December 2024
HOW TO SURVIVE YOUR MOTHER | ★★★ | October 2024
TWO COME HOME | ★★★★★ | August 2024
THE PINK LIST | ★★★★ | August 2024
ENG-ER-LAND | ★★★ | July 2024
DIVA: LIVE FROM HELL! | ★★★★ | June 2024
BEATS | ★★★ | April 2024

 

 

THE GANG OF THREE

THE GANG OF THREE

THE GANG OF THREE

Brexit – 5 Stars

Brexit

Brexit

King’s Head Theatre

Reviewed – 1st November 2018

★★★★★

“a true ‘play for today,’ rooted in current political reality, spiced with delicious humour, razor sharp with insight and sparkling wit”

 

This satirical and hilarious look at the Brexit dilemma, two years on, is superb. It’s 2020 and a newly elected Prime Minister is taking the helm, attempting to steer the country through the convoluted Brexit morass. Nothing has happened since 2018, how will he manage to keep everyone, or even anyone, happy? It’s like a sitcom for the stage, with echos of ‘2012’, and ‘Yes Minister’, but far more biting and to the point. The Prime Minister, Adam Masters, is brilliantly played by Timothy Bentinck, better known for his many tv roles, and for being the voice of David Archer in ‘The Archers.’ His self-important, doubt ridden PM is a fantastic study of a Tory in trouble, trying to balance the different factions of his fractured party, and deliver something. Anything really. And to stay in office for longer than Andrew Bonar Law’s two hundred and eleven days.

There are some brilliant one liners, ‘You may have a triple first in sycophancy and beef wellington but that doesn’t give you the right….’ says Pippa Evans’ Diana Purdy, a ‘soft Brexit Tory,’ to Thom Tuck’s horribly oily, Rees Mogg like Simon Cavendish. Diana again, this time to the PM, ‘You can’t continue to govern over Schrodinger’s Brexit.’ Evans and Tuck are on opposing sides of the hard/soft Brexit divide, could they work together? Ultimately it’s all about power. And the man behind the power of the Prime Minister, and his election, is Campaign Manager and Chief Political Advisor, Paul Connell. Adam Astill plays him beautifully as a put upon, hard working power broker, who would prefer to stay on the sidelines. The Machiavellian power behind the throne. The final character is Lucy Montgomery’s, effortlessly in control, Helena Brandt, the chief EU negotiator. She is the epitome of elegance and understated power, that word again. The cast don’t put a foot wrong.

This play is much more than the one liners. The writing is pitch perfect. The creative team of Robert Khan and Tom Salinsky have given us a true ‘play for today,’ rooted in current political reality, spiced with delicious humour, razor sharp with insight and sparkling wit. Salinsky also directs, using the simple set with an economy that works really well. Credit must also go to Nicholas Holdridge and Jamie Robertson for the lighting, music and sound design.

If you can get a ticket do go and see this. It’s well worth it, and it’s a relief to actually be able to laugh when Brexit is mentioned, rather than sigh with despair!

 

Reviewed by Katre

Photography by Steve Ullathorne

 

kings head theatre

Brexit

King’s Head Theatre until 17th November

 

 

 

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