Tag Archives: Robert North

THE SNOWMAN

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Peacock Theatre

THE SNOWMAN at the Peacock Theatre

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“playful, spectacular and touching”

One Christmas Eve, a young boy’s snowman comes to life and takes him on a journey to the North Pole. The Snowman is a transfixing dance show for all ages in celebration of visual storytelling and Christmas enchantment. In its 27th festive season at the Peacock Theatre, Birmingham Rep’s iconic Christmas show continues to awake childhood nostalgia and childlike wonder.

Take caution. You will have the feature song β€˜Walking In The Air’ (Howard Blake) stuck in your head, but the kids love it and so will you! Have a mulled wine and tis the season.

Based on the book by Raymond Briggs and its 1982 film adaptation directed by Dianne Jackson, this performance uses clowning, masks, and ballet to bring the storybook adventure to life. Curtain up and we are introduced to a young boy who wakes up to the joyful discovery that it has snowed. He races outside to build a snowman where he is joined by processions of Christmas carollers and teenagers having snowball fights. This constant flow of familiar characters across the stage makes the world feel β€˜real’ at the very top of the show, thus making the gradual reveal of β€˜magic’ even more immersive.

The ballet is gorgeous (Robert North) and even more impressive when performed by dancers in giant animal costumes with crafted heads (Robert Allsop) reminding us of Disneyland characters. However, if you are afraid of clowns this might be one to skip. As the snowman is completed and comes to life, his stiff smile and black holes for eyes is slightly creepy. The continuous giggling of kids in the audience may say otherwise. Despite the mask, the snowman’s physicality presents him as a dumb but lovable animation sidekick. He moves with steady and heavy steps, acts the fool, makes fumbles but indulges the young boy’s requests – even stealing a motorcycle. He is Winnie-the-Pooh as a dancing snowman.

Ruari Murchison’s concave design of the stage’s proscenium frame reminds us of the Looney Tunes β€œThat’s All Folks” closing screen, reinforcing the episodic structure of the performance. Each scene holds its own space as a sketch or cartoon which at times quickly overlap for a smooth transition, keeping you (and the kids) spellbound throughout the performance.

It is clear that under the superb direction of Bill Alexander, Birmingham Rep really took their time exploring how to best reimagine iconic moments from the 1982 film to the stage. A standout moment is the scene where the snowman discovers the light switch in the kitchen. Here, a five second moment in the film is transformed into a one-minute comedic transition between scenes that sees the snowman dancing to strobing lights. When we reach the North Pole, the stage adaptation delivers surprises to expand the story from the film. Not only do we meet Father Christmas, his reindeer and other enchanted snowmen, but also a snow queen and a mysterious deviant who might not be a friend to our darling snowman. A welcome pantomime twist that promises some laughs and suspense.

The stage version of The Snowman captures the essence of the animated film whilst making room for comedy, dance and story development with the addition of characters we recognise from other beloved Christmas tales or our own lives. At times playful, spectacular and touching, we are transported to a world that feels both familiar and wonderstruck. The Snowman is magic.


THE SNOWMAN at the Peacock Theatre

Reviewed on 23rd November 2024

by Lara van Huyssteen

Photography by Tristram Kenton

 

 

 

 

 

 

Previously reviewed at Sadler’s Wells venues:

EXIT ABOVE | β˜…β˜…β˜…β˜… | November 2024
Ξ‘Ξ“Ξ‘Ξ™ΞœΞ™ (FAUVE) | β˜…β˜…β˜… | October 2024
STORIES – THE TAP DANCE SENSATION | β˜…β˜…β˜…β˜…β˜… | October 2024
FRONTIERS: CHOREOGRAPHERS OF CANADA | β˜…β˜…β˜…β˜… | October 2024
TUTU | β˜…β˜…β˜… | October 2024
CARMEN | β˜…β˜…β˜…β˜… | July 2024
THE OPERA LOCOS | β˜…β˜…β˜…β˜… | May 2024
ASSEMBLY HALL | β˜…β˜…β˜…β˜…β˜… | March 2024
AUTOBIOGRAPHY (v95 and v96) | β˜…β˜…β˜… | March 2024
NELKEN | β˜…β˜…β˜…β˜…β˜… | February 2024

THE SNOWMAN

THE SNOWMAN

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The Snowman

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Peacock Theatre

The Snowman

The Snowman

Peacock Theatre

Reviewed – 23rd November 2019

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“a visual feast for young and old eyes alike”

 

The Snowman, based on Raymond Briggs’ award winning children’s book, is brought to the stage by composer Howard Blake, director Bill Alexander and choreographer Robert North for its annual visit at the Peacock Theatre in London’s West End. It’s a perennial favourite among children and their parents β€œat the most magical time of the year,” and it’s easy to see why. Blake’s music, including the hit song β€œWalking in the Air” (sung by Aled Jones), plus North’s choreographyβ€”with Alexander’s direction tying it all togetherβ€”makes The Snowman one of those rare shows that can hold the attention of the primary school set and their younger siblings. It also helps that this show, like the book, has no words. The Birmingham Repertory Theatre’s production of The Snowman is a visual feast for young and old eyes alike.

That said, this production has a rather different look from the drawings in the book, although designer Ruari Murchison finds ways to portray the eponymous hero and the young boy who creates and befriends him that are recognisable enough. And it’s hard to find fault with the design for the myriad of other creatures not in the book, who come to join the Snowman and his friends on stage. The never ending array of toys, fruit, and adorable animals that come to life and dance in their unwieldy costumes is something the child in all of us can appreciate. The talented dancers, led by dance captain Antony Edwards, bring off the difficult combination of comedy and grace in their performances, to the delight of their young audience. The set uses the space at the Peacock cleverly and efficiently, given that a lot of room has to be created for the dancers (and for flying the Snowman and the Boy). The small but effective band, under the musical direction of Costas Fotopoulos, creates a lively sound that is loud enough to overcome the constant murmuring of adults and kids commenting on the action, but not so loud that an audience with sensitive ears could object.

The elements of the story in The Snowman are familiar to anyone who loves folk tales. It has some things in common with The Nutcracker, which may be the reason it was adapted into a seasonal show. But The Snowman is a much simpler taleβ€”perfectly designed for a younger audience that may not be quite ready for the complexities of Clara and her world in The Nutcracker. In short, Boy creates a Magical Snowman which he then introduces to the commonplace items of his world, such as clothing, toys, and food. But through the Snowman’s magic these items also become magical, and the boy’s world is transformed, culminating in a fantastic flight to the Snowman’s world where the roles are reversed. Now it is the Boy who becomes the magical figure transforming the world of the Snowmen and their friends. Add in the rescue of the Snow Princess from the evil Jack Frost, and all is ready for a happy celebration before the Boy returns home. Was his journey just a dream? But he still has the scarf that Father Christmas gave him, so of course it must be true.

If there is one criticism to be made of this show, it is that it runs a hundred minutes with an interval. That is a long time for very young children to manage, and there were predictable meltdowns towards the end of the second half. But for the most part, the audience was entranced by the music and dancing, and loved opportunities for waving at the Snowman and the Boy as they flew across the stage. So if panto is not your thing, and you are searching for a seasonal substitute to take your young friends and family to, why not introduce them to The Snowman?

 

Reviewed by Dominica Plummer

Photography by Tristram Kenton

 


The Snowman

Peacock Theatre until 5th January 2019

 

Previously reviewed at this venue:
Cirque Berserk! | β˜…β˜…β˜…β˜… | February 2018
The Snowman | β˜…β˜…β˜…β˜…β˜… | November 2018
Tango Fire | β˜…β˜…β˜…β˜… | January 2019
Hotel | β˜…β˜…β˜…β˜… | February 2019
Yamato – Passion | β˜…β˜…β˜…β˜…β˜… | March 2019
Beats On Pointe | β˜…β˜…β˜… | May 2019
Some Like It Hip Hop | β˜…β˜…β˜…β˜…β˜… | October 2019

 

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