Tag Archives: Royal Lyceum Theatre Edinburgh

TREASURE ISLAND

★★★

Royal Lyceum Theatre

TREASURE ISLAND at the Royal Lyceum Theatre

★★★

“They are as talented a bunch of pirates as you’re ever likely to see on the high seas”

This year’s holiday season offering at the Lyceum Theatre is an adaptation of Robert Louis Stevenson’s story of piracy on the high seas, and buried treasure. Adapted for the stage by Orkey based writer Duncan McLean, and directed by Wils Wilson, a talented cast of six launch a modern version of Treasure Island set in Leith, in a home for “reformed pirates.”

Scottish writer Robert Louis Stevenson’s classic tale, written in the nineteenth century, has been adapted countless times for film and television. These are the obvious choices of media for a story that ranges across vast distances, and with a large cast of memorable characters. By modernizing Stevenson’s story, McLean tackles both the difficulty of adapting Treasure Island for the stage, and reducing the number of characters to a manageable size. In a home for “reformed pirates”, we meet a contemporary version of the boy Jim Hawkins, who has been left in charge of a bunch of unruly pirates. To pass the time, they tell a story of their swashbuckling days. The cast of six take on various roles, including pirates, a castaway, Jim’s mum—and let’s not forget the puffin. McLean has cleverly updated Long John Silver’s iconic parrot to a bird well known to Orkney Islanders. The puppet puffin plays a major role. This version of Treasure Island is presented in a dramatic form that will be familiar to fans of Kneehigh Theatre. So there’s plenty to look at as the cast deftly goes about transforming the space on stage. From a pirate “home” to a ship at sea, and the ultimate destination, a “treasure” island, the cast are constantly on the move, and that includes climbing up and down a variety of multi-purpose ladders.

The cast themselves are very representative of a modern theatre company. The role of Long John Silver has been transformed into Lean Jean Silver, and Amy Conachan brings all of Silver’s memorable villainy to her interpretation, as she wheels herself nimbly around the stage. She has a lovely singing voice too. Jim is played by Jade Chan, and the rest of the company Tim Dalling (Ben Gunn), TJ Holmes (The Laird), Itxaso Moreno (Billy Bones) and Dylan Read (puppeteer for The Puffin) not only act, but sing and play a variety of musical instruments. They are as talented a bunch of pirates as you’re ever likely to see on the high seas. Set and costume designer Alex Berry has made an equally versatile creations for the actors to play in. Tim Dalling’s compositions range from hearty pirate songs to plaintive ballads. And the puppet designers, directors and makers (Ailsa Dalling, Sarah Wright and Julia Jeulin) have created a delightful puffin who will charm audiences of all ages.

In spite of the updates, though, McLean’s adaptation falls short. It is too long for the slender premise of telling stories to prevent pirates from backsliding into their piratical ways. There is too much of an assumption that the audience is familiar with the novel. And it’s true that Long John Silver’s parrot, “X” marks the spot, and any number of phrases from Stevenson’s classic novel have passed into common usage. Though these days, audiences are more likely to associate ‘“X” marks the spot’ with Indiana Jones, rather than Jim Hawkins. This version of Treasure Island compresses the plot, as it has to do, given the length of the novel, but not in a way that clarifies the story. Moving the action to Scottish locations doesn’t help all that much. McLean’s Treasure Island is still Jim Hawkins’ story, but Jim himself has been transformed from a boy in search of a father figure after his own has died, to a boy who has to take over running his absent mother’s home for reformed pirates. Somehow, it’s not quite the same.

Treasure Island is a bold choice of a show for a theatre wishing to move away from more conventional Christmas fare, but audiences looking for something that celebrates the holiday spirit may feel that this show would be better saved for another time of year.


TREASURE ISLAND at the Royal Lyceum Theatre

Reviewed on 29th November 2024

by Dominica Plummer

Photography by Jess Shurte

 

 

 

 

 

 

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TREASURE ISLAND

TREASURE ISLAND

Click here to see our Recommended Shows page

 

THIS IS MEMORIAL DEVICE

★★★★

Riverside Studios

THIS IS MEMORIAL DEVICE at Riverside Studios

★★★★

“The anecdotes and reminiscences are poetic in style and Higgins has an energy that rises as he slowly takes his foot off the soft pedal”

From 1983 to 1985, ‘Memorial Device’ was the best band that no-one’s ever heard of. Mysterious, post-punk legends, they hailed from (but never left) the small North Lanarkshire town of Airdrie, just a dozen or so miles East of Glasgow. They defined an era. Well, at least they defined the formative years of fledgeling fanzine journalist Ross Raymond (Paul Higgins). Forty years on, Ross has invited us to share his memories. To celebrate and resurrect the group that exploded in a haze of surreal glory before imploding again into the mists of unreliable memory.

Paul Higgins, in the utterly convincing guise of Ross Raymond, wanders onto the stage, slightly nervous at first, to spend the next hour delivering a mockumentary. Supported by press cuttings, recorded interviews, demo tapes and memorabilia he presents fiction as fact. Before long it becomes pretty impossible to differentiate reality from make believe. The gritty truthfulness of Higgins’ delivery recalls the time and the place perfectly, reinforced by Anna Orton’s minimal set that replicates the sort of back room dive that such a band would have rehearsed and gigged in. You can almost smell the stale cigarettes and musty beer fumes.

“This is Memorial Device” is unique and slightly odd. Adapted by Graham Eatough from David Keenan’s cult novel of the same title, it falls into a no-mans-land somewhere between drama and musical, lecture and parody. The anecdotes and reminiscences are poetic in style and Higgins has an energy that rises as he slowly takes his foot off the soft pedal. The further he delves into his memories, the more animated he becomes as he draws us into the nostalgia of a world he is building around him. He assembles the past band members from broken mannequins lying in a flight case as though resting in a coffin. When he dissembles them again to put them back, you know that he is mourning an age lost and gone forever.

 

 

Yet, for all that we are drawn into his enthusiasm (Ross Raymond is undoubtedly a die-hard fan), there are moments that drag. The use of video footage comprising a series of talking heads adds credence to the myth, but occasionally go on too long. If we were at home watching on our TV sets, these are the points at which we’d get up to make a cup of tea. Fortunately, though, Higgins is always on hand to pull us back in. The hypnotic effect is emphasised by the monotonic and metronomic music, composed by sound designer Gavin Thomson and musician Stephen McRobbie – the latter is the lead singer and guitarist of real life, Glasgow band ‘The Pastels’ who, unlike the eponymous combo, are still around.

It is testament to the writing and to Higgins’ performance that it is easy to think this is all real. We buy into the fabrication. Like the novel, this show will gain cult status. We almost expected to be offered merchandise on the way out, and the urge to look up ‘Memorial Device’ on Spotify was irresistible. We have been touched by the stories of these band members. Particularly of frontman Lucas Black, who suffered from having no short-term memory. Everything was written down in a little red notebook (his own memorial device) which Ross Raymond has kept for forty years. It is more than a history lesson; it is a dream-like journey into a music scene and its off-beat characters. Some died, some disappeared. But Higgins keeps them all alive. Even though they never really lived. That takes a particular kind of skill – one that Higgins and the co-creators of the show clearly possess.

It may not be to everybody’s taste, but I doubt it is looking for universal appeal. At curtain call, Higgins thanks us for coming to listen. The pleasure was all ours.

 


THIS IS MEMORIAL DEVICE at Riverside Studios

Reviewed on 26th April 2024

by Jonathan Evans

Photography by Mihaela Bodlovic

 

 

 

Previously reviewed at this venue:

 

ARTIFICIALLY YOURS | ★★★ | April 2024
ALAN TURING – A MUSICAL BIOGRAPHY | ★★ | January 2024
ULSTER AMERICAN | ★★★★★ | December 2023
OTHELLO | ★★★★ | October 2023
FLOWERS FOR MRS HARRIS | ★★★★ | October 2023
RUN TO THE NUNS – THE MUSICAL | ★★★★ | July 2023
THE SUN WILL RISE | ★★★ | July 2023
TARANTINO LIVE: FOX FORCE FIVE & THE TYRANNY OF EVIL MEN | ★★★★★ | June 2023
KILLING THE CAT | ★★ | March 2023
CIRQUE BERSERK! | ★★★★★ | February 2023

 

THIS IS MEMORIAL DEVICE

THIS IS MEMORIAL DEVICE

Click here to see our Recommended Shows page