Tag Archives: Alex Berry

CHARLEY’S AUNT

★★★★★

Watermill Theatre

CHARLEY’S AUNT

Watermill Theatre

★★★★★

“Rob Madge’s adaptation is an education”

“Charley’s Aunt” is one of the most successful and enduring British farces of all time. Written by Brandon Thomas, it premiered in London in 1892 and has been hugely popular ever since. Its absurd plot, fast paced humour and clever use of mistaken identity and cross-dressing make it a hallmark of archetypal farce, influencing many later comedies, films and sitcoms.

In this joyous new adaptation, superbly directed by Sophie Drake, this classic Victorian play has been given a glow-up by Rob Madge, the award winning creator of My Son’s a Queer (But What can you do?). From the moment you enter the auditorium, the diversity of the audience, the outrageous pink set and the sound of Dora Jar, Doja Cat and Gil Berg leave you in no doubt where we are heading for the night. Rob Madge said ‘how do we tackle gender bending being used as a comedic trope in this current age?’ Well they have managed to recycle and repurpose a brilliant farce, bring it bang up to date and make Charley’s Aunt as relevant to our society as it was to the Victorians.

The plot remains roughly the same, ambiguously set in Victorian times, but with some amusing modern phrases and twists – satisfyingly stronger roles for the women being a positive addition. Two young Oxford Undergraduates, Jack Chesney (Benjamin Westerby) and Charley Wykeham (a quite hilarious performance by Jonathan Case), want to propose to their girlfriends Kitty Verdun (Yasmin Özdemir) and Amy Spettigue (Mae Munuo). Their proposal is thwarted by rigid social etiquette and the need to have a proper chaperone present – Charley’s wealthy Aunt, Donna Lucia d’Alvadorez (a fabulously restrained Maggie Service) is supposed to arrive from Brazil, but when she doesn’t show up, they have to find someone to dress up and take her place so they can entertain the girls.

This production is an absolute hoot with a very talented and strong cast. The whole concept and vibrant costume design (Alex Berry) has a distinctly ‘Bridgerton on steroids’ feel to it. The versatile set lends itself well to the farcical elements of the play, and everyone is scrambling to meet the standards of Victorian marriage and propriety, which are easily mocked and subverted.

At the heart is queering up Charley’s Aunt which is a fantastic idea – the play is already full of gender-bending, identity confusion and performative social norms, which makes it ripe for a queer reimagining. The casting of a non-binary actor (a sensitive yet riotous performance by Max Gill) as Babbs instead of a heterosexual actor explores how their identity makes the disguise both more complicated and yet more liberating – revealing layers the original play only hinted at.

Rob Madge’s adaptation is an education.. transforming a 19th century farce into a tool for contemporary social education, revealing how gender is performed, how identity is constructed and how joy and comedy can challenge outdated norms – all while inviting modern audiences to confront and celebrate the complexities of queerness. Charley’s Aunt is about putting on a role to gain love or acceptance – a deeply relatable queer experience. Queering it doesn’t just modernise this play – it unlocks what was already there, just beneath the surface.

 



CHARLEY’S AUNT

Watermill Theatre

Reviewed on 8th October 2025

by Sarah Milton

Photography by Mark Senior


 

Previously reviewed at this venue:

JESUS CHRIST SUPERSTAR | ★★★★★ | July 2025
THREE HENS IN A BOAT | ★★★★★ | May 2025
PIAF | ★★★★ | April 2025
THE KING’S SPEECH | ★★★★ | September 2024
BARNUM | ★★★★ | July 2024
MUCH ADO ABOUT NOTHING | ★★★★ | April 2024
THE LORD OF THE RINGS | ★★★★★ | August 2023
MANSFIELD PARK | ★★★★ | June 2023

 

 

CHARLEY’S AUNT

CHARLEY’S AUNT

CHARLEY’S AUNT

TREASURE ISLAND

★★★

Royal Lyceum Theatre

TREASURE ISLAND at the Royal Lyceum Theatre

★★★

“They are as talented a bunch of pirates as you’re ever likely to see on the high seas”

This year’s holiday season offering at the Lyceum Theatre is an adaptation of Robert Louis Stevenson’s story of piracy on the high seas, and buried treasure. Adapted for the stage by Orkey based writer Duncan McLean, and directed by Wils Wilson, a talented cast of six launch a modern version of Treasure Island set in Leith, in a home for “reformed pirates.”

Scottish writer Robert Louis Stevenson’s classic tale, written in the nineteenth century, has been adapted countless times for film and television. These are the obvious choices of media for a story that ranges across vast distances, and with a large cast of memorable characters. By modernizing Stevenson’s story, McLean tackles both the difficulty of adapting Treasure Island for the stage, and reducing the number of characters to a manageable size. In a home for “reformed pirates”, we meet a contemporary version of the boy Jim Hawkins, who has been left in charge of a bunch of unruly pirates. To pass the time, they tell a story of their swashbuckling days. The cast of six take on various roles, including pirates, a castaway, Jim’s mum—and let’s not forget the puffin. McLean has cleverly updated Long John Silver’s iconic parrot to a bird well known to Orkney Islanders. The puppet puffin plays a major role. This version of Treasure Island is presented in a dramatic form that will be familiar to fans of Kneehigh Theatre. So there’s plenty to look at as the cast deftly goes about transforming the space on stage. From a pirate “home” to a ship at sea, and the ultimate destination, a “treasure” island, the cast are constantly on the move, and that includes climbing up and down a variety of multi-purpose ladders.

The cast themselves are very representative of a modern theatre company. The role of Long John Silver has been transformed into Lean Jean Silver, and Amy Conachan brings all of Silver’s memorable villainy to her interpretation, as she wheels herself nimbly around the stage. She has a lovely singing voice too. Jim is played by Jade Chan, and the rest of the company Tim Dalling (Ben Gunn), TJ Holmes (The Laird), Itxaso Moreno (Billy Bones) and Dylan Read (puppeteer for The Puffin) not only act, but sing and play a variety of musical instruments. They are as talented a bunch of pirates as you’re ever likely to see on the high seas. Set and costume designer Alex Berry has made an equally versatile creations for the actors to play in. Tim Dalling’s compositions range from hearty pirate songs to plaintive ballads. And the puppet designers, directors and makers (Ailsa Dalling, Sarah Wright and Julia Jeulin) have created a delightful puffin who will charm audiences of all ages.

In spite of the updates, though, McLean’s adaptation falls short. It is too long for the slender premise of telling stories to prevent pirates from backsliding into their piratical ways. There is too much of an assumption that the audience is familiar with the novel. And it’s true that Long John Silver’s parrot, “X” marks the spot, and any number of phrases from Stevenson’s classic novel have passed into common usage. Though these days, audiences are more likely to associate ‘“X” marks the spot’ with Indiana Jones, rather than Jim Hawkins. This version of Treasure Island compresses the plot, as it has to do, given the length of the novel, but not in a way that clarifies the story. Moving the action to Scottish locations doesn’t help all that much. McLean’s Treasure Island is still Jim Hawkins’ story, but Jim himself has been transformed from a boy in search of a father figure after his own has died, to a boy who has to take over running his absent mother’s home for reformed pirates. Somehow, it’s not quite the same.

Treasure Island is a bold choice of a show for a theatre wishing to move away from more conventional Christmas fare, but audiences looking for something that celebrates the holiday spirit may feel that this show would be better saved for another time of year.


TREASURE ISLAND at the Royal Lyceum Theatre

Reviewed on 29th November 2024

by Dominica Plummer

Photography by Jess Shurte

 

 

 

 

 

 

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TREASURE ISLAND

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