Tag Archives: Sally Cookson

Stick Man – 3.5 Stars

Stick Man

Leicester Square Theatre

Reviewed – 21st October 2018

★★★½

“the whole cast consistently kept a sparky energy and played well to the audience”

 

Stick Man, one of Julia Donaldson and Axel Scheffler’s many much-loved children stories, is now enjoying a stage adaptation by Freckle Productions, in a show that lifts the charm and appeal off the page and delivers it to families across a sizzling forty five minute romp.

The plot sees the titular Stick Man (Jack Benjamin) taken on a perilous adventure after being swept away from his stick family by a dog (Kate Malyon, also playing everything from a swan to a very aggressive schoolgirl) during a jog in the park; he keeps getting used and abused in different scenarios until he ends up in need of some serious help to be reunited with stick wife and children. Euan Wilson rounds out the cast, chiefly providing music (composed by Benji Bower) on all manner of instruments that provides a gleeful timbre to the action on stage. The interplay between Wilson on the saxophone and Malyon’s swan was particularly enjoyable, although the whole cast consistently kept a sparky energy and played well to the audience.

Stick Man employs a number of everyday objects in its design (Katie Skyes) that allows for the cast and director Mark Kane to let them ooze creativity when used in performance, such as a roll of blue wallpaper wrapped between two cast members acting as a river, or using umbrellas to depict a raging ocean. The results are visually delectable, and keep the audience constantly engaged as to what innovative use of regular paraphernalia will be utilised next.

The style of the show takes a number of cues from pantomime, featuring a chase through the audience, a game of catch with a beach ball, and – yes – even a ‘they’re behind you’ moment. This works wonders to invite the audience into the story, and it is telling that the sections which did not feature any participation are the ones where the audience grew restless, giving the feeling that Stick Man should have embraced a few more opportunities to include the audience.

The source material has some issues if you’re looking closely, such as that the entire journey Stick Man goes on doesn’t see him learn anything or change, and there’s no especially interesting lesson to take from the story. Crucially, however, by and large the children adored it, and were uncontainably engrossed by the show’s end. Parents looking for an alternative to the usual panto this Christmas will find a lot on offer here.

Reviewed by Tom Francis

Photography by Paul Blakemore

 

Leicester Theatre

Stick Man

Leicester Square Theatre until 6th January

 

Previously reviewed at this venue:
Murder, She Didn’t Write | ★★★ | February 2018
Sh*t-faced Shakespeare: The Merchant of Venice | ★★★★ | April 2018
Sh*t-faced Shakespeare’s Romeo and Juliet | ★★★★ | June 2018
Murder She Didn’t Write | ★★★★ | September 2018
Sh*t-faced Showtime: Oliver With a Twist! | ★★★ | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

 

La Strada

The Other Palace

Opening Night – 31st May 2017

 

⭐️⭐️⭐️

 

Audrey Brisson is superb as the meek Gelsomina

 

Directed by Sally Cookson, La Strada is a new adaptation of the Federico Fellini 1957 film of the same name. Given that Lionel Bart’s 1969 musical based on the film closed after just one performance, it would be interesting if this new take would fair any better.

The film is a strong and powerful work with gritty characters and a disturbingly dark narrative. It follows the tale of Gelsomina, a young girl sold by her own mother to Zampanò, a travelling street performer. Chillingly the previous year Gelsomina’s sister had been sold to the same man but had ‘not survived the winter’. Zampanò is a brute of a man who regularly beats and intimidates the girl while using her as an assistant to his act.

The play follows the same plot but despite being enjoyable to watch, there is no real sense of drama and it just seems to lack a certain spark. Audrey Brisson is however superb as the meek Gelsomina, her portrayal as the timid, yet desperate to please youngster, is the best in the show.

Stuart Goodwin’s Zampanò is nowhere near unpleasant enough (which is more down to the writing and direction than his acting) and he doesn’t quite have the believable build of the strongman he portrays. The remaining cast and musicians cover a number of characters across several scenes and at times do bring some much needed vibrancy to the show.

The lighting (Aideen Malone) and set design (Katie Sykes) are both pleasing and bring the scenes alive. Director Sally Cookson has succeeded in making a pleasant enough show to go and see but sadly lacking in pathos.

 

Production Photography by Robert Day

 

La Strada is at The Other Palace until 8th July