★★★★★

“warm, sincere, contemporary and very funny”

Jerome K Jerome wrote ‘Three Men In A Boat’ in the late 19th century as a humorous travelogue, providing a social comment on Victorian society and leisure, which went on to become one of the most enduring comic novels in English literature. It has indeed never been out of print and has inspired numerous adaptations for stage, radio and television. The book follows three friends (and a dog) as they embark upon a boating holiday up the River Thames from Kingston upon Thames to Oxford.

This production is a long awaited collaboration of two award winning Berkshire theatres, Reading Rep and The Watermill producing a world premiere of Camille Ucan’s debut play ‘Three Hens In A Boat’ lovingly inspired by Jerome’s classic but with a contemporary twist, focusing on three women – a grandmother, mother and daughter – embarking on a hens do with a difference.

From the moment we enter the auditorium the combination of the muted lighting by Jonathan Chan, the charming riverbank setting designed by Jasmine Swan and the subtle yet effective soundscape by Ella Wahlström, creates a sedative effect on the senses transporting us to a timeless part of the Thames. However the modern city looming in the distance, beyond the tranquil meadows, places us firmly in the 21st century. There is even a decent sized skiff on stage which is of course, so central to the voyage.

I absolutely loved this production, transforming it to an all female intergenerational piece is inspired. The audience witness the physical and emotional meanderings of the women as they not only navigate the Thames but the complex mother / daughter relationships of the three generations, whilst understanding the unconditional love that binds them all together. Not only is Camille’s writing warm, sincere, contemporary and very funny, she also plays the role of the ‘woke’ granddaughter. All three of the women’s performances (Verona Rose as the mother and a scene-stealing Ellen O’Grady as the grandmother) were truly sensational. A nod to the composer Lauryn Redding here, who deftly balances the music to suit the mood and different age groups perfectly.

Abigail Pickard Price’s confident direction and inspired use of the small set, together with a stellar cast and production team has created a real gem of a show – a joyful, hilarious yet poignant journey for everyone

MUCH ADO ABOUT NOTHING

Royal Shakespeare Theatre

★★★½

“a refreshingly funny and modern production”

Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honour, shame and court politics. In this fun production at the Royal Shakespeare Theatre under the skilful direction of Michael Longhurst (former Artistic Director of the Donmar Warehouse and his RSC directing debut) we see the scandal and glamour of international football as a backdrop to this popular rom-com play, exploring the culture of lads, wags and misogyny.

Messina FC has just won the European Cup for the first time and as we enter the auditorium, Jon Bausor’s cleverly designed thrust stage and 3D football stadium immediately immerses us into the world of social media, sponsorship and branding. Team manager Don Pedro (Olivier Huband), along with his captain, Benedick (yes one of a few amusing changes to the original) and their new star player Claudio (Daniel Adeosun making his RSC debut) are invited to take some well-deserved R&R at a villa belonging to Leonato, (an excellent Peter Forbes) owner of their team and his wife Antonia (a feisty Tanya Franks).

Claudio immediately falls in love with their daughter Hero, and everything is set for the wedding of the year. Beatrice – a sports broadcaster – and Benedick both claim to despise the whole notion of love and marriage, but the others plot to make them fall in love. However, Don John, the manager’s brother has a more malicious plot in mind. He tricks Claudio into believing he saw Hero in a compromising situation on the night before their wedding…

For many, the football stadium is still seen as a male space, so misogyny is set up right from the start. The clever use of interactive social media and the ‘deep fake’ pictures of Hero (Eleanor Worthington-Cox, who has a cracking singing voice) would provoke a modern and relatable sense of anger at her betrayal. This was a fascinating and exciting idea and I was eager to see how it would pan out, but even though there were some clever adjustments to the text and some very funny scenes – especially Leonato’s video call – I felt slightly disappointed at the end of the first act. It felt like the dramatic content had been compromised by its own concept. It was hard to believe that Hero was really that innocent, which meant her cancel culture didn’t have as much emotional weight, especially as she and Claudio seemed to provide the main impetus for the plot out of the two romantic couples, whilst Benedick and Beatrice were the foil and dramatic sub plot. However, the play gathered momentum when Benedick (an exceptional Nick Blood) thoroughly amused us with his slapstick humour, whilst maintaining an endearing vulnerability as he was being tricked by his team mates into falling in love with Beatrice (Freema Agyeman).

It seemed like a play of two halves with the second act being far more relatable, zipping along in its contemporary setting like a well oiled machine. Beatrice’s emotional declaration of love for Benedick was quite heart stopping, before she countered the mood with her witty delivery. One of the highlights of this enjoyable production was the hilarious head of security Dogberry (Antonio Margo) whose comic timing and malapropisms were a masterclass in comedy.

This is a refreshingly funny and modern production of Much Ado About Nothing and worthy of being in the premier league.

THREE HENS IN A BOAT

Watermill Theatre

★★★★★

“warm, sincere, contemporary and very funny”

THREE HENS IN A BOAT

Watermill Theatre

Reviewed on 27th May 2025

by Sarah Milton

Photography by Pamela Raith

Last ten shows reviewed at this venue:

THREE HENS IN A BOAT

THREE HENS IN A BOAT

THREE HENS IN A BOAT

MUCH ADO ABOUT NOTHING

Royal Shakespeare Theatre

★★★½

“a refreshingly funny and modern production”