Tag Archives: Shakespeare

MACBETH

★★★★

Bread and Roses Theatre

MACBETH

Bread and Roses Theatre

★★★★

“The atmosphere is not built with materials, but with sound, silence, and breath”

On a stark, shadow-drenched stage, Macbeth breathes again – visceral, raw, and chillingly relevant. This stripped-back production brings Shakespeare’s tragedy into the present with terrifying clarity, proving that ambition, guilt, and power never go out of fashion. There are no elaborate sets, no grandiose costumes, only two actors, their voices, their presence, and the weight of one of the most haunting plays ever written.

Ant Henson and Martha Ibbotson deliver performances of remarkable intensity and intelligence. Together, they inhabit a multitude of roles with seamless dexterity, shifting personas with only the subtlest changes in posture, tone, and gaze. Their chemistry on stage is magnetic, and their understanding of the text runs deep. At times, it feels like Macbeth and Lady Macbeth are not just being portrayed, but lived. Shakespeare would no doubt recognise his words in their mouths, and perhaps even nod in approval at the fearless urgency with which they resurrect his work.

This is theatre reduced to its purest form. With no props or scenery to rely on, the setting is conveyed entirely through the text. The actors’ words become the landscape: we see the misty highlands of Scotland, the candlelit corridors of Dunsinane, and the eerie, wind-swept heath where the witches deliver their fateful prophecies, all summoned through Shakespeare’s language and the evocative delivery of the performers. The atmosphere is not built with materials, but with sound, silence, and breath.

Produced by Most Rare Vision, this minimalist masterpiece is supported by the precise and evocative work of Shelton Wong on sound and lighting. The lights do not simply illuminate, they sculpt the space, casting long shadows and sudden bursts of intensity that mirror the psychological descent of the characters.

A nod also goes to associate producer Emma Louise-Price for her contribution behind the scenes, helping bring the vision to the stage with care and clarity.

This Macbeth is not a comfortable experience, and it shouldn’t be. It’s a visceral, lean, and emotionally charged retelling that strips the story to its bloody core. The result is a chillingly modern portrait of human ambition and ruin. It doesn’t just retell Shakespeare’s tale; it reclaims it for today.

 

Bread and Roses Theatre

Reviewed on 27th May 2025

by Beatrice Morandi

Photography by Barbara Szente

 

 


 

 

Previously reviewed at this venue:

SOBRIETY ON THE ROCKS | ★★★★ | July 2022

 

MACBETH

MACBETH

MACBETH

ROMEO AND JULIET

★★★★★

Hackney Empire

ROMEO AND JULIET

Hackney Empire

★★★★★

“thrilling, raw, moving, and completely unforgettable”

If Shakespeare were here today, he’d be proud – perhaps even moved – to see his timeless tragedy reimagined in such a vibrant, daring, and emotionally charged way. This co-production between Hackney Empire, Belgrade Theatre and Bristol Old Vic, directed by the talented Corey Campbell, brings Romeo and Juliet into a new era while preserving every beat of its emotional core.

From the moment the lights dim, it’s clear this isn’t just another retelling. The production is bold, fresh, and utterly magnetic – a true celebration of youthful energy and artistic innovation. The language has been masterfully reworked, blending Shakespeare’s original lines with powerful additions of rap, R&B, and contemporary rhythms. It’s not just modernised – it’s recharged.

Leading the cast are the outstanding Kyle Ndukuba as Romeo and Mia Khan as Juliet. Despite their young age, both performers bring a striking level of depth, charisma, and authenticity to their roles. Their chemistry is electric, their performances emotionally resonant, and their command of both classical and modern language is simply superb. They are, without a doubt, rising stars to watch.

But it doesn’t stop there. This production is blessed with an exceptional ensemble, each member leaving their mark on the stage. Dillon Scott-Lewis, in the role of Mercutio and ensemble, is a standout. He fuses dance, rap, and acting into a single, seamless performance that demands attention. Andre Antonio in the role of Benvolio also brings incredible energy, captivating the audience from the very beginning with charisma and presence that lights up every scene he’s in.

A particularly memorable performance comes from Lauren Moakes as Lady Capulet and Ensemble. Her presence on stage is powerful and versatile – seamlessly blending acting, singing, and dance. She brings emotional depth to her role, with vocals that resonate and movement that enhances the intensity of each scene.

Set against a contemporary backdrop (set and costume design by Simon Kenny), this Romeo and Juliet becomes not only a love story but a commentary on modern life, youth, community, and division. The story of the star-crossed lovers is no less heartbreaking, but it feels more urgent and relevant than ever.

The live music is another key player in this production’s success. The band – Elijah Aduu (ERA) on guitar, Mark Holder on drums, D’evante Seepaul-Craig on keyboard, Chris Jones on bass, Aaron Blake (Keys 1), and Samuel Cummins (Keys 2) – delivers a phenomenal soundtrack that pulses through the performance. Their music does more than support the actors – it lifts, drives, and elevates the emotional journey of the play. It’s the kind of soundtrack you’ll wish was available on Spotify the moment the curtain falls.

This Romeo and Juliet is not just a performance – it’s an experience. It’s an extraordinary fusion of classic literature and contemporary culture, brought to life by a fiercely talented cast and creative team. It’s thrilling, raw, moving, and completely unforgettable.

Whether you’re a lifelong Shakespeare fan or discovering the story for the first time, this production is a must-see. Bold in vision and rich in execution, it’s a beautiful reminder that great stories never die, they simply evolve.



ROMEO AND JULIET

Hackney Empire

Reviewed on 24th April 2025

by Beatrice Morandi

Photography by Nicola Young

 

 


 

 

 

Previously reviewed at this venue:

DICK WHITTINGTON AND HIS CAT | ★★★★ | December 2024
ALADDIN | ★★★★ | November 2023

 

 

ROMEO AND JULIET

ROMEO AND JULIET

ROMEO AND JULIET