Tag Archives: Stephen Fall

Saga

Saga
β˜…β˜…β˜…β˜…

Etcetera Theatre

Saga

Saga

Etcetera Theatre

Reviewed – 13th March 2019

β˜…β˜…β˜…β˜…

 

“holds up a mirror to modern life and exposes its contradictions and ironies… impressively, it does this with playfulness, originality and charm”

 

Saga is the daughter of God, sent down from Heaven to observe how we live on Earth. In her brief time here, she passes through a series of social scenarios that point out to her the various extremes of human nature.

Written by Michael Currell and loosely based on August Strindberg’s A Dream Play from 1901, this clever and witty one-hour production is ambitious and covers a lot of thematic ground. Saga is witness to racism, our treatment of the homeless, the superficiality of social media and the shallowness of political opportunists. The play squeezes in plenty of Big Issues (the property ladder, Brexit and poverty are all referenced) without taking obvious positions of judgement, perhaps because the narrative is so overtly surreal.

Some of the dialogue, references and in-jokes – and even some singing – takes place in Swedish. If you are Swedish (like many of the audience), it will obviously mean a lot more to you. If, like me, you’re not Swedish you may find parts of it completely baffling and somewhat alienating. But this frustration aside, you can still enjoy the general sense of whimsy and the ABBA songs that appear at the beginning and the end of the show.

The three supporting actors (Olivia Skoog, Marie Rabe and Julia Florimo) do an excellent job of bringing to life various characters, multitasking seamlessly in a way that makes the cast seem far larger than it is. Frida Storm is particularly strong in the lead part, conveying a believable innocence and naivety that’s touching and more than a little sad. She cannot understand the cruelty people demonstrate. Seeking to experience love, it makes no sense to her to hear of YouTube β€˜likes’. And finding beauty all around her, she cannot fathom why human behaviour can be so ugly.

Directed and produced by Olivia Stone with the most minimal of stage sets, Saga holds up a mirror to modern life and exposes its contradictions and ironies. Impressively, it does this with playfulness, originality and charm.

 

Reviewed by Stephen Fall

Photography by thisisgutsy

 


Saga

Etcetera Theatre until 16th March

 

Last ten shows reviewed at this venue:
Your Molotov Kisses | β˜…β˜…β˜…β˜… | August 2018
Bully | β˜…β˜…β˜…β˜… | September 2018
Little by Little | β˜…β˜… | September 2018
The Break-up Autopsy | β˜…β˜…β˜…β˜… | October 2018
Never Swim Alone | β˜…β˜…β˜…β˜… | November 2018
Rats | β˜… | November 2018
Vol 2.0 | β˜…β˜…β˜… | November 2018
Jailbirds | β˜…β˜… | December 2018
The Very Well-Fed Caterpillar | β˜…β˜…β˜…β˜… | December 2018
Bricks of the Wall | β˜… | January 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Connecting

Connecting
β˜…β˜…β˜…β˜…

Chapel Playhouse

Connecting

Connecting …

Chapel Playhouse

Reviewed – 2nd March 2019

β˜…β˜…β˜…β˜…

 

“What makes it compelling is the hugely energetic physical comedy of Billy’s performance as he bounces around the stage”

 

A one-man show written and performed by Billy Hicks, and produced and directed by Lucie Regan, Connecting… is a funny and moving look at what it means to be lonely in the era of technology.

In 1997, a nine-year-old boy is moving into his new bedroom. We learn that he struggles to connect with others and make friends. He records cassette tapes of himself speaking about his interests and raving about his love for Doctor Who. The choice of that iconic timelord isn’t an arbitrary one: the show itself simulates time travel, leaping forwards a few years with every subsequent scene. Each time we encounter him, through puberty and into adulthood, the protagonist is a little older but still just as lonely. As he embraces the ever-changing technology made available to him (from MSN Messenger to Facebook and smartphones) – and as the narrative continues to fast-forward to the present – we are reminded of how the electronic networks that are meant to be β€˜connecting’ us are also increasing our isolation. On the internet, you can be anyone you want to be. But the inevitable flip side of this freedom is that accumulating β€˜friends’ and β€˜likes’ is no substitute for real friends who really like you.

What makes it compelling is the hugely energetic physical comedy of Billy’s performance as he bounces around the stage. Then there’s his quick-fire verbal dexterity. He reels off a barrage of cultural references from TV and video games, as well as bringing them to life by imitating the sound of early internet dial-up and singing or miming fragments of indie-pop hits of the early 2000s. It amounts to a torrent of expression that must have been expertly rehearsed to be performed so fluidly without stumbling. It’s especially notable how well Billy inhabits the world of a child. Plus, some of the lines (such as the clever joke about the fourth wall) make you think as well as laugh.

Thematically, it could have ended up somewhat simplistic – life can be lonely, technology can be alienating – but the performance is sufficiently quirky and imaginative to explore those themes in depth. Likewise, this could have become an excuse for lazy nostalgia. Remember Sonic the Hedgehog? Remember Wheatus? But the barrage of ephemeral recollections is used to underscore the mindset of a restlessly changing young man and the quickly evolving times in which he strives to find meaning.

 

Reviewed by Stephen Fall

 


Connecting …

Chapel Playhouse

 

Previous shows covered by this reviewer:
Cinderella: A Wicked Mother of a Night Out! | β˜…β˜…β˜…β˜… | London Welsh Centre | December 2018
Blue Departed | β˜…β˜…β˜…β˜… | The Vaults | January 2019
The Wrong Ffion Jones | β˜…β˜…β˜…β˜…β˜… | The Vaults | February 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com