Tag Archives: Lucie Regan

Sherlock Holmes in A Scandal in Bohemia!

★★★

Tristan Bates Theatre

A Scandal in Bohemia!

A Scandal in Bohemia!

Tristan Bates Theatre

Reviewed – 28th October 2019

★★★

 

“It shines at times, but is crying out for editorial cuts”

 

In my opinion, The Simpsons is arguably the most timeless and successful cartoon ever to grace television. Why? Because it appeals both to kids and adults alike, without compromise for either audience. In this sense, writer and director Francesca De Sica’s all-female, pop-up theatre retelling of the Sherlock Holmes short story appears to strive for the same effect, with a play that has lots of wackiness and slapstick gags for kids, but also a detailed plot and the odd joke only adults will get.

The text is pretty faithful to the original story – the language feels more or less the same although there is lots of ad-libbing. We follow Holmes (Elizabeth Appleby) and Watson (Francesca De Sica) as they are tasked with retrieving a sensitive photograph from actress Irene Adler (Princess Donnough) and returning it to their client, The King of Bohemia (Laura-Jean Richardson). Side characters are multi-roled by the five-piece cast – Katharine Blackshaw (as Mrs Hudson and other roles) gives the most memorable performance by far, making each of her characters stand out but through subtlety rather than playing for laughs as some of the other actors do.

The atmosphere of A Scandal In Bohemia is friendly and upbeat from the moment we walk in – each guest is offered a drink and a snack whilst the characters natter away, interacting fabulously with everyone. At the end, a few audience members are brought onstage and Sherlock tries to guess their occupation, which goes down extremely well with any kids watching. It’s a show that feels refreshingly collaborative. The world of the play also very much comes alive through the show’s design – despite having a pop-up set it is detailed and utilises the whole space, whilst the costumes are appropriate for the period yet eye-catching and colourful. Hand and shadow puppets are both involved also, albeit briefly – the shadow puppets are particularly charming and perhaps could be made more of.

This all takes over from the actual story, which seems like an afterthought. Many of the scenes feel too long and wordy, which is enough to make adults switch off, let alone kids. For those who are trying to follow what’s going on, this isn’t helped by the ceaseless ad-libbing or the random, vague movements that for some reason De Sica has included alongside important plot points. Unfortunately, A Scandal In Bohemia also seems to miss the mark in its quest to replicate ‘The Simpsons Complex’ and create something which appeals to audiences of all ages. The jokes are a little too childish and the acting a little too hammy for an adult audience, and the gags that clearly are there for adults are somewhat shoehorned in – the worst offender being a bit with Holmes and Watson openly snorting cocaine. Is that really something we want to show an audience of schoolchildren? The attempts to tell the story in a ‘fun’ way sometimes fall short also, for example the crime scene analysis/boxing match which somehow manages to be both confusing and unengaging, and the Punch & Judy show which seeks to fight the patriarchy, but seems completely out of place here.

It’s a shame because as a kids’ show, A Scandal in Bohemia has potential to be hugely entertaining if the text were simplified and the disjointed ‘jokes for the parents’ were got rid of. It shines at times, but is crying out for editorial cuts.

Reviewed by Sebastian Porter

Photography by Paul White

 


A Scandal in Bohemia!

Tristan Bates Theatre until 2nd November

 

Last ten shows reviewed at this venue:
To Drone In The Rain | ★★ | June 2019
Class | ★★★★ | July 2019
Sorry Did I Wake You | ★★★★ | July 2019
The Incident Pit | ★½ | July 2019
When It Happens | ★★★★★ | July 2019
All The Little Lights | ★★★★★ | August 2019
Boris Rex | ★★ | August 2019
The Geminus | ★★ | August 2019
The Net | ★★½ | August 2019
Dutchman | ★★ | October 2019

 

Click here to see our most recent reviews

 

The Fatal Eggs

The Fatal Eggs
★★★★★

Barons Court Theatre

The Fatal Eggs

The Fatal Eggs

Barons Court Theatre

Reviewed – 11th April 2019

★★★★★

 

“Douglas Baker’s adaptation illuminates and derides at the same time with a wild sense of invention, fun and some beautifully designed projections”

 

When Persikov, a zoologist, accidentally discovers evidence of a ‘life ray’ that accelerates growth in amoebas, the state and media pounce on its implications for productivity, technological mastery and beyond. Before the baffled boffin can comprehend his own work, government scientists commandeer his ray to replenish state chicken supplies following a poultry plague. Anxious of the consequences, Persikov orders snake eggs for further experiments but, inevitably, reptilian and avian ova go to the wrong addresses and proliferating snakes threaten to engulf the city.

If Mikhail Bulgakov’s science fiction satire ever becomes a set text, students can save themselves swotting by attending this multimedia and movement piece by So It Goes Theatre. With dazzling lightness of touch it communicates not only the tale itself but also the writer’s struggles with authority, his writing style, the troubled gestation of the novel itself, plus a good deal of the 1920s context including the objects of the work’s satire – the Bolshevik state’s obsession with technology and the infantilising role of the media. Douglas Baker’s adaptation illuminates and derides at the same time with a wild sense of invention, fun and some beautifully designed projections.

Although published in 1924, when threats from powerful new technologies were top of mind, no effort is needed to make the subject relevant to today. Thankfully, none is made; Douglas Baker’s direction revels in clunky Soviet lab equipment, clothing and the use of archaic maps and scientific illustrations in the animations (provided by Baker himself). The lush audio-visual treatment combines well with movement sequences (Matthew Coulton), most notably where Bulgakov hammers out his provocative masterpiece alongside his creation, Persikov, working at his microscope. It’s an artful sequence that shows how, for some, the consequences of artistic expression can be as dangerous as technological discovery.

Alex Chard is a distinguished Bulgakov, capturing with angsty conviction the author in the midst of creation. In a simple but effective portrayal, Lucie Regan imbues Persikov with the bland bewilderment of a scientist encountering the real world. Alongside them, Ben Howarth and Fiona Kelly are able and engaging as they fill in the other characters and narrate. Together, they form a disparate quartet of styles that interlock serious and comic, period and modern, biography and fiction, science and art, hilarity and horror. Add in vivid moments of sound design from Richard Kerry and you have a mock-earnest parable on the perils of progress, luminously adapted, elaborately performed and enjoyable on each if its many layers.

 

Reviewed by Dominic Gettins

Photography by Carl Fletcher

 


The Fatal Eggs

Barons Court Theatre until 27th April

 

Previously reviewed at this venue:
The Big Things | ★★½ | April 2018
Owls | ★★★ | July 2018
Sex Magick | ★★★ | October 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com