Tag Archives: Stephen Hyde

A Midsummer Night’s Dream – 4 Stars

Inch

A Midsummer Night’s Dream

The George Inn, Southwark

Reviewed – 8th September 2018

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“there was a palpable sense that this was a Shakespearean comedy as it was written; beer in hand, actors bellowing over a rowdy audience and an overall good time”

 

The Three Inch Fools present their version of A Midsummer Night’s Dream at The George Inn in Borough as a fusion of high-energy multi-role Shakespearian comedy with folk song and dance folded between, and into, the scenes. The end result is an enjoyable, energetic version of the classic cutting through the noisy beer garden and giving the family audience a fun and easy evening.

Directed by Stephen Hyde, this show is pure performance; our five actors cycle through the characters, each positively vibrating with enthusiasm. Claire Parry is a standout but all five were able musicians, great singers and obviously seriously physically fit to keep each scene louder, quicker and with more steam than the last!

Hyde is also the composer and, along with Eddie Mann as the Associate Musical Director, he gives the show its brilliant, if predictable, music with a series of folk-style songs, performed by the actors. These songs will catch any audience member momentarily relaxing with a hit of creativity to leave each moment filled with a can-you-hear-me-at-the-back attitude.

Unfortunately, high-energy does not a great show make. For families and in the fantastic George Inn, the show powered through as true pub theatre and was tight, well-rehearsed but perhaps not as thoughtful as it might have been. The comedy was generous and accessible although repetitive, and the multi-role work was clever and fun (a piece of costume for each character) but lacked the commitment in voice and physicality to not appear as a choice borne of necessity rather than creativity.

What this production lacked in substance, it made up for in comic commitment as the Fools battled and overcame a loud and boisterous beer garden. In many ways, the George Inn was a sixth actor, one that couldn’t keep quiet! There has been a public house on the site since Chaucer’s times (The Canterbury Tales begins there) and with the original Rose and Globe only metres away there is little doubt that the man himself once sat in the courtyard and was rained on a little as we were (bring an anorak!). This context and the cobbled streets meant that, for a touring production, the show felt specific to the George Inn and the performance was best enjoyed as a whole, rather than isolating only the on-stage action. The evening was impossible not to enjoy and at times there was a palpable sense that this was a Shakespearean comedy as it was written; beer in hand, actors bellowing over a rowdy audience and an overall good time.

 

Reviewed byΒ William Nash

Photography courtesy Three Inch Fools

 

The Three Inch Fools

A Midsummer Night’s Dream

The George Inn, Southwark until 16th September

 

Related
Other versions of A Midsummer Night’s Dream
β˜…β˜…Β | Theatro Technis | April 2018
β˜…β˜…β˜…β˜…Β | Watermill Theatre | May 2018
β˜…β˜…β˜…Β½Β | Wilton’s Music Hall | June 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Guy – 3.5 Stars

Guy

Guy

The Bunker

Reviewed – 16th June 2018

β˜…β˜…β˜…Β½

“A more slick delivery of this piece will ensure that it fulfills its potential”

 

In the cold brutality of a gay male scene that revolves so heavily around physical appearance, Guy is looking for love. Unfortunately he is dealing with his own insecurities, perpetuated by lists of turn offs and prejudices.

The overall narrative arch is lovely. It works really well and ties each of the people and story arcs together in its final moments. It also begins vital discussions about a scene that requires you to either go out on Canal Street or hookup with people via Grindr to meet anyone. The musical exposes the incredible pressures faced by gay men to look a certain way, both in terms of weight and race, and touches on obsessive gym routines and eating disorders as a product of these pressures. It is also refreshing to see a somewhat positive queer narrative that does not fall into the stereotypical subject categories.

The cast are strong and work well together. They all have fantastic voices, and bring the moments of choreography to life with an infectious dynamism. Musically, the actors feel uncertain at points. The score is heavily electronic which is highly effective, unexpected and undoubtedly clever, a conscious reflection of this clubbing based scene, but it feels at times like it leaves the actors with too little musical support. Frequently the music jars with their melodies and makes moments that may well have been accurate seem out of tune or time. This is perhaps something that will be ironed out as the show’s run progresses. It is however an undoubtedly exciting score by Stephen Hyde, supported by funny, well-observed book and lyrics by Leoe Mercer – clearly a very talented and ambitious duo.

A more slick delivery of this piece will ensure that it fulfills its potential, but ultimately this is a refreshing, well-observed and fun look at the gay scene, love and personal acceptance.

 

Reviewed by Amelia Brown

Photography byΒ Simon J Webb

 

 


Guy

The Bunker until 7th July

 

Related
Also byΒ leoe&hyde
The Marriage of Kim K | β˜…β˜…β˜…β˜…β˜… | Arcola Theatre | July 2017

 

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