Tag Archives: Theatre by the Lake

The Other Place – 3 Stars

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The Other Place

Park Theatre

Reviewed – 24th September 2018

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“the moderate dynamics throughout jar with the harrowing threads of the story”

 

Neurologist, Juliana Smithton, is successful and self-assured but while presenting her recent work – treatment for dementia – to a group of specialists, she becomes distracted. Karen Archer’s strong performance portrays a Juliana fighting to deny the signs of illness and come to an acceptance of the past. Scratching the surface, we discover a vulnerability disguised as assertiveness and then, as the layers peel away, we begin to understand her fragility. β€˜The Other Place’ is not just about dementia. It also depicts what, when and how we remember and the relationships it affects.

Sharr White’s writing is cleverly structured to follow Juliana’s state of mind from confusion to calm. The fragmentary scenes of the first part which mirror her illusion, disillusion and reality lead to her refuge in β€˜the other place’, her childhood house, where she feels secure among her memories. The make-up of the story, however, is less well shaped. Dementia and its life-changing consequences for everyone involved is already a distressing situation. Adding a tortuous family tragedy to illustrate the entanglement of her thoughts undermines the poignancy; the loose ends ensuing from that part of the story leave us curious as to the uncharacteristic behaviour of the parents towards their daughter. Heavy-handed humour comes across as deliberate light relief rather than naturally through personality and the whole play wraps up just a little too neatly.

In contrast to Juliana’s hostile accusations and frustrated forgetfulness, Neil McCaul, as Ian, gives us some moving moments as a husband trying to cope with the wife he loves and whose familiarity is disappearing, though his behaviour towards her is, at times, oddly blasΓ©. In supporting roles Eliza Collings draws three well-defined characters who challenge Juliana in different ways and Rupinda Nagra has a reassuring presence on stage in contrast to the surrounding disquiet. Claire van Kampen astutely directs this experienced cast with a focus on Juliana’s puzzle of past and present but the moderate dynamics throughout jar with the harrowing threads of the story and the interpretation feels underplayed in relation to the language of the script.

The simplicity of the stylish wooden set (Jonathan Fensom) is perfect for the comings and goings of the action and as a backdrop for Paul Russell’s classy lighting design. Beautifully inventive and atmospheric, it works in conjunction with the creativity of the sound (John Leonard) to paint the scenes. With a strong technical flair alongside confident performances, touches of drama and humour, food for thought and an ending full of hope, β€˜The Other Place’ brings to the Park Theatre, a piece of good, intellectual entertainment.

 

Reviewed by Joanna Hetherington

Photography by Mark Douet

 


The Other Place

Park Theatre until 20th October

 

Related
Reviewed this year at the Park Theatre
There or Here | β˜…β˜…β˜…Β½ | January 2018
A Princess Undone | β˜…β˜…β˜… | February 2018
Passage to India | β˜…β˜…β˜… | February 2018
Vincent River | β˜…β˜…β˜…β˜… | March 2018
Pressure | β˜…β˜…β˜…β˜… | April 2018
Building the Wall | β˜…β˜…β˜…β˜… | May 2018
End of the Pier | β˜…β˜…β˜…β˜… | July 2018
The Rise & Fall of Little Voice | β˜…β˜…β˜…β˜… | August 2018
Distance | β˜…β˜…β˜…β˜… | September 2018

 

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Review of As You Like It – 3 Stars

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As You Like It

Richmond Theatre

Reviewed – 8th November 2017

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“the company embody the lighthearted foolishness that makes the play what it is”

 

With it’s subtle political jokes (a β€˜stags for remain banner’ clearly shown) and modern dance pieces entwined with classic Shakespearean text, it feels like this performance was designed to try and draw in newbies to the classics. Despite this, Shared Experiences’ production of what has been shown to be an audience favourite of The Bard, has proven to humour a Shakespeare aficionado.

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You’d think with an alumni of Vanessa Redgrave and Helen Mirren (to name a few) starring as Rosalind, a young actor would be quaking in their boots to take on such a role. But, Jessica Hayles takes it in her stride providing a refreshing new take on the character. Layo-Christina Akinlude shines as her cousin Celia when they move to the mythical Forest of Arden, after fleeing persecution in her uncle’s court (now portrayed as some kind of political office). Libby Watson’s design for Arden comprises of a desolate stage with white walls and floors reminiscent of a cell, tinged with artificial hues of hot pink and green (lighting by Chris Davey) that remind me more of neon raves rather than a quaint and tranquil haven. Furthermore, the only other indication that this is a forest is one lone, artificial, barren tree which wobbles as the actors climb up it. Poorly placed projections add nothing to the set or the story.

The actors more than make up for what the set lacks. On top of the two heroines’ stand out performances, Nathan Hamilton sets the stage as an angsty teen version of Orlando, the main love interest who progresses to a love stricken outcast from the office/court while Matthew Darcy shines as, among other characters, the pantomime Audrey.

This play feels like it was aimed at a younger audience. One who would appreciate the selfies and Glastonbury feel to the camp in Arden. Despite this, it appeals to everyone, regardless of whether you like Shakespeare or not. It’s fun and funny to watch and you’ll catch yourself empathising with the characters of this centuries old, yet timeless, play.Β Directed gaily by Kate Saxon, the company embody the lighthearted foolishness that makes the play what it is; a playful romp through one of the early examples of a romantic comedy.

 

Reviewed by Ciara Loane

Photography by Keith Pattison

 

Richmond Theatre

 

AS YOU LIKE IT

is at the Richmond Theatre until 11th November then touring until 2nd December

 

 

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