Tag Archives: theatre

SCOTS THE MUSICAL

★★★★★

Scottish Tour

SCOTS THE MUSICAL

Pavilion Theatre

★★★★★

“a beautiful celebration of what it means to be Scottish”

In a world that often feels like it’s falling apart at the seams with a new disaster every day, theatre can offer us a much needed solace from the stresses of real life. Scots, a new Raw Material production in association with Beacon Arts Centre, lives up to this ethos in its entirety. Directed by Jemima Levick, Scots is a tremendous celebration of Scottish history. Bursting with energy and talent, it is a production that is sure to leave anyone who sees it positively tripping over with joy.

In what-is-not-quite-yet Scotland, many many years ago, we meet The Toilet. Not a toilet. Not their toilet. The Toilet. Played by Tyler Collins, The Toilet transports us through Scotland’s history in a spell-binding two hours of storytelling and song. With an ensemble cast of seven, each actor takes on an astonishing number of characters to lead us through Scotland’s most important historical events and ask the question at the heart of this show: What Makes a Country?

While a musical retelling of history is no new concept, both across the medium of musical theatre and in Scottish work specifically, Scots manages to get everything right. Written by Scott Gilmour and Claire McKenzie, this script is an information-packed, patter-filled delight. The music hits the way a musical should: beautifully crafted original tunes (bar the occasional wink to The Sound of Music) which drive the show forward and are pleasingly executed by the on-stage musicians. The story is not only filled with humour and educational spotlights onto some of Scotland’s forgotten heroes, but it cleverly nudges us towards self-reflection throughout. We are encouraged to observe and remember the less favourable parts of Scotland’s recent history, and Scots becomes as much a tribute to our past as it is a challenge to our future. We have no choice but to look towards ourselves and start thinking about what kind of Scotland we want to create.

What’s so impressive about Scots, right from the off, is that it is a show that knows exactly what it is. It leaps head-first into its brash and inherently Scottish humour and interaction with the audience with no apologies, immediately making it clear we are in for a chaotic ride. This precedent all the more allows the emotion of the show’s heavier moments to hit hard and leave a lasting impact. Jemima Levick’s direction is a clear reflection of her immense skill. Though there are humorous moments of disarray throughout, nothing ever feels superfluous in Levick’s direction. The tone throughout is expertly balanced, and Kenny Miller’s striking design is cleverly utilised so as to ground the story across its years but never detract from the action.

The cast are sublime. Tyler Collins as The Toilet is endlessly watchable with a kind of effortless magnetism which is clearly the result of someone who really knows their craft. The vocals throughout are incredibly well-placed, with Katie Barnett offering us a show stopping, heart wrenching number which plays perfectly to her exceptional voice. What is most captivating about the cast as a whole, however, is the sense we get of just how much fun they’re having. They radiate joy which permeates the audience in inescapable waves.

Scots is exactly what’s needed in the Scottish musical theatre landscape: an original piece of work which can support its important message with strong writing, music and calibre of team. It is a beautiful celebration of what it means to be Scottish that will leave you questioning your role in the future of this storied country.



SCOTS THE MUSICAL

Pavilion Theatre then Scottish Tour  continues

Reviewed on 18th March 2026

by Kathryn McQueen

Photography by Tommy Ga-Ken Wan


 

 

 

 

SCOTS THE MUSICAL

SCOTS THE MUSICAL

SCOTS THE MUSICAL

WELCOME TO PEMFORT

★★★

Soho Theatre

WELCOME TO PEMFORT

Soho Theatre

★★★

“its lovable characters and the show’s strong cast ensure a compelling watch”

Welcome to Pemfort, or more specifically, welcome to its gift shop – you’re the first customer this week! This heartfelt play will make you feel like maybe you should quit your job and work in a castle (ehm, fort), or maybe that was just me. Run by mother hen Uma (Debra Gillett), a bubbly former drug addict, set designer Alys Whitehead and Victoria Maytom bring the shop to life with their vintage carpets and quirky cabinets filled with homemade jam and wooden swords.

We get to know Uma and her ‘chickens’, laidback groundskeeper Ria (Lydia Larson) and Ali Hadji-Heshmati’s wonderfully serious, budding conservationist Glenn, as they debate how to present the site’s history at their fundraising Living History event. Glenn insists on historical accuracy and sensitivity while Uma prefers cherry picking all the gruesome bits to cook up one sensational historical soup. Their lighthearted quarrels make director Ed Madden’s show feel much like a meandering sitcom, reinforced by Max Pappenheim’s overtly cheesy music and Cheng Keng’s frequent blackouts. But the story gains momentum when Kurtis (played with conviction by Sean Delaney) enters the scene. An ex-convict guilty of an undisclosed crime, the Londoner is not as out of place in this wholesome team as he initially appears. As it turns out, Uma, Glenn, and even Pemfort itself also harbour a dark past that they deal with in very different ways.

Ultimately, this show poses the question of how we should deal with our bloody, tragic, shocking pasts and connects these to both individuals and the heritage industry. Can people really change, and how important is the past to the present? Writer Sarah Power draws these connections subtly and is never overbearing in her interpretation, nor does she necessarily link them to the much-debated topic of how to deal with the legacies of colonialism. The Living History event at the end of the play, featuring an entertaining swordfight carefully choreographed by Enric Ortuño and a gorgeous backdrop by Ellie Foreman-Peck, offers comic relief rather than formulating answers.

The play’s rather slow start leaves little time to uncover the character’s ‘secrets’ gradually. At just 95 minutes, the layers are peeled back through sometimes unprompted confessions, such as when Glenn suddenly starts sharing his childhood trauma with Kurtis, whom he openly dislikes. We hear about the ex-convict’s shocking crime as he practices how he’ll confess it to his crush Ria. Gossip and speculation sadly remain remarkably absent in Power’s script, meaning she does not raise the stakes as high as they could be. Still, the relationships between the characters feel genuine and complex, and their interactions frequently left the audience in stitches.

Despite issues in the script’s pacing, its lovable characters and the show’s strong cast ensure a compelling watch. Blending lighthearted workplace quarrels with themes of violence and reckoning, Welcome to Pemfort offers an evening that is equal parts entertaining and thought provoking.



WELCOME TO PEMFORT

Soho Theatre

Reviewed on 18th March 2026

by Lola Stakenburg

Photography by Camilla Greenwell


 

 

 

 

WELCOME TO PEMFORT

WELCOME TO PEMFORT

WELCOME TO PEMFORT