Tag Archives: Tom Lishman

Black is the Color of my Voice
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The Vaults

Color of my Voice

Black is the Color of my Voice

The Vaults

Reviewed – 28th June 2019

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“Campbell has created something full of emotion, with engaging dialogue and beautifully executed vocals”

 

Nina Simone was born Eunice Kathleen Waymon on 21st February 1933, in Tryon, North Carolina. She was, and still is, widely regarded as one of the most influential recording artists of the 20th century. But what was life like for her? Apphia Campbell has written and also performs in Black is the Color of My Voice, a piece inspired by the life of celebrated performer, Nina Simone.

Campbell, as Simone, is alone in the performance space, delivering her lines to a photograph of her late father, who it is clear she has deep affections for. She very much involves and engages the audience, addressing lines to us, as well as the photograph. Throughout the piece, we are taken on a journey through Simone’s life, from her childhood discovering a love of playing the piano, to her romantic relationships, abuse endured and her commitment to the American Civil Rights Movement. Although the piece is set in one room, furnished with a bed, a desk and chairs, it’s easy to imagine the other various locations spoken about, as a result of the descriptive dialogue and enchanting storytelling.

The emotion and passion shown throughout is inspiring to say the least. You can’t help but be drawn in to each and every experience of the singer that is shared on stage. There are light moments, including amusing impressions of Simone’s mother when she learned of her daughter’s interest in jazz, β€œthe devil’s music”. The darker moments, including a recollection of Simone’s abusive marriage, are heartbreaking and a great deal of empathy is created.

Lighting (Clancy Flynn) and sound (Tom Lishman) design during the section of the piece highlighting Simone’s horror over events surrounding the American Civil Rights Movement is hugely effective. Recordings of real news segments, the aftermath of horrific events and speeches are played, as well as lights flashing as she changes T.V channels. These elements, combined with Campbell’s acting abilities, ensure a highly dramatic and tense section of the piece.

You don’t necessarily need to be a fan of Nina Simone to be absorbed in this show. Apphia Campbell has created something full of emotion, with engaging dialogue and beautifully executed vocals in songs interwoven throughout. Direction by Arran Hawkins and Nate Jacobs has ensured the space is used well and the energy never falters. It’s clear why Campbell’s show has enjoyed worldwide success in recent years.

 

Reviewed by Emily K Neal

Photography by Geraint Lewis

 


Black is the Color of my Voice

The Vaults until 13th July

 

Last ten shows reviewed at this venue:
Ares | β˜…β˜…β˜…β˜… | March 2019
Check In/Check Out | β˜…β˜…β˜… | March 2019
Donal The Numb | β˜…β˜…β˜…β˜… | March 2019
Essex Girl | β˜…β˜…β˜…β˜… | March 2019
Feed | β˜…β˜…β˜…β˜… | March 2019
How Eva Von Schnippisch Won WWII | β˜…β˜…β˜…β˜… | March 2019
The Talented Mr Ripley | β˜…β˜…β˜…β˜… | March 2019
Vulvarine | β˜…β˜…β˜…β˜…β˜… | March 2019
Me and my Whale | β˜…β˜…β˜… | June 2019
Bare: A Pop Opera | β˜…β˜…β˜… | June 2019

 

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Dad’s Army Radio Show
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Wilton’s Music Hall

Dads Army Radio Show

Dad’s Army Radio Show

Wilton’s Music Hall

Reviewed – 22nd January 2019

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” an homage to the original writers and a celebration of a particular brand of humour that has sadly all but passed away”

 

From the moment we hear the voice of the former music hall star, Bud Flanagan, crooning the famous theme tune for β€œDad’s Army” through the speakers, we are wrapped in a blanket of fond nostalgia which keeps us warm for the ensuing ninety minutes. We think we are in for an unsurprising, almost gentle, recap of the BBC television sitcom about the British Home Guard during the Second World War; yet we are immediately caught off guard by the impressive skill of impersonation. David Benson and Jack Lane, between them, take on all the characters with near perfection.

Set in a fictional seaside town on the south coast of England, the stories revolve around a mixed bag of local volunteers otherwise ineligible for military service, either by being in professions exempt from conscription or because of age (hence the name β€˜Dad’s Army’). β€œDad’s Army Radio Show” relives three classic episodes; β€˜Round and Round Went the Great Big Wheel’, β€˜Mum’s Army’ and β€˜The Deadly Attachment’, eschewing visual props and set, recreating the atmosphere of a radio broadcast that ultimately relies purely on the script and the voice. A tall order, maybe, but this two-man army conquer the task with masterful ease.

The pair seamlessly bounce between the characters as fast as the humour switches from subtle to slapstick, enjoying every minute and relishing the crackle of catchphrases that have become part of popular culture. They don’t look the part but as soon as Lane utters the clipped vowels of Captain Mainwaring you can close your eyes and picture Arthur Lowe on a grainy black and white television screen. Only, don’t close your eyes! Otherwise you will miss the meticulous mannerisms. Benson’s Sergeant Wilson comes complete with the shy half-smile and self-conscious forehead-patting we loved John Le Mesurier for. Blink and he has morphed into the dour, Scottish Private Frazer or black-market spiv Private Walker; while Lane ricochets between the old but hilariously fastidious Lance Corporal Jones and the young, mother’s boy Private Pike.

Aided by Tom Lishman’s evocatively period sound design, this is not merely an exercise in mimicry. It is an homage to the original writers and a celebration of a particular brand of humour that has sadly all but passed away. It is not laugh-out loud, nor sensational, yet it still bites beneath its soft pelt. It pokes fun at our very Englishness, but the real target is outside aggression, to which it stands up, and fights.

The original television series was expected to have had limited appeal, and all involved were surprised at the popularity of the show, later reflected in the frequency of the repeats over five decades. Similarly, β€œDad’s Army Radio Show” reaches beyond the limits of an audience wanting merely to relive the moment. The winning charm of Benson and Lane, that equals that of the mellow yet bitingly ironic original material, not only ensures that this show will stand the test of time and invite repeat viewing, but will persuade us, familiar with it or not, to revisit the original.

 

Reviewed by Jonathan Evans

Photography by Richard Davenport

 


Dad’s Army Radio Show

Wilton’s Music Hall until 26th January

 

Previously reviewed at this venue:
Songs For Nobodies | β˜…β˜…β˜…β˜… | March 2018
A Midsummer Night’s Dream | β˜…β˜…β˜…Β½ | June 2018
Sancho – An act of Remembrance | β˜…β˜…β˜…β˜…β˜… | June 2018
Twelfth Night | β˜…β˜…β˜… | September 2018
Dietrich – Natural Duty | β˜…β˜…β˜…β˜… | November 2018
The Box of Delights | β˜…β˜…β˜…β˜… | December 2018

 

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