Tag Archives: Vivienne King

Other People’s Money
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Southwark Playhouse

Other People's Money

Other People’s Money

Southwark Playhouse

Reviewed – 23rd April 2019

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“Lin Blakley stole the show as Bea Sullivan”

 

Blue Touch Paper Productions present Jerry Sterner’s 1989 drama-comedy with style and credence as audiences find out what men and women of all shapes, sizes and classes can do with Other People’s Money.

Touching base at a time when America is clawing its way back from the precipice of bankruptcy, we meet a coasting, family-run wire and cable company in New England who are about to have their business acumen and their morality tested by Wall Street tough guy Lawrence Garfinkle, a.k.a. Larry the Liquidator (Rob Locke). Friendly, neighbourhood business owner Andrew Jorgenson (Michael Brandon) and his company manager William Coles (Mark Rose) seek help from Jorgy’s secretary/no nonsense lawyer Kate Sullivan (Amy Burke) when Larry’s interest starts to cost more than smiles and doughnuts.

Director Katherine Farmer and designer Emily Leonard carefully align two contrasting offices opposite each other in traverse staging. The raked seating that straddles the stage allows the audience to spectate, jury-like as Garfinkle and Jorgenson play corporate hard ball on a sneakily camouflaged, faded tennis court flooring. As well as creating a cold, war room atmosphere, the confidently selected set throws into relief the essence of the two armies; the rich versus the poor. The modern, sleek, uncluttered desk of a tycoon facing down the, honest, simple hardwood workstation of a man’s livelihood.

Interestingly, it is easy to tell when the actors enjoy the scenes; Larry and Kate, though initially struggling to find each of their character’s presence on stage, give us a fun flavour of their chemistry together in the later scenes. However, the writing is wordy and difficult to navigate if you do not have a calculator for a brain or actors who liven up the figures.

Lin Blakley stole the show as Bea Sullivan, Jorgy’s steadfast secretary with a shining soul. Through her candid, controlled performance the audience are able to access the heart and true value of what family can mean in a company like theirs. Her relatable characterisation marries comedic timing and fierce emotion so easily making her a pleasure to watch and a home comfort to hold onto in the world of money madness.

This production successfully leads us to believe that the corporate world is killer, which begs the question: is it even possible for good people to do good business?

 

Reviewed by Vivienne King

Photography by Craig Sugden

 


Other People’s Money

Southwark Playhouse until 11th May

 

Last ten shows reviewed at this venue:
Wasted | β˜…β˜…β˜… | September 2018
The Sweet Science of Bruising | β˜…β˜…β˜…β˜… | October 2018
The Trench | β˜…β˜…β˜… | October 2018
Seussical The Musical | β˜…β˜…β˜…β˜… | November 2018
The Funeral Director | β˜…β˜…β˜…β˜…β˜… | November 2018
The Night Before Christmas | β˜…β˜…β˜… | November 2018
Aspects of Love | β˜…β˜…β˜…β˜… | January 2019
All In A Row | β˜…β˜… | February 2019
Billy Bishop Goes To War | β˜…β˜…β˜… | March 2019
The Rubenstein Kiss | β˜…β˜…β˜…β˜…β˜… | March 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

The Cat in the Hat
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Rose Theatre Kingston & UK Tour

The Cat in the Hat

The Cat in the Hat

Rose Theatre Kingston

Reviewed – 10th April 2019

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“a cabaret of excitement and a fabulous family romp”

 

As the Dr Seuss classic has entertained the minds of young readers for half a century, this Rose Theatre Kingston and Curve co-production of The Cat in the Hat (originally adapted by Katie Mitchell) has a lot to live up to. So how do you translate the unique writing style of such a celebrated artist to stage? Throw in an abundance of acrobatics, a plethora of singalong songs and a water gun or two and you have got a spectacle that will keep the under fives transfixed.

The story we all know and love is that of two children whose miserable rainy day is thankfully interrupted by a cat, in a hat of all garments. While trying to entertain Sally (Melissa Lowe) and her little brother, the cat in the hat (Nana Amoo-Gottfried) gets up to all sorts of tricks and chaos ensues. Standout performances are Sam Angell as Boy, Sally’s incongruously Scottish yet harmlessly endearing little brother and Charley Magalit as the ever bubbly and surprisingly operatic Fish. With direction from Curve’s Associate Director Suba Das, the second half revs up the pacing to fourth gear when Thing 1 and Thing 2 (Celia Francis and Robert Penny) bamboozle the crowd with seemingly infinite combinations of attractive acrobatics.

The clever design of The Cat in the Hat (Isla Shaw) repeatedly takes the audience by surprise with imaginative costume choices and a cleverly camouflaged, movable set, that plays host to a range of elements bursting out, popping up and dangling all over the place. The beautifully oversized, cartoon backdrop, inspired by Ted Geisel’s original illustrations (with every prop giving a nod to the fifty-two year old publication), is set with angles and colourful lighting that reads like a book.

Performance teeters on the edge of pantomime as each character in turn asks the boys and girls (and grownups) to stand up and call out before, during and after each interactive number. Although this musical is filled with fun fantastical compositions from Tasha Taylor Johnson, most of the melodies are quite forgettable considering the rhyming genius of the source lyrics.

The Cat in the Hat is a cabaret of excitement and a fabulous family romp, albeit some way off the purrfect execution of a page to stage adaptation that one might hope for.

 

Reviewed by Vivienne King

Photography by Manuel Harlan

 

The Cat in the Hat

Rose Theatre Kingston until 21st April completing UK Tour

 

 

 

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