TIT SWINGERS at the Edinburgh Festival Fringe
★★★★
“a tidal wave of laughs, stomps, and smiles rolling over the participating audience”
There is something for everyone at Fringe. An 18+ punk opera musical about Bonny and Read is certainly an acquired taste but Tit Swingers exceeds doing what it says on the tin. Tongue in cheek and packed full of musical chemistry, the audience are taken on a journey of loud and proud hot girl pirate shit.
This engaging and punchy gig show explores the legendary backstory of polyamorous queer pirates who are “tired of living in the shadow of Blackbeard and Captain Kidd and Calico Jack”. Becky Cox’s set provides a beautifully rugged backdrop and aids projections of the seven seas, as masterful shanties play out on stage. As gig theatre goes, Tit Swingers is visually striking and thoughtful. It would be interesting to see what this team could achieve in pushing the staging to its next level, so actors have greater depth of stage and upped their playfulness even further. However, the use of props and instruments in Tit Swingers makes for inventive and refreshing moments; it is clear from the get-go that the performers know the space and its capabilities well and use them to just about their full potential. As the cast mention, it would be excellent to give them the opportunity to go full pelt with their punk personas- although their inability to smash up guitars does make for a good laugh.
Sam Kearney-Edwardes (playing Anne Bonney) and Abey Bradbury (playing Mary Read) have an electric rapport that immediately warms the audience to their innuendos and playful flirty humour. The sexual humour manages to tow a good line, coming into its own as the show progresses. Tit Swingers is not for the faint of heart but does not overindulge in crude humour for the sake of it. Asides between songs are creatively informative and casually hilarious.
Bradbury and Kearney-Edwardes’ harmonies overlap gorgeously and climb to impressive vocal heights, leaping from genre to genre. It will be a while before I shake the infectious and awesome ‘Hot Girl Pirate Shit’ from my brain. There is also a lovely authenticity to this talented comedic and musical pair that extends to Max Kinder (Calico Jack) who masterfully underpins the show with thrilling drumming and shameless physical comedy. As the cast’s tales unfold, we are treated to hilarious ukelele, kazoo, and washboard shanties, along with amazing piano and operatic singing. This talented trio, and their dramaturg Sophie Coward, create a unique and vibrant atmosphere that packs a fresh punch to a niche market.
Between the dark humour and relentless flirting, Tit Swingers presents a beautiful edge to reclaiming historical space for queer people, and those with gender minorities. This show is a touching ode to punk pirate legends who have had to stand in the side lines of history, putting them centre stage in an accessible, sharp, and witty piece of drama. Whilst delivering a resounding message of taking up space and claiming queer empowerment, Tit Swingers successfully keeps a tidal wave of laughs, stomps, and smiles rolling over the participating audience. Although, if you aren’t a fan of a little bit of ye olde audience interaction, I would advise to wear something a bit non-descript and avoid eye contact (as hard as the cast may try to catch it).
This show delivers a self-aware and polished hour of crude punk musical brilliance, in the best way possible. It is safe to say Tit Swingers is one very good catch.
TIT SWINGERS at the Edinburgh Festival Fringe – Pleasance Courtyard – Pleasance Two
Reviewed on 20th August 2024
by Molly Knox
Photography by Shay Rowan
TIT SWINGERS
TIT SWINGERS
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