After five UK tours the original British musical, Miss Nightingale by Matthew Bugg, finally enjoys an extended London run six years after a small-scale production of the show was first seen in the capital. Miss Nightingale the musical transfers to The Vaults for an eight-week residency from 30 March to 20 May.
Miss Nightingale is that rare thing, a genuinely new and successful British musical that is neither a juke-box show nor one based on an existing play, book, or film. Since it was first staged in 2011 the musical has completed five national tours, playing more than 300 performances to 50,000 people at 30 theatres across the UK.
Miss Nightingale is set in London during 1942. A smoky, underground cabaret club opens in the heart of a war-torn city. As a saucy new singer is thrust into the spotlight, two men struggle to bring their love out of the shadows.
A deeply touching and raucously funny tale of prejudice, passion and debauchery during the dark days of World War Two. Miss Nightingale brings the scandals, satire, and spunky spirit of the Forties sensationally to life.
Miss Nightingale reclaims the forgotten fate of gay men castigated as ‘the enemy within’ during the Second World War. Set against ‘Miss Nightingale’s’ dramatic rise to stardom is the romance between two of the men in her life – George, a Jewish composer, and Sir Frank, an upper-class impresario – at a time when society refuses to recognise their love and violently rejects their right to be together.
2017 sees the 50th anniversary of the partial decriminalisation of male homosexuality in England and Wales. As parts of the ‘Free World’ seem to be turning their backs on homosexuality, Miss Nightingale is a timely – yet disarmingly entertaining – reminder of the progress we’ve made but the steps we have still to travel.
The show features 20 original songs by Matthew Bugg, from innuendo-laden Music Hall style numbers to tender ballads and complex trios and quartets, which wonderfully capture the soaring spirit and biting wit of the 1940s.
It is performed by a cast of actor-musicians. The title role of ‘Maggie/Miss Nightingale’ is played by Tamar Broadbent. Tamar is an award-winning performer and songwriter. She has just been nominated for the Fringe World Comedy Award 2017 at the Perth Festival and was a 2015 finalist in the Amused Moose Laugh Off and Funny Women awards. She is joined by Nick Coutu-Langmead as Sir Frank; Conor O’Kane as George; Niall Kerrigan as Tom; Matthew Bugg as Harry; and, Tobias Oliver as Clifford.
Miss Nightingale is written and directed by Matthew Bugg. His West End, touring and international work includes: Dracula, Cirque Bezerk, Dear Lupin, Murder in the Cathedral, Kindertransport, Volcano, Barefoot in the Park, Quartet, The Secret of Sherlock Holmes, Polygraph, The Father, League of Youth, and The Handyman. Matthew also created and directed Jack and the Beanstalk, the world’s first fully BSL integrated Pantomime for Cast, Doncaster last Christmas. Joe Harmston is creative consultant for the show, the designer is Carla Goodman, lighting designer David Phillips, and sound designer Drew Baumohl.
Miss Nightingale the musical is produced by Mr Bugg Presents an artisan theatre company based in Sheffield, which specialises in new and original British musical theatre. Find out more at www.missnightingale.co.uk
Multiple Award-Nominated Team Behind West End Hit ‘SID’ Return with
KICKED IN THE SH*TTER
by Leon Fleming
Depression. Sanctions. Anxiety. Self harm. Back to work. Substance Abuse. JSA. AA. ESA. FA. PIP. Sibling love and sibling dependency; Kicked in the Sh*tter is a bittersweet tale of a brother and sister struggling to live with mental health difficulties amidst the labyrinthine wreckage of a decayed welfare state.
Regaled childhood squabbles and stories of hope and aspirations we all recognise, take us through this timely two-hander set in Birmingham, but lived and experienced across the UK.
Life is pretty shit when you’re trapped in a forever darkening world of dispassionate government policy with no way out. Holding on to each other might be the only thing stopping you drown. Leon Fleming’s new play is a story of struggle and hope for those who fall through the cracks today and every day. But this isn’t poverty porn; there’s nothing sexy about despair.
