Category Archives: Reviews

About Bill

★★★★★

Theatre at the Tabard

ABOUT BILL at Theatre at the Tabard

★★★★★

About Bill

“a deeply heartfelt piece of musical theatre”

Sixty years is quite a time span to slot into a little over sixty minutes. It is quite an epic endeavour, especially in the intimate confines of an eighty-seat venue, but the decades are pinpointed with a flawless and nostalgic precision in Kim Ismay’s one woman musical “About Bill”. More than just a backdrop, the passing years are the context in which Ismay takes us on a journey (or rather, several journeys) through the lives, recollections and revelations of ten very different but connected women. The show is as much, if not more, about them as it is about the title character – whom we never see. Bill Fitzgerald, the renowned (fictitious) jazz trumpeter, who blazed with a rock ‘n’ roll star’s headline grabbing self-destruction, scandals and love-affairs. Adored the world over for his music, these women who shared his life pull focus on the many other shades of love that this charismatic maverick inspired.

As the shockwaves of the 1929 Wall Street Crash reach our shores, pregnant showgirl Stella has more important things on her mind as she wishes for a girl rather than a boy. Fast forward ten years and we discover her wish was not granted. It was a boy – Bill – later abandoned by his mother to be raised by pious Auntie Dot. Already, the skill with which Ismay switches characters is firmly revealed. Each endearingly individual woman is meticulously real, convincing and natural; the range of emotions matching the diverse personalities. As the accents and costumes change, so are our hearts tugged in varying directions. Never before have we witnessed such a perfect balance of humour and pathos, of laughter and tears, vaudeville and poignancy. Bernie Gaughan’s script, written specifically with Ismay in mind is a perfect vehicle, but it resonates far deeper than that. Ismay undoubtedly owns the material, along with the late Matthew Strachan’s music and lyrics into which she breathes the very souls of those characters.

After Auntie Dot, we behold the sixteen-year-old Joyce, smitten by the ‘bad boy’ Bill, seeking answers in the agony aunt pages of the local rag. Next up is Gloria, the gin-swigging landlady, past her prime and seduced into lowering the rent. By the 1960s we meet Auntie Dot again. Bill is world famous now, and Dot fears for him. She fears he will go the way of his mother, the victim of a lonely death. There is Sally, Bill’s lovechild born of a tryst with the teenage Joyce. We encounter the aristocratic first wife, forever in therapy, and young enough to quit while the going’s good. As we tear through the seventies and eighties, we meet Mexican grifter Lopita, music journalist Karen and fellow addict Helen, until the final, heart-rending reappearance of Sally. Keith Strachan’s staging lets us know exactly where we are in time and space, but it is Ismay’s spellbinding performance that anchors us there, along with Matthew Strachan’s songs (accompanied by Paul Crew at the piano) that reflect the varying periods, as well as allowing Ismay to delve into the many depths of feelings that are brilliantly conveyed in the book and lyrics.

“About Bill” is a deeply heartfelt piece of musical theatre. The satire is evident, but the humanity is a sheen that dominates and resonates. Ismay’s versatility is frankly astounding. She makes use of an array of wigs and (self-made) costumes, but frankly she doesn’t really need them. Her talent and sensitivity does it all. Speaking and singing she is a delight. The show is a perfect mix of monologue and music. You’ll be enthralled. You’ll laugh, you’ll cry. You’ll want more.

 


ABOUT BILL at Theatre at the Tabard

Reviewed on 30th August 2023

by Jonathan Evans

Photography by Anthony Sajdler

 

 

 

 

Recent shows reviewed by Jonathan:

 

Ride | ★★★ | Southwark Playhouse Elephant | July 2023
This Girl: The Cynthia Lennon Story | ★★ | Upstairs at the Gatehouse | July 2023
The Lord Of The Rings | ★★★★★ | Watermill Theatre Newbury | August 2023
String V Spitta | ★★★★ | Soho Theatre | August 2023
La Cage Aux Folles | ★★★★★ | Regent’s Park Open Air Theatre | August 2023
The Garden Of Words | ★★★ | Park Theatre | August 2023
The Great Gatsby | ★★★ | St Paul’s Church Covent Garden | August 2023
Death Note – The Musical In Concert | ★★★★ | London Palladium | August 2023
Dark Nature | ★★★ | Canal Café Theatre | August 2023
Eve: All About Her | ★★★★★ | Soho Theatre | August 2023

About Bill

About Bill

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I WISH MY LIFE WERE LIKE A MUSICAL

I Wish My Life Were Like A Musical

★★★★★

Wilton’s Music Hall

I WISH MY LIFE WERE LIKE A MUSICAL at Wilton’s Music Hall

★★★★★

I WISH MY LIFE WERE LIKE A MUSICAL

“plenty of humour is accessible to the most casual West End attendee”

I Wish My Life Were Like a Musical takes you on a whistlestop musical tour behind the scenes of the West End. Written by Alexander S. Bermange, who also performs the piano accompaniments live on stage, it is catharsis for every (wannabe) performer.

Wilton’s Music Hall is one of my favourite venues in London for its dilapidated glamour, and it is the perfect location for I Wish My Life Were Like a Musical. Even traipsing up the Victorian staircases puts a spring in your box step.

The audience enters the performance hall with the curtain up, a black baby grand piano to stage right, three large be-glittered stars across centre stage, and a curtain rail hung with sequinned jackets. Even before the lights went down I was expecting a strong dose of camp. This is delivered in delightful abundance.

The musical opens with a pitch-perfect prologue ‘The Opening Number’ that stays just the right side of copyright law. It introduces the audience to the format of the show which could be summarised as a ‘How-to Guide’ to surviving in musical theatre – but as the show makes clear, probably not thriving.

There are plenty of references in Bermange’s lyrics that are like easter eggs for the most avid musical lover, from the deification of the now mononymous Idina to referencing the poor cast of Andrew Lloyd Webber’s Cinderella who were (allegedly) dismissed with a tweet. However, plenty of humour is accessible to the most casual West End attendee, with excellent direction from Matthew Parker. I have never seen anyone get quite as intimate with a steamer, as did Sev Keoshgerian in a particularly hilarious number.

Songs make fun of key milestones within a musical performer’s career, as well as the characters met along the way. Once agent showcases were sent up, I sank into my seat, fully expecting critics to get eviscerated. When that moment inevitably came, I was barely prepared for its deadly accuracy.

(Top) hats off go to designer Sorcha Corcoran, who cleverly uses costumes and props to add to the production. The cast don hats in a song about musical superfans, and this simple addition immediately places them as characters from four well known musicals. This headgear is paired with primary coloured raincoats which fondly emphasises the trainspotter-like zeal of the most enthusiastic obsessives.

The stellar cast of Jennifer Caldwell, Sev Keoshgerian, Rhidian Marc and Julie Yammanee do the excellent songs justice. Highlights include Yammanee delivering I Love to Sing that has shades of Glenn Close for all the right reasons. Each song is enunciated perfectly, and every actor hits their vocal jokes. Choreography is on the simple side, but remains high energy throughout, even through the inevitable encore. Of course there is an encore!

In an era where audiences at the largest musicals are hitting the press with notoriously bad behaviour and performance rates insulate even less against a cost of living crisis, I Wish My Life Were Like a Musical serves as an especially pertinent reminder to humanise the triple threats amongst us. However, it never gets too glum. I leave humming the tunes, and tapping my feet in the toilet queue. To bastardise Oklahoma! Oh, what a beautiful evening.

 

 


I WISH MY LIFE WERE LIKE A MUSICAL at Wilton’s Music Hall

Reviewed on 30th August 2023

by Rosie Thomas

Photography by Rod Penn


Wilton's Music Hall thespyinthestalls

 

Previously reviewed at this venue:

 

Express G&S | ★★★★ | August 2023
The Mikado | ★★★★ | June 2023
Ruddigore | ★★★ | March 2023
Charlie and Stan | ★★★★★ | January 2023
A Dead Body In Taos | ★★★ | October 2022
Patience | ★★★★ | August 2022
Starcrossed | ★★★★ | June 2022
The Ballad of Maria Marten | ★★★½ | February 2022
The Child in the Snow | ★★★ | December 2021
Roots | ★★★★★ | October 2021

I Wish My Life Were Like A Musical

I Wish My Life Were Like A Musical

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