Tag Archives: Beatrice Morandi

MACBETH

★★★★

Bread and Roses Theatre

MACBETH

Bread and Roses Theatre

★★★★

“The atmosphere is not built with materials, but with sound, silence, and breath”

On a stark, shadow-drenched stage, Macbeth breathes again – visceral, raw, and chillingly relevant. This stripped-back production brings Shakespeare’s tragedy into the present with terrifying clarity, proving that ambition, guilt, and power never go out of fashion. There are no elaborate sets, no grandiose costumes, only two actors, their voices, their presence, and the weight of one of the most haunting plays ever written.

Ant Henson and Martha Ibbotson deliver performances of remarkable intensity and intelligence. Together, they inhabit a multitude of roles with seamless dexterity, shifting personas with only the subtlest changes in posture, tone, and gaze. Their chemistry on stage is magnetic, and their understanding of the text runs deep. At times, it feels like Macbeth and Lady Macbeth are not just being portrayed, but lived. Shakespeare would no doubt recognise his words in their mouths, and perhaps even nod in approval at the fearless urgency with which they resurrect his work.

This is theatre reduced to its purest form. With no props or scenery to rely on, the setting is conveyed entirely through the text. The actors’ words become the landscape: we see the misty highlands of Scotland, the candlelit corridors of Dunsinane, and the eerie, wind-swept heath where the witches deliver their fateful prophecies, all summoned through Shakespeare’s language and the evocative delivery of the performers. The atmosphere is not built with materials, but with sound, silence, and breath.

Produced by Most Rare Vision, this minimalist masterpiece is supported by the precise and evocative work of Shelton Wong on sound and lighting. The lights do not simply illuminate, they sculpt the space, casting long shadows and sudden bursts of intensity that mirror the psychological descent of the characters.

A nod also goes to associate producer Emma Louise-Price for her contribution behind the scenes, helping bring the vision to the stage with care and clarity.

This Macbeth is not a comfortable experience, and it shouldn’t be. It’s a visceral, lean, and emotionally charged retelling that strips the story to its bloody core. The result is a chillingly modern portrait of human ambition and ruin. It doesn’t just retell Shakespeare’s tale; it reclaims it for today.

 

Bread and Roses Theatre

Reviewed on 27th May 2025

by Beatrice Morandi

Photography by Barbara Szente

 

 


 

 

Previously reviewed at this venue:

SOBRIETY ON THE ROCKS | ★★★★ | July 2022

 

MACBETH

MACBETH

MACBETH

JORDAN GRAY: IS THAT A C*CK IN YOUR POCKET, OR ARE YOU JUST HERE TO KILL ME?

★★★★★

Soho Theatre

JORDAN GRAY: IS THAT A C*CK IN YOUR POCKET, OR ARE YOU JUST HERE TO KILL ME?

Soho Theatre

★★★★★

“Each joke and lyric feels thoughtfully crafted, inclusive, and purposefully provocative”

Jordan Gray delivers a magnetic and fearless performance in her latest show, Is That a C*ck in Your Pocket, or Are You Just Here to Kill Me?, a chaotic, camp, and compelling hour that blends stand-up, music, and subversive cabaret.

The BAFTA-winning comedian commands the stage with confidence, humour, and a punk-rock irreverence that’s both disarming and deeply engaging. Armed with a guitar, a keyboard, and the surprise presence of her wife, Gray crafts a bold, unapologetically queer narrative that’s as heartfelt as it is hilarious.

From the moment she strides on stage, Jordan seizes the room, her wit razor-sharp, her physicality dynamic, and her transgender identity proudly front and centre. What could be a punchline for others becomes her powerful, self-authored opening act.

Her original songs, clever, catchy, and often wickedly funny, are woven seamlessly between monologues and improvisation, allowing the audience to connect with her personal journey. Each joke and lyric feels thoughtfully crafted, inclusive, and purposefully provocative.

Jordan Gray is a true polymath: comedian, musician, storyteller, and provocateur. In a cultural moment still negotiating inclusion and visibility, she doesn’t just ask for space, she takes it, owns it, and fills it with joy, defiance, and glitter.

If there’s one complaint, it’s that the show could be a little longer – the audience clearly didn’t want it to end.

 

JORDAN GRAY: IS THAT A C*CK IN YOUR POCKET, OR ARE YOU JUST HERE TO KILL ME?

Soho Theatre

Reviewed on 21st May 2025

by Beatrice Morandi

Photography by Paul Gilbey

 

After its run at the Soho Theatre, the show will then be at Edinburgh Festival Fringe throughout August

 

 

 

 

 

 

Last ten shows reviewed at this venue:

WHAT IF THEY ATE THE BABY? | ★★★★★ | March 2025
WEATHER GIRL | ★★★½ | March 2025
DELUGE | ★★★★ | February 2025
ROB AUTON: THE EYES OPEN AND SHUT SHOW | ★★★½ | February 2025
DEMI ADEJUYIGBE IS GOING TO DO ONE (1) BACKFLIP | ★★★★★ | January 2025
MAKE ME LOOK FIT ON THE POSTER | ★★★★ | January 2025
SANTI & NAZ | ★★★★ | January 2025
BALL & BOE – FOR FOURTEEN NIGHTS ONLY | ★★★★ | December 2024
GINGER JOHNSON BLOWS OFF! | ★★★ | September 2024
COLIN HOULT: COLIN | ★★★★ | September 2024

 

 

JORDAN GRAY

JORDAN GRAY

JORDAN GRAY