Tag Archives: Chris Cuming

It’s a Wonderful Life

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Reading Rep Theatre

IT’S A WONDERFUL LIFE at Reading Rep Theatre

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“If you feel like a great big Christmas hug, go along and see this elegant and lovely show”

Who hasn’t seen β€˜It’s A Wonderful Life’, the classic 1946 Christmas film directed by Frank Capra and starring James Stewart? It’s a hugely popular and tear-jerking Christmas tale of all-American neighbourliness in which humble George Bailey always puts others before himself. Except that things go horribly wrong for him. The only remedy is to send three heavenly envoys down to Earth on Christmas Eve to prevent him from ending it all. The original story was loosely inspired by Charles Dickens’ A Christmas Carol and is presented by Reading Rep in Mary Elliott Nelson’s theatrical adaptation, first performed in 2000.

A cast of just four faultlessly juggle three or more roles apiece in this highly inspired show – Mark Desebrock (Hedda Gabler: Reading Rep, Hamlet: Almeida West End), Eugene Evans (Peter Pan: Reading Rep, Romeo & Juliet: Lyric Theatre), Orla O’Sullivan (War of The Worlds and We’ll Catch Stardust Yes We Will: The Vaults) and Charlotte Warner (A Christmas Carol, A Midsummer Night’s Dream: Reading Rep).

Mark Desebrock makes a strong impression as the sweet-natured banker George Bailey, who is well-matched with Orla O’Sullivan as his wife Mary and as a second class and so far wingless angel called Clarissa (Clarence in the movie). She shows George all the lives he has transformed and how much worse the world would be had he not existed. Eugene Evans is the wicked villain of the piece, scruple-free businessman Mr Gower, and also (with hardly a pause for breath) a soft spoken angel. Charlotte Warner is the third angel and also George’s characterful aunt.

In this delightful show, Libby Todd’s set and costumes are quite ingenious. Pale colours designate the angels and brighter colours the townspeople. The set is dominated by an enclosing arch formed by a lattice of grey snow-topped girderwork, its arc echoing the circle of snow on the floor and also the globes carried by the angels. There’s a bridge at the back of the set from which George plans to jump. It all works nicely with Aaron J Dootson’s sophisticated lighting design, with a backdrop of stars and colour changes that symbolise different kinds of action on stage.

Reading Rep have a hit on their hands in this heart-warming evocation of small town America with a universal appeal. If you feel like a great big Christmas hug, go along and see this elegant and lovely show. β€˜It’s a Wonderful Life’ runs in repertory with β€˜Potted Panto’ until December 30th.


IT’S A WONDERFUL LIFE at the Reading Rep Theatre

Reviewed on 5th December 2023

by David Woodward

Photography by Harry Elletson


 

Previously reviewed at this venue:

Shakespeare’s R&J | β˜…β˜…β˜…β˜… | October 2023
Hedda Gabler | β˜…β˜…β˜…β˜…β˜… | February 2023
Dorian | β˜…β˜…β˜…β˜… | October 2021

It’s a Wonderful Life

It’s a Wonderful Life

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Shakespeare’s R & J

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Reading Rep Theatre

SHAKESPEARE’S R & J at the Reading Rep Theatre

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Shakespeare's R&J

“Elijah Ferreira gives a stunning performance as Romeo.”

This intriguing show was written by American Director Joe Calarco in 1997. It translates Romeo and Juliet’s β€˜star-crossed lovers’ into pupils who act out the play at a repressive Catholic boys boarding school. The idea of containing a play within a play was very much Shakespeare’s own. A cast of just four are all on stage together for almost the entire evening as we see Shakespeare’s β€˜Romeo and Juliet’ unfold through their adolescent eyes. Maybe ten percent of the text is new, including some of Shakespeare’s sonnets, latin drill – β€˜amo, amas, amat’ and words from β€˜A Midsummer Night’s Dream’. Right at the start it’s established that Student 1 has feelings for Student 2 and it’s these two that take on the roles of Romeo and Juliet – in intense performances that don’t always get the approval of their fellows.

A note in the programme by Director and Company founder Paul Stacey underlines their commitment to giving voice to the under-represented including those that identify as LGBTQIA+. This powerful production does just that in a way that some may find poses a playful challenge to their expectations. And if a few traditionalists are offended by this re-purposing of such a familiar text, that is their loss.

Elijah Ferreira gives a stunning performance as Romeo. Every word is carefully weighed and delivered with exacting clarity and dedication to meaning. He uses gesture with almost telegraphic expressiveness. Brayden Emmanuel is physically much taller than Ferreira and as Student 2, his involving and energetic Juliet defies any expectation of camp girlishness.

“a lively and rich-textured show”

Luke Daniels is Mercutio, Friar Laurence and Lady Capulet. Expect theatrical fireworks from the start of the second half when Romeo learns of his banishment. Daniel also shines as Lady Capulet in the scene that follows, as well as giving his own take on Mercutio’s memorable β€˜Queen Mab’ speech about dreams. Tom Sowinski has some great comic moments as the Nurse and then flips into the brawling Tybalt in the duel with Mercutio.

A clever and beautiful set by Anna Kelsey literally steams with the intensity of the drama and integrates some pleasing lighting (John Rainsforth) which adds great atmosphere to this intimate and involving studio piece. The costumes ring true whilst avoiding the colour coding of the houses of Montague and Capulet seen in some productions of β€˜Romeo and Juliet’.

The play within the play employs some stylised devices to considerable effect. A shouting chorus of disapproval condemns the young lovers. Swords become ropes and cloth. Action is slowed. The boy actors (or is it the Shakespearean characters?) observe each other performing and we see their reactions to the story they are unfolding.

Jamie Lu’s sound design is strong on thunder and lightning and for those that know it, there are some touching β€˜Heart Stopper’ moments as the two young lovers get together.

This is a lively and rich-textured show that was a delight to watch.

 


SHAKESPEARE’S R & J at the Reading Rep Theatre

Reviewed on 16th October 2023

by David Woodward

Photography by Harry Elletson

 

 

 

 

Previously reviewed at this venue:

Hedda Gabler | β˜…β˜…β˜…β˜…β˜… | February 2023
Dorian | β˜…β˜…β˜…β˜… | October 2021

Shakespeare’s R & J

Shakespeare’s R & J

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