Some Like it Hip Hop
Reviewed – 24th October 2019
“Some of the moves were so athletic and gravity defying that they induced audible gasps of disbelief from those watching”
Almost exactly eight years to the day, Zoonation’s show returns to the theatre where it staged its world premiere for a short revival.
A grieving Governor is so heart-broken, that he obscures the sun, bans books and exiles women. Two ladies in not so much of a nod, more of an affectionate wink to Some Like It Hot and Twelfth Night, sneak back into the city dressed as men and try to blend in, producing much hilarity and unexpected love.
An impressive set flies in and out with military precision and is so slick that it almost matches the staccato movement of the surrounding dancers. Lighting is sombre, matching the mood of the governor and yet is always precisely on point. Costumes are suitably ‘street’ and are cleverly designed to give the actors all the room they need for the lightening quick movement required.
You could pick holes in the script, yet I’m fairly confident that not a single person in the packed auditorium was there to find a sub-plot, they were there for the dance and boy what a treat they had.
The story was told by a narrator and my only quibble was that he was not always easy to understand, cutting off the end of his sentences and sometimes being drowned out by the score. The two female singers had rich, soulful voices that complemented each other beautifully and effortlessly filled the theatre.
Some Like it Hip Hop is an ensemble piece and all the dancers clearly have a trust and respect for each others work and great humour is injected into the show. As the Governor, (Christian Alozie) is strong, masculine and as moody as the World that he has created, his rooted to the spot krumping is a joy to behold. The two lead ladies are terrific. Jo-Jo (Lizzie Gough) is quirky and delightfully complements her love interest Simeon. Kerri (Jade Hackett) with one lucky punch, is looked upon as more of a man than all the hunks surrounding her and makes the most of all her humorous moments in both her movement and facial expression. Simeon (Tommy Franzen) is extraordinary. His dancing is clean, controlled and seemingly effortless, with every move, however small, having a purpose.
So many scenes were memorable, a clever section with six characters all restlessly going to sleep, an extremely funny song ‘Rules Of Seduction’ and the final battle for supremacy ramps the acrobatic dance moves to a whole new level.
I was delighted to see that the audience was made up of mostly teenagers and children, I was treated to the most amazing curtain call I have ever seen with each actor having a short dance isolation whilst the rest of the cast mirrored their movements in a surrounding horseshoe. Some of the moves were so athletic and gravity defying that they induced audible gasps of disbelief from those watching.
This is a high energy, incredibly skilful show that will live in the memory for a long time. I’m not sure if it’s good form for a reviewer to stand up and join in the dancing at the end of the show but I did.
At the very beginning of the evening, we were encouraged by the narrator to make as much noise as possible. That is exactly what happened and what a happy, excited noise it was.
Reviewed by Chris White
Photography by Johan Persson
Some Like it Hip Hop
Peacock Theatre until 9th November
Previously reviewed at this venue: