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The Lying Kind


Ram Jam Records

The Lying Kind

The Lying Kind

Ram Jam Records

Reviewed – 1st December 2019



“Purposefully lacking in festive cheer, there is still plenty to cheer for”


Not seen in London since 2002, Anthony Neilson’s “The Lying Kind” has all the ingredients of a perfectly crafted farce, adding in some seasonal flavours of the Nativity that leaves a delicious, yet undetermined taste in your mouth. But with Neilson’s reputation for shocking his audience don’t expect the usual Christmas fare. Yes, it is set on Christmas Eve, and even throws in a character called Balthasar (although not quite the wise man here) and a couple of Carols. There any similarity ends as we are taken off on a tangent of cross purposes, cross dressing (and undressing); misunderstanding and murder; dead dogs and dead daughters, paedophile vigilantes and closet queen vicars. Dreaming of a White Christmas? This is as black as you’ll get.

The script promises few tidings of joy, but this production bears them in abundance; led by the team that brought Philip Ridley’s “Radiant Vermin” to the same venue last year. Although only their second production, The Kingston Theatre Company – formed by producer/actress Joy Bowers and director Erica Miller – are proving to be a vital asset to fringe theatre on the outskirts of the capital. For “The Lying Kind”, the small music and cabaret venue has been transformed, by designer Amy Snape, into a shabby but homely living room. Into this drab vision of suburbia enter two inept policemen, Blunt and Gobbel. They dither on the doorstep as they pluck up the courage to tell the elderly couple who live there that their daughter has been killed in a road accident. Before they enter the house, a subplot is set in motion as they are assaulted by an overzealous member of the neighbourhood vigilante group: Parents Against Paedophile Scum, who think they are trying to harbour a child molester.

The bulk of the story is made up of the two officers’ sheer inability to divulge the tragic news to the unsuspecting couple within the house. The rules of farce are strictly adhered to and as confusion builds and logic falls apart with surreal abandon, the twists continue to confound the audience’s self-satisfied belief that they are one step ahead of the characters. Joy Bowers, as Gobbel, gets the performance absolutely spot on. Originally written for a male actor she ingeniously switches the gender and is a guiding star throughout the evening with her deadpan comic timing and self-deprecating mockery of her stooge like character. James Dart relishes his role as the put upon Reverend Shandy, mistaken for a paedophile and – quite literally – forced back into the closet. Erica Miller has taken some bold decisions with the text that Dart is all too happy to take on board.

Miller certainly rises to the challenge of staging an ambitious text. The intricate mechanics required by the script, however, do grind to a halt all too often. The piece relies on all the cogs working in unison. Julia Lacey and Cynon Lewis, who play the bereaved couple Garson and Balthasar respectively, lack the skills required to deliver Neilson’s text. The dialogue is a gift, but they barely take off the wrapper. Even in farce more layers need to be pulled back to reveal the reality of the characters and to make us care for them.

Fortunately, though, the laughs keep us going throughout the evening. Laughs that do paper over the sometimes inconsistent acting. But what they don’t cover up is the underlying adage that it is always better to tell the truth. If you want a quiet life that is: Neilson doesn’t want to get too schmaltzy with his message. So, if you want to avoid the usual Christmas message this year, “The Lying Kind” is well worth travelling afar to catch. Purposefully lacking in festive cheer, there is still plenty to cheer for.


Reviewed by Jonathan Evans

Photography by Catherine Harvey


The Lying Kind

Ram Jam Records until 9th December


Previously reviewed at this venue:
Radiant Vermin | ★★★★ | September 2018
Three Shades | ★★★★ | March 2019


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Honour Amongst Thieves – 4 Stars


Honour Amongst Thieves

The Cornerhouse

Reviewed – 11th October 2018


“Yates is especially entertaining as the young Danny, equal parts cocky and clueless”


Ian Callaway learned the ins and outs of the English criminal justice system as a prosecutor in both Kent and London, where, for more than two decades, he argued against every manner of crook and criminal. Since retiring from the law, Callaway has adapted his experiences into Honour Amongst Thieves, a farcical look at three petty lawbreakers as they stand before justice.

Maurice, Pete, and Danny span three generations and three degrees of degeneracy; they are each being charged with petty crimes, ranging from theft to drunk and disorderly conduct. As they meet in the hall outside the courtroom, they chat, argue, and boast about their past exploits and future conquests. Soon, they are brought to trial one by one, and, facing a wickedly clever prosecutor and unimpressed judge, find themselves stripped of their bravado.

This is probably the main motif of Honour Amongst Thieves: the flimsiness of male machismo. We watch with bemusement as three tough blokes, each sure of his own power and immortality, are made feeble before the law. In the age of #metoo and concerns over toxic masculinity, it is comforting, and especially gratifying, to watch justice do its business, and to be reminded that alpha males can be taken down, sometimes in minutes, by a lawyer in leopard-print ballet shoes.

Antony Dowd, R. Louis Segal and Aaron Yates all do great work as the three crooks, although Yates is especially entertaining as the young Danny, equal parts cocky and clueless. Also worthy of commendation is Cynon Lewis as the judge, who, in rather few words, sums up a lifetime of exasperation. Director Dina Yates has put together a fine show that moves expeditiously but does not sacrifice any of its humour. Although the ending of the play is a bit odd, Honour Amongst Thieves is a clever, often hilarious look at the Magistrates Court and the people who inhabit it.


Reviewed by Louis Train


Honour Amongst Thieves

The Cornerhouse until 13th October 



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