Tag Archives: Daniel Clarkson

Potted Panto

Potted Panto

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Southwark Playhouse

Potted Panto

Potted Panto

Southwark Playhouse

Reviewed – 10th December 2019

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“a celebration of all that is silly and fun about pantomime, something all the family can enjoy and most certainly will!”

 

According to Jeff there are six great pantos. According to Dan there are twelve, but his list does include the Queen’s speech. And all six (or twelve) are about to happen in potted form on the stage of the Southwark Playhouse!

Our first pantomime is Jack and the Beanstalk, featuring an ill-timed beanstalk entrance, a moose that lays golden eggs and a mother in a pink feather boa who can’t afford that next bottle of Bollinger, darling. Next up, Dick Whittington, Show White, Sleeping Beauty, Cinderella, and finally Aladdin, unless Dan gets his way, in which case it’ll be A Christmas Carol. The northern fairy in Sleeping Beauty is a particular highlight as is Cinderella’s French God-Chicken.

As we travel through the different pantomimes, we also learn about the different pantomime traditions, as Jeff teaches Dan and the audience at the same time. All the classics are there from, β€œHe’s behind you,” to β€œOh no he isn’t.” There’s audience participation including a 3D experience of Cinderella’s coach ride home after the ball. There’s satire of course – Dick Whittington is a close imitation of Boris Johnson complete with messy blonde wig and prevaricating Eton voice. Brexit makes an appearance, and overall the show strikes a good balance between entertaining both children and adults alike – although they may not be laughing at the same thing!

Simon Scullion’s set is simple background for the different stories that is brought alive by the wealth of costumes (Nicky Bunch) and props that are paraded across the stage. The windows cut into the set are ideal mechanisms for cameo appearances and entrances from fairies, Prince Charming and the Queen of England.

Daniel Clarkson and Jefferson Turner are a comedy duo who have been working together for years, including as CBBC presenters. As well as performing in the show, they are its writers alongside Richard Hurst. They are clearly having a fantastic time together onstage, and it’s infectious. Clarkson is perhaps the more compelling performer of the two, but still they balance each other well, transforming between a host of characters with ease and wit. There’s a lot of very clever stuff in it, but at its core it’s about having fun, and the constant laughter from the audience was an undeniable measure of that.

This is a celebration of all that is silly and fun about pantomime, something all the family can enjoy and most certainly will!

 

Reviewed by Amelia Brown

Photography by Geraint Lewis

 


Potted Panto

Southwark Playhouse until 11th January

 

Last ten shows reviewed at this venue:
Other People’s Money | β˜…β˜…β˜… | April 2019
Oneness | β˜…β˜…β˜… | May 2019
The Curious Case Of Benjamin Button | β˜…β˜…β˜…β˜…β˜… | May 2019
Afterglow | β˜…β˜…β˜…Β½ | June 2019
Fiver | β˜…β˜…β˜…β˜… | July 2019
Dogfight | β˜…β˜…β˜…β˜… | August 2019
Once On This Island | β˜…β˜…β˜… | August 2019
Preludes | β˜…β˜…β˜…β˜… | September 2019
Islander | β˜…β˜…β˜…β˜…β˜… | October 2019
Superstar | β˜…β˜…β˜…β˜… | November 2019

 

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The Crown Dual
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King’s Head Theatre

The Crown Dual

The Crown Dual

King’s Head Theatre

Reviewed – 14th March 2019

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“Clarkson’s script lives up to the challenge, hilariously capturing the essence of the blockbuster series”

 

I must admit that I’m a huge fan of The Crown, and was beyond eager to attend The Kings Head Theatre to watch the new comedy based on the popular series. With season three of The Crown soon approaching, there couldn’t have been a better opportunity for Daniel Clarkson (playwright) and Owen Lewis (director) to present their ambitious production of The Crown Dual. The production promised to condense twenty episodes worth of royal content into a seventy-minute production, cleverly reimagining the story of how Elizabeth Windsor became Queen Elizabeth II. Fortunately, Clarkson’s script lives up to the challenge, hilariously capturing the essence of the blockbuster series by adding a humorous twist to the characters we’ve grown to know so well.

The story centres on Beth Buckingham (played by Rosie Holt), an aspiring actress and avid despiser of Claire Foy, who with the help of Stanley Diamond (Brendan Murphy) her idiotic agent, gets the opportunity to prove her rightful role as Elizabeth in the popular Netflix series. The two actors juggle the characters of the series perfectly, with Stanley playing every character imaginable, including Winston Churchill, Princess Margaret, Prince Philip, Peter Townsend and even the Queen’s favoured corgis. The show should be praised for its comedy value from the start, as the actors hilariously create the opening scene of The Crown. We watch as Beth prances around the stage, dressed in a black costume, twiddling green ribbons and flailing around to the haunting orchestral tune. Stanley interrupts Beth’s performance by holding a β€˜skip’ sign, (an option that appears on Netflix) to an eagerly awaiting audience member who complies, therefore cutting Beth’s performance short and sending us all into fits of laughter.

The writing is meticulous in its attention to detail and appreciation of the well-known characters. In particular, Stanley’s portrayal of Winston Churchill was just brilliant. We watched as he amplified the characters mannerisms by laboriously travelling across the stage, dragging repetitively on his cigar and screaming about sticking to tradition and not breaking protocol in their meetings. This same appreciation should be given to both Beth and Stanley for recreating Princess Margaret’s character by reimagining scenes of her writing in her diary with a cigarette and drink in hand. We see Princess Margaret persistently slurping on her drink, declaring through every reading, β€˜I’m drunk again.’

The actors really honed in on the series presentation of the Royal family, exaggerating certain characteristics and playing them to perfect comedy value. They persisted to break the fourth wall, calling upon lucky audience members to assist with different scenes from the TV show. There is often a tendency for audience participation to become quite awkward, but luckily that wasn’t the case.

The lighting (Robbie Butler) and sound (James Nicholson)Β complemented the performance perfectly, as did the simple yet effective costume design (Lee Newby).Β Although slightly mad, and at times a bit slow between scene transitions, this is a comedy that stands well on its own and will definitely also get you excited for the new series of The Crown.

 

Reviewed by Maddie Stephenson

Photography by Geraint Lewis

 


The Crown Dual

King’s Head Theatre until 7th April

 

Last ten shows reviewed at this venue:
La Traviata | β˜…β˜…β˜…β˜… | October 2018
No Leaves on my Precious Self | β˜…β˜… | October 2018
Beauty and the Beast: A Musical Parody | β˜…β˜…β˜…β˜…β˜… | November 2018
Brexit | β˜…β˜…β˜…β˜…β˜… | November 2018
Buttons: A Cinderella Story | β˜…β˜…β˜…β˜… | November 2018
Momma Golda | β˜…β˜…β˜… | November 2018
The Crumple Zone | β˜…β˜… | November 2018
Outlying Islands | β˜…β˜…β˜…β˜… | January 2019
Carmen | β˜…β˜…β˜…β˜… | February 2019
Timpson: The Musical | β˜…β˜…β˜… | February 2019

 

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