Once on this Island
Reviewed – 14th August 2019
“The energy and commitment of the cast is undeniable, as is their pure joy in performing”
Once On This Island is set in the French Antilles, and tells the story of a young peasant girl, Ti Moune, who falls in love with a Frenchman, Daniel, who lives in the grand hotel on the other side of the island. Ti Moune’s love plays out as part of a battle between the gods Papa Ge (the demon of death) and Erzule (the goddess of love) as to who is the strongest, and although Ti Moune ends up cast aside by her lover, in favour of a French noble woman, the gods look kindly on her loyalty to Daniel, and she is reincarnated as a tree, which eventually grows, cracks the hotel gates and allows future generations to live together in harmony. The story is part Romeo and Juliet, part Little Mermaid, and the score is rich in calypso and Caribbean rhythms.
The musical is one of The British Theatre Academy’s summer shows, and, with its nineteen strong cast, Once On This Island is a perfect choice to showcase the talents of its alumni. Lee Proud (director) runs a tight ship, and the production is pacy and professional, with every performer, from the leads to the ensemble, giving their all 100% of the time, which is fantastic to see. The energy and commitment of the cast is undeniable, as is their pure joy in performing. Inevitably, there are weaker links here, but the strength of the collective is such that it doesn’t matter. Similarly, some of the more hackneyed choreography and design choices are glossed over by the brio of the production as a whole.
That said, the high-octane energy could become relentless, and both the production and certain individual performances would have benefitted from a bit more light and shade. This wasn’t helped by the sound, which was deafening. The Southwark Playhouse is a relatively small space, and, although it is now done as a matter of course, this reviewer again questioned the necessity of miking up the performers. The audience is perfectly capable of hearing the singers at such close quarters, and miked-up singing exaggerates an already-present musical theatre stridency in many of the voices. Clarity and vocal strength, however, were on point throughout.
Chrissie Bhima, as Ti Moune, demonstrated terrific tone and control, and made the most of her belters, especially her opening number ‘Waiting for Life’, but the voice of the evening was that of Aviva Tulley, who was masterful throughout and truly came into her own with her showstopper ‘The Human Heart’. Already a subtle, expressive, powerful performer, she is bound to have an exciting future. Credit too to Marie-Anna Caufour for her touching performance as Euralie, Ti Moune’s adopted mother, and to Jonathan Chen for his rousing portrayal of the Earth Mother Asaka.
Once On This Island is not a particularly arresting musical, lyrically, musically or in terms of its story, but it is lots of fun. And this particular production feels like a celebration, full of youthful energy and love. And that really ain’t a bad thing to be a part of on a summer evening.
Reviewed by Rebecca Crankshaw
Photography by Eliza Wilmot
Once on this Island
Southwark Playhouse until 31st August
Previously reviewed at this venue:
The Night Before Christmas | ★★★ | November 2018
Aspects of Love | ★★★★ | January 2019
All In A Row | ★★ | February 2019
Billy Bishop Goes To War | ★★★ | March 2019
The Rubenstein Kiss | ★★★★★ | March 2019
Other People’s Money | ★★★ | April 2019
Oneness | ★★★ | May 2019
The Curious Case Of Benjamin Button | ★★★★★ | May 2019
Afterglow | ★★★½ | June 2019
Fiver | ★★★★ | July 2019
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