Tag Archives: Elena Molina

Shackleton and his Stowaway

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Park Theatre

Shackleton and his Stowaway

Shackleton and his Stowaway

Park Theatre

Reviewed – 10th January 2020

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“an extremely interesting and watchable play”

 

After being lucky enough myself to explore north of the Arctic Circle just two months ago, I eagerly arrived at the Park Theatre for a trip to Antarctica.

This play by Andy Dickinson and directed by Simone Coxall tells the story of Ernest Shackleton, who along with his crew, attempts to sail his ship Endurance across the Antarctic. His plans are immediately thrown into chaos as a young stowaway appears on board. Much of the story then focuses on the relationship between Shackleton and the stowaway and how this develops as the voyage progresses and doesn’t exactly go according to plan.

The stage is set (Kajeel Patel) using wooden crates and trucks, along with ropes and sheets to depict various parts of the ship and later, tents and rocks on the pack ice; these are well utilised. A ladder and the gantry are used to strong effect to establish different levels on The Endurance.

Lighting (Pablo Baz) is well designed, there is also clever use of projection (Enrique MuΓ±oz) with snow and other icy shots. I would like to have seen more blizzards rather than gently falling flakes and maybe the occasional map to depict the distance and location that these adventurers explored. Sound (Dominic Brennan) is well thought out with waves, wind, creaking joints and some suitable dramatic music. Again, maybe the wind could have been stronger, howling gales could have added to the bleakness of the locations.

Richard Ede has some great moments as Shackleton. I thought when he first met the stowaway, he took this a little too much in his stride. He was strongest in his monologues. His opening dialogue beautifully set the scene and introduced us to the drive and motivation behind Shackleton’s journey, his long speech as he desperately searched for help over hundreds of miles, was quite inspiring. Elliott Ross as the Welsh stowaway was a nice contrast and he brought a huge amount of youthful energy to all his scenes, until the freezing conditions got the better of him.

Despite there being twenty seven men on board, this is actually a two-hander. The actors had a nice chemistry and a decision had clearly been made to bring out the humour in this script, I think possibly a little too much. There is definitely a place for the lighter side to be explored, but this is beautifully poetic script and the play was at its best when the drama was highlighted.

Act Two focussed on the time after the ship had been crushed by the ice and eventually sunk. I would have loved to have seen the actors dressed with some frost bitten make-up and I could not understand how in one of the most frozen and remote areas of the World, they were not wearing gloves.

This is an inspirational story in many ways and considering the helpless situation that Shackleton found himself in, it was remarkable how he mostly brought his crew home. Stolen Elephant Theatre has produced an extremely interesting and watchable play. I definitely felt like I’d been on a voyage, although I was not entirely convinced that I’d been all the way to the Antarctic.

Hard to believe that this story took place only just over one hundred years ago. Now, due to climate change, some of these unnavigable, remote, frozen areas, that caused Shackleton and his crew such trauma, are disappearing before our very eyes.

 

Reviewed by Chris White

Photography by Elena Molina

 


Shackleton and his Stowaway

Park Theatre until 1st February

 

Last ten shows reviewed at this venue:
Summer Rolls | β˜…β˜…β˜…Β½ | June 2019
The Time Of Our Lies | β˜…β˜…β˜…β˜… | August 2019
The Weatherman | β˜…β˜…β˜… | August 2019
Black Chiffon | β˜…β˜…β˜…β˜… | September 2019
Mother Of Him | β˜…β˜…β˜…β˜…β˜… | September 2019
Fast | β˜…β˜…β˜…β˜… | October 2019
Stray Dogs | β˜… | November 2019
Sydney & The Old Girl | β˜…β˜…β˜…β˜… | November 2019
Martha, Josie And The Chinese Elvis | β˜…β˜…β˜…β˜…β˜… | December 2019
The Snow Queen | β˜…β˜…β˜…β˜… | December 2019

 

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Yerma – 2 Stars

Yerma

Yerma

Cervantes Theatre

Reviewed – 8th November 2018

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“if I was being kind I would say that it was the intimacy of the studio space that made the climactic scene so uncomfortable”

 

This is the story of a marriage lived in rural Spain from the perspective of the titular Yerma, whose name translates as β€˜barren’, a woman who desperately wants a son. Written by Federico Lorca in 1934, Cervantes Theatre have stuck somewhat to the original text whereas a recent, much praised Young Vic production was a modernised imagining. Whilst I didn’t manage to see either of the two London runs, it wasn’t for lack of trying. It was therefore with high expectations I went into this performance.

The actors can hardly be faulted. Leila Damilola as Yerma clearly puts her all into the role, so much so that during the bows she had to be supported to stand due to the severity of her sobbing from the final scene. Tom Whitelock as Juan strikes the balance between being both the subject and object of suffering whilst Coco Mbassi brings much needed light humour to this otherwise intensely unhappy tale. The whole cast is good, even if some of the characters appear somewhat superfluous.

Unfortunately, the text has not aged well, with the abundance of watery, fertility metaphors and various descriptions of breasts as mountains or as sand, sounding jarring to a modern ear.

Jorge de Juan’s direction felt clumsy and heavy-handed. The passage of time could have been made easier to follow, with no signal other than the explicit mention of the length of Yerma’s marriage. There were other choices as well which felt odd and made the story confusing.Β I lost patience entirely though in the final act when Yerma visits a local mystic to bring her a child, and the village women become possessed. It was too loud. Too manic. Too long. There is a limit to how much I can cope with convulsing and chanting before I itch to leave. If I was being kind I would say that it was the intimacy of the studio space that made the climactic scene so uncomfortable. Perhaps if I had been further away from the noise and the action I wouldn’t have found it so painful.

The goal of Cervantes Theatre, to perform great Spanish Theatre in the heart of London, is admirable. I am a strong proponent for performing work written in other languagesΒ  on the London stage. We should indulge in foreign cultures more than ever, especially given the current climate of impending withdrawal from the EU. I just wish that this had been a better executed example.

 

Reviewed by Amber Woodward

Photography by Elena Molina

 

Cervantes Theatre

Yerma

Cervantes Theatre until 1st December

 

Previously reviewed at this venue:
The Little Pony | β˜…β˜…β˜…β˜… | June 2018
Ay, Carmela! | β˜…β˜…β˜… | September 2018

 

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