Tag Archives: Emily Lipscombe

ED NIGHT: YOUR OLD MUCKER

★★★½

Edinburgh Festival Fringe

ED NIGHT: YOUR OLD MUCKER

Edinburgh Festival Fringe

★★★½

“the last few minutes of the show turn into something genuinely special, and strangely hopeful”

Ed Night’s fifth show “Your Old Mucker” at the Fringe manages to feel dry, bleak and poignant all within the hour. With signature droll delivery, Night uses the smaller Monkey Barrel venue to compliment his lowkey, conversational style – a very different tone to most of the effusive comedians also performing at the Fringe.

Most of Night’s material concerns pretty quotidian life experiences: expensive heating; flats that are high-ceilinged for no reason; having your moustache rejected aesthetically by a partner – but his original delivery makes the topics feel fresh. His girlfriend’s adjectival choice for said moustache introduces a preoccupation with choice words and their connotations – and despite the casual delivery it’s clear that every word in the set is very deliberately chosen to build up a unique comedic voice.

Then we’re taking a walk with him out of his flat and through the town- he goes to meet the dentist, then he and the dentist go to meet the butcher. At one point it feels like a shopping list memory game, but the meandering from mundane to absurd perfectly captures the internal ravings of the writer’s-block walk. There are also some curve balls that allow Night to indulge in some physical comedy in place of his regular aloof style, the set’s biggest laugh was probably over an octopus tentacle that literally came out of nowhere.

Night’s set mentions the loss of his grandfather, and there are some excerpts from an interview about the Blitz that he gave to primary school children that are very funny and punctuate the set. The dead are not exempt from having the piss taken out of them, but there’s something very tender there as well in the references Night makes to their closeness – expressing affection through means of droll cynicism is a defining tactic of his set.

There are times when the show can feel quite slow, and although he makes it clear that worrying on about a comedian’s mental health is equivalent to worrying about the fictional citizens of Gotham, there’s a below surface vulnerability that creates quite a nervous energy among the crowd. Night says early on that his comedy isn’t going to come to the audience on their level- that’s definitely true – it doesn’t pander in the slightest.

The audience feels rewarded for their embrace of this set’s stranger energy when the last few minutes of the show turn into something genuinely special, and strangely hopeful, and you realise that there’s a low-key kind of poetry to the way Night delivers what’s on the surface a very dry and laconic set. The slow-burn delivery won’t be a hit for everyone, and it’s not over-the- top, laugh a minute. But if you’re looking for an intimate venue and a unique tone and pace that cuts through the festival’s usual flamboyance, you’ll really like this show.

 

ED NIGHT: YOUR OLD MUCKER

Edinburgh Festival Fringe

Reviewed on 15th August 2025 at Hive 2 at Monkey Barrel Comedy

by Emily Lipscombe

 

 

 

 

 

ED NIGHT

ED NIGHT

ED NIGHT

KEVIN QUANTUM: UNBELIEVABLE MAGIC FOR NON-BELIEVERS

★★½

Edinburgh Festival Fringe

KEVIN QUANTUM: UNBELIEVABLE MAGIC FOR NON-BELIEVERS

Edinburgh Festival Fringe

★★½

“Quantum is a charismatic and sincere showman, and his predictive powers are the most impressive parts of the show”

Kevin Quantum’s Unbelievable Magic for Non-Believers is a show that dares its audience to believe in the power of fate and leave their cynicism at the door. Marketed as a fusion of science and magic, magician Kevin Quantum performs a range of tricks, as well as enlisting the help of audience members, but despite the obvious skill that has gone into devising and executing the show, it’s missing that wow-factor that can turn non-believers into believers.

The show’s main set-piece is the Tesla coil, which zaps electricity from one rod to the other; he advertises himself as a scientist-cum-magician. It’s a very cool piece of kit, but doesn’t really feature in the show enough to feel like its implied significance at the beginning of the show is justified. And the trick Quantum performs with the coil doesn’t feel so much mind-blowing magic as year 9 physics class, although I do salute his faith in the power of grounding. Really, the show’s biggest themes are fate and family: Quantum sombrely tells the story of a friend’s narrowly missed airplane tragedy, which feels like a bit of a left-turn when juxtaposed with the sillier magic of the show’s first half. But it’s revisited later in a way that’s touching and adds a note of sincerity not normally seen in magic shows, and I wonder whether the show would have been better advertised with these themes in mind.

There’s also a fun bit of audience participation that does a great job of creating energy and camaraderie within the crowd, although it might have been a bit too long a trick for the payoff to feel suitably climactic, and puts too much faith in the sobriety of evening fringe-goers.

Quantum is extremely likeable, if a little nervous, and improvises well with the audience members he selects as his magician’s assistants. There are a few stumbles with delivery but he quickly picks himself back up, and his warm showmanship is punctuated by some spikier improvisations. The musical backing for tricks is a great way to maintain energy and rhythm, but cuts out a bit abruptly when the tricks reach their climax – and there are other technical issues with the close-up recording projected onto the screen at the back of the stage that feel a bit haphazard. Quantum’s magic tricks are classic and well-executed, including slippery cards, hovering balls and psychic toast, but I wonder whether a classic trick loses its sparkle after a while, not through any fault of the magician but from pure oversaturation.

Overall, Quantum is a charismatic and sincere showman, and his predictive powers are the most impressive parts of the show. If you’re looking for a fun evening with some classic magic, you’ll enjoy this, but it’s not as mind-blowing as I might have hoped, and I remain, unfortunately, a non-believer.



KEVIN QUANTUM: UNBELIEVABLE MAGIC FOR NON-BELIEVERS

Edinburgh Festival Fringe

Reviewed on 14th August 2025 at Ballroom at Assembly Rooms

by Emily Lipscombe

Photography by Geebz

 

 

 

 

 

KEVIN QUANTUM

KEVIN QUANTUM

KEVIN QUANTUM