The Sweet Science of Bruising
Southwark Playhouse
Reviewed – 5th October 2018
★★★★
“it doesn’t quite land a knockout punch, however, this is important and compulsive viewing”
In Joy Wilkinson’s richly entertaining new play, four women, from diverse segments of Victorian society, find solace from the tedium and oppression of their day-to-day lives in the novel world of all-female boxing. Slugging it out in the backrooms of Islington to be crowned ‘Lady Boxing Champion of the World’, they provoke an aghast (and sometimes violent) response from patriarchal, ‘polite’ society.
Cannily, Wilkinson allows the status of these spectacles to remain ambiguous. Are they a kind of proto-feminist display of solidarity and valour? An exploitative circus, choreographed, literally, by the Svengali-like Professor Sharp (an excellent Bruce Alexander)? Or, as one of the fighter’s relatives strikingly suggests towards the end, an act of mere egotism on the part of the participants? The strength of the play is in its timely suggestion that, in rigidly oppressive societies, simple solutions are hard to come by and ‘progress’ can be tricky to measure.
Wilkinson has worked extensively for television which comes across in the play’s engaging, televisual-style sharp, snappy scenes and intertwining storylines. In fact, the evening feels a little akin to a Netflix box-set (one might see certain similarities with the streaming series Glow). A steady directorial hand is provided by Kirsty Patrick Ward who stages the text with the pace and clarity it demands. Anna Reid’s set-design, somewhat resembling a boxing-ring, uses the intimacy of the Southwark’s studio space to its full effect. From a lineup of strong performances, Fiona Skinner’s brittle, defiant Polly Stokes stands out.
At times, the narrative is pursued a little too urgently. The thoughtful questions posed in the first act get somewhat submerged by the haywire over-plotting of the second: promising narrative threads are rushed through or got slightly lost. Further, whereas the play neatly navigates its individual storylines, one was eager to see more of the women together, comparing their experiences. A bit more time with the boxing matches themselves would also have been appreciated (especially if it meant further opportunity to showcase Alison de Burgh’s brilliant fight direction).
It doesn’t quite land a knockout punch, however, this is important and compulsive viewing.
Reviewed by Joe Spence
Photography by Mitzide Margary
The Sweet Science of Bruising
Southwark Playhouse until 27th October
Previously reviewed at this venue:
Bananaman | ★★★ | January 2018
Pippin | ★★★★ | February 2018
Old Fools | ★★★★★ | March 2018
The Country Wife | ★★★ | April 2018
Confidence | ★★ | May 2018
The Rink | ★★★★ | May 2018
Why is the Sky Blue? | ★★★★★ | May 2018
Wasted | ★★★ | September 2018
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