Tag Archives: Garrett Millerick

Garrett Millerick: Sunflower
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Soho Theatre

Garrett Millerick: Sunflower

Garrett Millerick: Sunflower

Soho Theatre

Reviewed – 12th February 2019

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“Millerick has created something powerful, inviting us to experience a combination of emotions we rarely feel together”

 

Garrett Millerick jokes about his brand of β€˜nitpicking misery’, and his new show Sunflower, one of the most critically acclaimed hits from Edinburgh Festival last year, certainly lives up to his reputation. From S Club 7 to the patriarchy, Millerick effortlessly manages to weave humour through both light and darkness as he explores the true importance of laughter.

From the start of his show, walking through the aisle of the Soho Theatre downstairs and announcing himself to the stage, Millerick commands our attention. His high energy approach to comedy is captivating, heightened by his quick paced delivery and passion for the stories he tells. Initially set to be a happy and fun show – named after his favourite Beach Boys album – Millerick centres his stories around a grounded cynicism that sets to explore whether context can dictate the limits of comedy. Through his charm and authenticity, Millerick draws us in, humanising his stand-up routine in an unexpected way that is guaranteed to take you through a spectrum of emotions.

And that is the beauty of this show: it isn’t your standard stand-up comedy. Jokes about Paul Cattermole (β€˜one of the boys from S Club’) selling his Brit award, and Chesney Hawkes losing the rights to his song β€˜The One and Only’, land to roars of laughter, twisting the comedy knife into these otherwise quite tragic accounts. But the show is unique and fresh in its approach because part way through the writing of it, Millerick’s life changed dramatically. The performance, therefore, takes a surprising turn, taking us out of the comfort of comedy into something much more complex, whilst never losing its heart. Without wanting to give anything away, all I will say is that Millerick has created something powerful, inviting us to experience a combination of emotions we rarely feel together; that feeling of wanting to – and, indeed, needing to – laugh through heartbreak.

The performance excels because the comedian wears his heart on his sleeve, compelling his audience to listen to every word he says. And in doing so Millerick delivers a refreshingly dynamic performance that deserves its acclaim, and deserves to be seen.

 

Reviewed by Tobias Graham

Photography by Β Matthew HallΒ 

 

Garrett Millerick: Sunflower

Soho Theatre until 16th February

 

Last ten shows reviewed at this venue:
Flesh & Bone | β˜…β˜…β˜…β˜…β˜… | July 2018
There but for the Grace of God (Go I) | β˜…β˜…β˜…β˜… | August 2018
Fabric | β˜…β˜…β˜…β˜… | September 2018
The Political History of Smack and Crack | β˜…β˜…β˜…β˜… | September 2018
Pickle Jar | β˜…β˜…β˜…β˜…β˜… | October 2018
Cuckoo | β˜…β˜…β˜… | November 2018
Chasing Bono | β˜…β˜…β˜…β˜… | December 2018
Laura | β˜…β˜…β˜…Β½ | December 2018
No Show | β˜…β˜…β˜…β˜… | January 2019
Soft Animals | β˜…β˜…β˜…β˜… | February 2019

 

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Review of Garrett Millerick: The Devils Advocate – 4 Stars

Garrett

Garrett Millerick: The Devils Advocate

2Northdown

Reviewed – 2nd December 2017

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“the passion of the delivery brings an immediacy and freshness that was unexpected”

 

Entering the venue, hidden round the back of the King’s Cross area, 2Northdown looked every bit the intimate comedy gig; black stage, small set-up of chairs, bottle of water and a stool; threatening the audience-bashing intimidation that often accompanies smaller stand-up gigs. However, with Millerick’s appearance on-stage, it became clear that this was something much more polished. Promising a prepared routine, he moved through his set with angst and hilarity, carrying us along with him through a series of recent misadventures.

The show began with a short video intending to introduce us to the horrors of living in Essex, an introduction which felt slightly out of joint with the rest of the set, but served well to introduce us to the referential self-consciousness of the rest of the set. Taking us through the barbecue etiquette of Essex, a drunken trip to Australia, a run-in with hipsterdom and a questionably enjoyable mental breakdown, Millerick satirises himself and our society with a sardonic, and often self-deprecating wit, showcased by the Stuart Lee generation of comedian. Many of the ‘Grumpy Old Men’ comic tropes remain; drinking too much, hating your life; but the passion of the delivery brings an immediacy and freshness that was unexpected.

Despite being centred around Millerick’s own experiences, and often making reference to middle-aged life, the set felt well-constructed for intergenerational enjoyment, despite the occasional reference that felt a little too niche. Constructing a mid-set breakdown, Millerick’s timing and modulation of tone allowed us to both laugh with him and at him, with some quieter moments of reflection on the desperately depressing messed-up-ness of our own society. In this way, Millerick provides a fascinating on-stage character; both confessional and self-righteous, he brings us on-side with stories that somewhat resemble the triumphant feeling of witnessing a witty chat-show host rip an arrogant celebrity to pieces live on television; the modern world is the arrogant celebrity and Millerick is more than happy to pick it apart.

The material itself is well constructed, but it is Millerick’s performance that brings life to the routine. Crashing around the stage in an angst-driven set, he commands the stage with a ranting wit and a thrown microphone that leaves us feeling in the company of a friend, yet in the hands of a professional. Suitable for all audiences over 16, The Devil’s Advocate is a hilarious traipse through the oddness of modern life that will tickle the coldest of city folk and leave you with plenty of darker material for further consideration.

 

Reviewed by Tasmine Airey

2Northdown | Live Venue | King's Cross

 

Garrett Millerick: The Devils Advocate

is at 2Northdown until 3rd December

 

 

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