Tag Archives: Gina Beck

GUYS & DOLLS

★★★★★

Bridge Theatre

GUYS & DOLLS at the Bridge Theatre

★★★★★

“Hytner’s production is a thrilling experience full of surprises”

Guys & Dolls has been playing at the Bridge Theatre since March 2023 in Nicholas Hytner’s reimagined production which turns the 1950s Broadway musical into full-on immersive production. Its final cast change before its announced closure in January sees Gina Beck taking over as Sarah Brown, also joined by Michael Simkins as Arvide Abernathy. They join members of the previous cast include Owain Arthur, Timmika Ramsay and Jonathan Andrew Hume, as Nathan Detroit, Miss Adelaide and Nicely-Nicely Johnson, respectively.

If you’re not familiar with the story beyond the parody in The Simpsons, it follows Nathan Detroit’s illegal floating crap game, which he hides from financée of 14 years Miss Adelaide. When Detroit places a bet with gambler Sky Masterson that he must take a woman of Detroit’s choosing to Havana, Masterson (George Ioannides) has to try and impress leader of the Save-a-Soul mission, Sarah Brown. What follows is two side-by-side relationship stories alongside visits to the Hotbox nightclub where Adelaide performs.

Hytner’s production is a thrilling experience full of surprises. Half the audience are stood on and around Bunny Christie’s set which sees stage pieces rise and fall for scenes to be played on before the action quickly moves somewhere else. The work of the stage management team in this production is a feat in itself, as they usher audiences around the moving set pieces, bringing on street lamps, staircases, and even at one moment managing to catch the underwear thrown offstage by the Hotbox dancers.

Having seen the original cast, the newcomers have a lot to live up to, and they absolutely make this show and the roles their own. Ramsay is electric as Miss Adelaide. With expansive vocals, she tears the stage apart with “A Bushel and a Peck”, in a number which is sexy, playful, and shows off a star performance. She brings great comedy to “Adelaide’s Lament” and the rapport with co-star Arthur is sharp and fiery, particularly in their second act duet “Sue Me”, which plays the line between lust and frustration to perfection.

Gina Beck follows previous leading lady roles, including Glinda in Wicked and, more recently, Maria in Chichester’s production of The Sound of Music last year. She is very held together as Sarah Brown before letting her hair down and spinning around lamp posts in “If I Were a Bell”, thanks to Arlene Phillips and James Cousin’s choreography. Her voice has gorgeous, crystal-clear operatic tones. She plays against Ioannides, who also returns to the show, and their verision of “I’ve Never Been in Love Before” is a total delight. Likewise, Simkins’ rendition of “More I Cannot Wish You”, which he sings to Beck, has a real sense of warmth and wisdom which is very touching.

The best number of the show though is saved for Nicely-Nicely Johnson, and is perhaps the best known number “Sit Down, You’re Rockin’ the Boat”. Quite hilariously, the number serves very little plot purpose, other than being a distraction so the General doesn’t cotton on to schemes of the crap game players. Cedric Neal received an Olivier Award nomination for originating this role, so again big boots to fill. Hume is fantastic. His Nicely-Nicely is warm, engaging and a little bit cheeky and he looks like he’s having the absolute time of his life performing this number, which in turn lets the audience have a great time as well. The crowd cheer as he encourages the orchestra to give him an encore and the whole room gets involved clapping along.

If you’re going to revive a 70-year-old musical which is, let’s be honest, rather dated in its plot, then this is the way to do it. It never tries to say ‘this is now’ but instead unapologetically transports us to a different time altogether and gives us an evening of thorough entertainment.

Guys & Dolls plays at the Bridge until January so if you haven’t yet made it along to this 5-Star production make sure that you do. There’s nothing else quite like it!


GUYS & DOLLS at the Bridge Theatre

Reviewed on 9th September 2024

by Joseph Dunitz

Photography by Manuel Harlan 

 

 

 


 

 

 

 

 

Previously reviewed at this venue:

GUYS & DOLLS | ★★★★★ | March 2024

Guys

Guys

Click here to see our Recommended Shows page

 

THE ELF WHO WAS SCARED OF CHRISTMAS

The Elf Who Was Scared of Christmas

★★★★

Charing Cross Theatre

THE ELF WHO WAS SCARED OF CHRISTMAS

The Elf Who Was Scared of Christmas

Charing Cross Theatre

Reviewed – 11th December 2020

★★★★

 

“This production is a heartfelt clawing back of the innocence that lies in the eyes of children”

 

Let’s face it, after the year we’ve experienced, we can all be forgiven for being a little bit scared of Christmas this winter. In fact, it’s safe to say that fear has entered the national psyche all round. But fear no more; help is at hand under the arches on the Embankment. Behind the doors of the Charing Cross Theatre, Neil McDermott and Gina Beck are ready to smash all our misgivings away in an hour long burst of energy, song, dance, storytelling and magical mayhem.

McDermott is ‘Figgy’ and Beck is ‘Cupcake’; two elves preparing for the Christmas frenzy. All is well in their happy-go-lucky world; Cupcake cheerily bidding ‘Good Morning’ to every household object and utensil around her. Until she flips the calendar (after greeting it, of course) over to the first of December. She lets out a scream and dives under a blanket. The children shiver, Figgy quivers. And so the tale begins. Cupcake is scared of Christmas but Figgy cannot understand why at first. After all, you can be scared of many things; spiders and monsters, darkness and dentists; even sprouts. But Christmas? What’s there to be scared of? Christmas is special for… let’s ask the children, shall we?… gingerbread men, hot chocolate, mince pies, snow, snowmen and snowball fights, brandy butter, sugar candy, pigs in blankets and, of course, presents.

It is this final word that triggers Cupcake’s anxiety. So, thenceforth, presents are referred to as ‘thingamajigs’. Until this point, the show seems to have been gliding along on one level, but then the allegories come thick and fast. Cupcake is not so much afraid of the presents themselves, but of delivering them. We can all relate to the increasing expectations and pressures that accompany Christmas. For many it is the hardest time of the year. Cupcake included. Figgy has his own problems too. He believes he has lost his power of magic. Cue a rollercoaster ride of mutual support, with phrases lifted from a shelfful of self-help books. But McDermott and Beck, who also scripted the piece, mask the messages in an absolute joy of a performance. With a nod to the kids and a wink to the parents there’s something for everyone. Amid the slapstick there are tender moments too. And (although it is no surprise given the two actors backgrounds) they both possess spectacular singing voices.

It’s true, some of the platitudes might be lost on the younger members of the audience, but they are spellbound. It’s a delight watching them watching the show: they believe in the magic that McDermott and Beck have. What their characters have forgotten at the beginning of the show is the wonder and joy of Christmas. We need reminding of that. This production is a heartfelt clawing back of the innocence that lies in the eyes of children.

As with all Christmas shows there is a strong element of audience participation, which is in no short supply. But Figgy and Cupcake need all the help they can get. Cinnamon dust sprinkled over an elf, apparently, restores its magic powers. “The Elf Who Was Scared of Christmas” restores our belief in the magic of the festive season. The kids don’t need telling – it’s the adults that do. Listen to them – and listen to that inner child; and, above all, just go and have a good time.

 

Reviewed by Jonathan Evans

Photography courtesy Al Bourne Productions

 


The Elf Who Was Scared of Christmas

Charing Cross Theatre until 23rd December

 

Previously reviewed at this venue:
Violet | ★★ | January 2019
Amour | ★★★★ | May 2019
Queen Of The Mist | ★★★★ | August 2019
Soho Cinders | ★★★★ | October 2019
GHBoy | ★★★ | December 2020

Click here to see our most recent reviews