Tag Archives: Heather Ralph

Ryan Lane Will Be There Now In A Minute

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VAULT Festival 2020

Ryan Lane Will Be There Now In A Minute

Ryan Lane Will Be There Now In A Minute

Cage – The Vaults

Reviewed – 29th February 2020

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“Every opportunity is seized to squeeze every laugh out of a moment, and Lane does it with aplomb”

 

As Ryan Lane bounds on in a mix of traditional Welsh (women’s) dress and a foliage-infused scarlet cape, you’d be forgiven for thinking, ‘perhaps this is a bit too niche’. It was no concern to me as a fellow Welshman, but there was a definite anxiety in the audience in the opening to Ryan Lane Will Be There Now in a Minute. Luckily, the subsequent 55 minutes or so sees Lane charm and delight with a truly hilarious and occasionally poignant look at small-town characters and values.

Set in the rural town of Llandiloes, Lane takes us on a tour of the cast of characters that inhabits it, ranging from the school rugby teacher to the local tour guide. They interact with the audience while going about their daily business, framing them as reluctant sports students or unenthusiastic tourists, which sets up a goldmine of comic potential that Lane unrelentingly reaps. Every opportunity is seized to squeeze every laugh out of a moment, and Lane does it with aplomb, through the extensive physical and vocal toolkit that he and director Georgia Murphy establish with each character. The wit oozing from the script is also exceptional, with a Python-esque surreality to some of the one-liners conjuring a cacophony of belly laughs from the audience.

The sinew connecting each character that Lane depicts is the undercurrent of bigotry that comes entrenched with living in a close-knit rural community such as Llandiloes, and is delivered with expert subtlety in telling the story of a schoolboy struggling with his sexuality. Where many shows fall into the trap of becoming too preachy, Ryan Lane Will Be There Now in a Minute almost swings too far in the opposite direction, displaying unfathomable restraint, letting the irreverent hilarity on the surface smuggle in the more meaningful undertones lurking beneath.

 

Reviewed by Ethan Doyle

Photography by Bruce Wang

 

VAULT Festival 2020

 

 

Click here to see all our reviews from VAULT Festival 2020

 

Sad About The Cows

Sad About the Cows
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Tristan Bates Theatre

Sad About The Cows

Sad About the Cows

Tristan Bates Theatre

Reviewed – 21st May 2019

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“feels in a very early stage of its development and needs a lot more work”

 

We entered the performance space to see what seemed like bedroom furniture littered with clothes and pictures covering parts of the walls. The play then begins, and we are told by Rachel (Michelle Payne) about what feels like a stereotypical teenage view of the world, talking about local clubs, music she likes and famous people she fancied. We sit and listen to this and the show progresses, taking us deeper into her head and how she feels about the unrealistic expectations that are made of young women.

The biggest issue with Sad About the Cows was the writing (Michelle Payne), it felt stale and predictable but not relatable. Everything she said could’ve sat comfortably in any 90’s film about growing up and unfortunately a lot of the jokes simply fell flat; there really was an issue with the almost robotic nature to the script. The social agenda the performance was concerning itself with does really need to be spoken about, but in this case all it seemed to do was tell us on a very basic level about the issues of eating disorders without ever delving below the surface. When tackling such an inflammatory subject matter it is the creatives’ duty to explore the topic and help us through these issues with interesting and/or realistic content.

For one section the script moved abruptly into spoken word, giving us a different way to listen, I hoped for a second that this would be my relief and that I would find this more impactful, but I did not. The spoken word was delivered in a very similar way to the regular speech, a mistake that many fall into, spoken word can be beautiful but very hard to get right and on this occasion it did not pay off.

The set was also a large issue as it didn’t add anything to the show, it only worked against it. The sofa and the bed and the table all cluttered the space up and made it feel unrealistic, we know we are not in a bedroom, so I don’t see why you need all of those props; since many of them were never touched or referenced. For this production less really would have been more.

Overall, Sad About the Cows feels in a very early stage of its development and needs a lot more work. The subject matter has potential and I truly believe it’s about looking back over all the show’s elements and thinking what can be lost, so they can focus on less things and make them better, remembering quality not quantity.

 

Reviewed by Laurie Wilson

Photography by Stephanie Claire Photography

 


Sad About the Cows

Tristan Bates Theatre until 25th May

 

Previously reviewed at this venue:
Love Lab | β˜…β˜…β˜…β˜… | August 2018
Butterfly Lovers | β˜…β˜… | September 2018
The Problem With Fletcher Mott | β˜…β˜…β˜…β˜… | September 2018
Sundowning | β˜…β˜…β˜…β˜… | October 2018
Drowned or Saved? | β˜…β˜…β˜…β˜… | November 2018
Me & My Left Ball | β˜…β˜…β˜…β˜… | January 2019
Nuns | β˜…β˜…β˜… | January 2019
Classified | β˜…β˜…β˜…Β½ | March 2019
Oranges & Ink | β˜…β˜… | March 2019
Mortgage | β˜…β˜…β˜… | April 2019

 

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