Tag Archives: Hen and Chickens Theatre

The Improvised Shakespeare Show

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Hen & Chickens Theatre

The Improvised Shakespeare Show

The Improvised Shakespeare Show

Hen & Chickens Theatre

Reviewed – 14th October 2019

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“Stick in some β€˜thou’ and β€˜henceforth’ bits, and that’s pretty much the Shakespeare done and dusted”

 

No set, no props, five actors and two musicians in front of black drapes, and some lines from audience members written on paper slips for future reference, and we’re off: β€˜The Improvised Shakespeare Show’ from ShakeItUp Theatre.

I saw a version of β€˜Macbeth’ in the Hen & Chickens Theatre a while ago, entitled β€˜MacBeeth’; (β€˜Where the place?’ β€˜Upon the heath.’/ β€˜There to meet with – MacBeeth!’) and now it feels a bit wrong if the witches in subsequent productions don’t end their first scene with that perfect couplet. Other than that, I think Shakespeare has proved himself to be pretty much bulletproof. Whatever performers chose to do to Mr. Shakespeare or any of his works will outlive that interpretation, and no-one needs to worry about damaging his reputation. Which said – there are two aspects of this show, how Shakespeareyany is it, and how good is the improv? On the question of Shakespeare, it isn’t really. The prologue invites the audience to chose a history, a comedy, or a tragedy. We chose history. They asked for a name and a setting, and they picked a very un-Shakespearean name, Keith, and an un-Shakespearean setting, Slough, so β€œThe History of Keith XIII, King of Slough”. Which is funny, because it isn’t at all Shakespearean. Stick in some β€˜thou’ and β€˜henceforth’ bits, and that’s pretty much the Shakespeare done and dusted. A number of comedy troupes use Shakespeare as a sort of short-hand for Cultural Credibility, and ShakeItUp Theatre are prime examples of that.

Criticising improv is like writing about a tennis match; the important stuff is how quickly the gags get picked up, how well the actors deal with changes, how much humour they can draw out of surprising material, which is better experienced than described. These actors managed that pretty well. They developed a story on the fly, kept it going for sixty minutes, developed some running gags. It made for an entertaining evening. The task of keeping the action going fell a bit unevenly on two members of the five person troupe, which was a shame – part of the joy of group improv is watching the baton change hands fast, and the pace kept dropping. In addition, I would have liked a bit more from the two musicians, because the group improvised songs let them show a collective presence that got somewhat lost in the spoken story-telling.

This is an improv comedy group that name-checks Shakespeare as a high-culture beard for Olde Englishe shenanigans. That matters not at all to Shakespeare, and not much to their improv style. I do wonder if they benefit from the expectation that they will be riffing on actual plays and characters. Would that make it funnier? Spotting references makes the spotter feel clever, and that is an attraction that this show passed up by not referring to anything. Other than that – an hour-long themed group improv. That was funny. But not much to do with Shakespeare.

 

Reviewed by Chris Lilly

 


The Improvised Shakespeare Show

Hen & Chickens Theatre (further shows on 11th November and 5th December)

 

Last ten shows reviewed at this venue:
Abducting Diana | β˜…β˜…β˜…Β½ | March 2018
Hawk | β˜…β˜…β˜… | December 2018
I Will Miss you When You’re Gone | β˜…β˜…Β½ | September 2018
Isaac Saddlesore & the Witches of Drenn | β˜…β˜…β˜…β˜… | April 2018
Mojo | β˜…β˜… | November 2018
No One Likes Us | β˜…β˜…β˜… | August 2019
Not Quite | β˜…β˜…β˜… | February 2019
Scenic Reality | β˜… | August 2019
The Dysfunckshonalz! | β˜…β˜…β˜…β˜…β˜… | May 2019
The First Modern Man | β˜…β˜…β˜… | February 2019

 

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A Great Big Sigh

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Hen and Chickens Theatre

Great Big Sigh

A Great Big Sigh

Hen & Chickens Theatre

Reviewed – 5th September 2019

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“a lot of the audience roared with laughter at his antics and I would be foolish to ignore this feedback”

 

Formed just last year, β€˜Moose & Noodle Soup’ theatre company follow up an earlier run at The Hope Theatre with this two handed show.

As we enter the theatre, we are presented by a man and a woman, both gagged and tied to a chair and sitting facing each other in a basement. It soon becomes apparent that this pair have been kidnapped and they discover that they have a set amount of time to solve some clues, each of which has a number as its answer, these numbers being the code to a safe from which they can retrieve a key and escape. Failure to do this in the time limit and we are led to believe that the room will explode.

A fairly bare stage with just the two pieces of furniture, a small suspended window, a hotel like small safe and a few books. The action takes place in real time and occasionally a voiceover informs the characters how long they have left to complete their task. A little like watching an episode of The Crystal Maze, although the cryptic clues are not exactly Times crossword level.

A Great Big Sigh is not a drama though, it is very definitely a comedy. Walter (Riley Marinelli) has the majority of the humorous moments. Dressed a little like Rupert Bear in green checks and red trousers and bizarrely sporting roller blades, he is a wacky, hyperactive, hugely frustrating character who will not focus on the task in hand for more than a few seconds. On the other hand, Tina (Maryhee Yoon) is a calm, focussed, delightfully normal young lady who you would be quite happy to spend an hour of your time in a basement with. This is a very physical show. Walter expertly manoeuvres himself around the stage whilst tied to a fallen chair and one moment where he lifts Tina, almost drops her which then ends in a perfect handstand, is so expertly and casually done that I wanted to leap out of my chair with a scorecard of ten.

But for all the noise, irritation and over the top acting from Walter, occasionally the tempo slows and we discover the characters’ back stories. Tina’s, so worryingly commonplace in this day and age, you wondered how such a strong character emerged. Walter’s so tragic, so poignant, that you suddenly wanted to buy him a beer and give him a big hug.

β€œYou make stronger friendships when you go through adversity together” was a line from Walter that tied the whole plot together for me. Walter’s character is not my type of humour, but a lot of the audience roared with laughter at his antics and I would be foolish to ignore this feedback.

Moose & Noodle Soup’s mission statement is to transport audiences into ridiculous scenarios and they certainly achieved that in A Great Big Sigh. I left the theatre thinking of loneliness, friendship and how poor my long division is. I couldn’t help thinking that however extrovert a person may be, however outrageous their behaviour is, there is often a little cry for help beneath the surface which is extremely dangerous to ignore.

 

Reviewed by Chris White

Photography by Lidia Crisafulli

 


A Great Big Sigh

Hen and Chickens Theatre until 8th September

 

Last ten shows reviewed at this venue:
Abducting Diana | β˜…β˜…β˜…Β½ | March 2018
Isaac Saddlesore & the Witches of Drenn | β˜…β˜…β˜…β˜… | April 2018
I Will Miss you When You’re Gone | β˜…β˜…Β½ | September 2018
Mojo | β˜…β˜… | November 2018
Hawk | β˜…β˜…β˜… | December 2018
Not Quite | β˜…β˜…β˜… | February 2019
The First Modern Man | β˜…β˜…β˜… | February 2019
The Dysfunckshonalz! | β˜…β˜…β˜…β˜…β˜… | May 2019
No One Likes Us | β˜…β˜…β˜… | August 2019
Scenic Reality | β˜… | August 2019

 

Click here to see our most recent reviews