Tag Archives: Jack Studio Theatre

Stepping Out – 3 Stars

Stepping

Stepping Out

Jack Studio Theatre

Reviewed – 21st June 2018

★★★

“There are moments where darker or more serious subjects are hinted at, which could have been pushed further”

 

“Remember the three T’s”, Mavis tells her class of tap dancers, prior to their first public performance. “Teeth, tits, and taps.” That’s right, it’s time to get those jazz hands out and tapping feet at the ready for the latest production of the heart-warming show Stepping Out. In an updated, 21st-century twist on the 1984 play by Richard Harris, this new version is charming and convivial, a bundle of easy-going joy to watch.

Former professional dancer Mavis teaches adult tap dancing classes every Thursday night in a grotty, north London church hall for the locals. The bumbling bunch of ladies, and Geoffrey, who regularly attend, lean more towards having two left feet than twinkle toes. And to top things off, Mavis must resolve the spats and dramas that explode between this motley crew, before any dancing can commence. Whilst the play may feature around (rather unsuccessfully) learning dance routines, it is the love, laughter, tears and tales these everyday folk share with one another that makes the audience want to keep coming back to class with them.

Christina Meehan as Mavis holds everything together wonderfully, giving a very naturalistic and earthy performance, a nice contrast to the loud, mouthy brashness of the likes of Sylvia (Jessica Brady) and Maxine (Lynn Beaumont). Emily Sitch and Sean McDowell give understated yet just as powerful turns as the quieter members of the group, Andy and Geoffrey. Whilst, Helen Jeckells as the no bars held OCD housewife Vera offers some of the best lines of comedy gold throughout the show.

The story may be rather slight, with no real dramatic plot line, but what makes this kitchen sink-style play so likeable, are the recognisable characters whom we all can associate to our own lives. It is the sense of familiarity that truly makes this a winner. There are moments where darker or more serious subjects are hinted at, which could have been pushed further, however, it must be remembered that class is a place where these characters throw away their everyday troubles and want to let loose. Consequently, with the addition of catchy classic swing band tunes and top hats and canes, you yourself will be tapping your way out of the theatre before you know it.

 

Reviewed by Phoebe Cole

Photography by David Ball

 


Stepping Out

Jack Studio Theatre until 7th July

 

 

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Kes – 5 Stars

Kes

Kes

Jack Studio Theatre

Reviewed – 4th May 2018

★★★★★

“This is the Jack team doing what they do best and once again producing a diamond”

 

A teenage boy growing up in a northern town discovers a love of falconry when he adopts a young kestrel in Robert Alan Evans’ adaptation of Barry Hine’s A Kestrel for a Knave. Through Kes, young Billy finds an escape from the pressures of everyday life and the looming shadow of a future down the mine.

I’ve long been a fan of the Jack Studio Theatre and always go to their in-house productions with high expectations. I’m happy to say that Kes does not disappoint. It’s a beautiful piece of theatre. Subtle, engaging and deeply touching, director Kate Bannister masterfully creates a rich and detailed portrait of a working class childhood while always staying close to the heart of the story. From the intricacies of the set design (Karl Swinyard) to the detail in the soundscape (Jack Barton), the craft and care that has gone into this production is undeniable and every aspect flows together seamlessly. This is the Jack team doing what they do best and once again producing a diamond.

The cast are equally brilliant giving boisterous and energetic performances. Rob Pomfret populates the play with an array of characters, each one unique and fully realised. He gives charm to each of his creations, allowing sympathy even for the most abhorrent such as bullying big brother Jud and the obnoxious PE teacher. His charisma in his central role, a man jaded by his own heart break and trying to protect the innocence he once had, gives real weight to Billy’s relationship with Kes. Perfectly complementing Pomfret’s gravitas, Simon Stallard fills the space with his enthusiasm and the sheer joy he takes when Billy flies Kes. He’s awkward and goofy and instantly loveable, yet mesmerisingly graceful when he takes Kes to the air.

This is a real treat. Heartfelt and elegant, it is yet further proof that the Brockley Jack is one of the best theatres in London.

 

Reviewed for thespyinthestalls.com

Photography by Timothy Stubbs Hughes

 


Kes

Jack Studio Theatre until 19th May

 

 

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