Tag Archives: James Lapine

Little Miss Sunshine
★★★★★

Arcola Theatre

Little Miss Sunshine

Little Miss Sunshine

Arcola Theatre

Reviewed – 1st April 2019

★★★★★

 

“Mehmet Ergen directs the show with a freshness and inventiveness that allows the versatile and talented cast to sparkle”

 

What a treat this is. Turning a successful film into a stage musical isn’t an easy task, but this production by Selladoor manages it wonderfully. The story is true to the original and if you are wondering how the small Arcola stage can accommodate a VW van, a motel, a hospital and a Beauty Pageant, go and see it purely for the ingenuity of David Woodhead’s design.

This is one of those evenings at the theatre that has the audience buzzing and leaving the theatre with huge smiles. Some will also have a tune in their head, as there are some truly memorable songs (William Finn) in the show. The cast are excellent; this is a real ensemble piece where everyone gets a chance to shine, even those with smaller roles, such as Imelda Warren-Green who personified the old adage that there is no such thing as a small part with hilarious performances as Linda and Miss California.

For those not familiar with the film (written by  Michael Arndt), the story is about the Hoover family; a rather dysfunctional tribe, who drive from New Mexico to California so that their daughter Olive can enter a children’s beauty pageant. Olive, played this evening by Sophie Hartley Booth was the heart and soul of the show. She was hilarious, sweet and utterly captivating. Her performance in the talent competition brought the house down. Three other children, Ellicia Simondwood, Yvie Bent and Elodie Salmon played the Mean Girls, both the voices in Olive’s head that tell her she isn’t good enough and the other competitors in the beauty pageant. And delightfully mean they were.

The rest of the family each have their problems. Paul Keating played Frank, the gay uncle who has unsuccessfully tried to kill himself, with a gentle sureness of hand. Gary Wilmot’s scandalous grandpa is living on the sofa. He loves to shock, yet has real warmth and Wilmot brought a gorgeous tongue in cheek style to the role. Sev Keoshgerian managed to be very funny, characterful and convincing as Dwayne, Olive’s brother, even during the majority of the show when he doesn’t say a word. The parents, Richard and Sheryl, played by Gabriel Vick and Laura Pitt-Pulford are broke and struggling. Gabriel is optimistic about his ‘ten point plan for success,’ and expecting a book deal that never comes, but despite all the setbacks and obstacles, the family are determined to get Olive to the pageant. Pitt-Pulford sang ‘Something Better Better Happen’ with such genuine emotion that it brought a tear to the eye, and Vick’s ‘What You Left Behind’ was powerful and touching. They felt like a real family, each individually falling apart but coming together in the face of their difficulties; pushing the van to get it started, determined to finish the journey.

The two other cast members are Ian Carlyle and Matthew McDonald, who both take on a couple of contrasting roles. Carlyle is outrageously loud as the wonderfully dreadful pageant host, and equally good as the man who stole Frank’s lover. McDonald also convinces, both as the ex-lover and as the long suffering technical guy at the pageant.

Mehmet Ergen directs the show with a freshness and inventiveness that allows the versatile and talented cast to sparkle. There is a stunning live band above the stage (Musical Director Arlene McNaught) that perform their hearts out for every number. The perfect package is completed with great sound (Olly Steel) and lighting (Richard Williamson) throughout and some excellent choreography (Anthony Whiteman).

If Little Miss Sunshine gets a West End transfer, and it deserves to get one, I will be happy to say that I saw it in this smaller, more intimate space. Do go, if you can. The whole thing is a joy.

 

Reviewed by Katre

Photography by Manuel Harlan

 


Little Miss Sunshine

Arcola Theatre until 11th May

 

Last ten shows reviewed at this venue:
The Parade | ★★★ | May 2018
The Secret Lives of Baba Segi’s Wives | ★★★★★ | June 2018
The Rape of Lucretia | ★★★★ | July 2018
Elephant Steps | ★★★★ | August 2018
Greek | ★★★★ | August 2018
Forgotten | ★★★ | October 2018
Mrs Dalloway | ★★★★ | October 2018
A Hero of our Time | ★★★★★ | November 2018
Stop and Search | ★★ | January 2019
The Daughter-In-Law | ★★★★★ | January 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Into the Woods – 4 Stars

Woods

Into the Woods

Cockpit Theatre

Reviewed – 25th May 2018

★★★★

“a hugely complex work with multi-layered lessons and warnings”

 

Sondheim and Lapine’s Tony Award winning musical, ‘Into the Woods’, is transported imaginatively to the 21st century by Tim McArthur in a slick and entertaining production. It illustrates the timelessness of fairy tales, the messages they convey and, more importantly, the ones they don’t. ‘Cinderella’, ‘Little Red Riding Hood’, ‘Jack and the Bean Stalk’ and ‘Rapunzel’ are woven together by the plight of a baker and his wife who must undo a spell of infertility cast on them by a wicked witch. In Act One we enjoy the familiar stories as they all wish for their dreams and enter the woods – the big, brutal world – in pursuit of them. Their quests successful and desires fulfilled, they can live happily ever after. Or can they? Act Two unravels these aspirations, the consequences of how they are achieved, followed by disillusionment, responsibility, revenge, loss … and, ultimately, the many realisations of adulthood, including the underlying fascination for what lies in the woods.

The array of contemporary, larger-than-life roles fits effortlessly together. Some, however, find a more rounded definition than others: Jamie O’Donnell steals the show with his beautifully detailed interpretation of Jack, giving him depth and pathos, and his mother (Madeleine MacMahon) draws a wonderful picture of his background with her strong personality. Michele Moran, as the witch, arouses both fear and sympathy and Cinderella (Abigail Carter-Simpson) and Red Riding Hood (Florence Odumosu) depict a more human and questioning side to their personalities from the beginning. As the narrator, Jordan Michael Todd skilfully creates his own charismatic persona, embedding himself surreptitiously into the action while drawing us in as the storyteller.

The ensemble singing is tightly coordinated and well-balanced but the individual voices are less consistent. Both Jo Wickham and Tim McArthur show their professional musical theatre experience and there are many strong newcomers, but a few are, on occasions, overshadowed by the band. Aaron Clingham (Musical Director) and his musicians provide the perfect accompaniment to the performance.

Staged in the round, we are wrapped up in the comings and goings of the play, with wood chippings underfoot. Joana Dias’ set design of assorted ladders gives the feeling of a play for adults, offset by the rudimentary props. The lighting (Vittorio Verta) ably fashions the dappled sunlight and shadows in the woods as well as the fairy-tale special effects.

‘Into the Woods’ is a hugely complex work with multi-layered lessons and warnings. The overriding theme appears as “Be careful what you wish for” but there is also a powerful point made to parents: “Be careful what you say, children may listen”. Mothers and fathers figure prominently, accepting or otherwise the repercussions of their parenting. It broaches the subjects of blame and greed, reinforces the supportive nature of survival and addresses our natural sense of adventure – do we want to live happily ever after or do we want to live life? Tim McArthur’s astute direction brings out these ideas and makes them relevant.

 

Reviewed by Joanna Hetherington 

Photography by David Ovenden

 


Into the Woods

Cockpit Theatre until 24th June

 

Related
Also directed by Tim McArthur
Hot Lips & Cold War | ★★★★★ | London Theatre Workshop | February 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com