Tag Archives: Johan Persson

GUESS HOW MUCH I LOVE YOU?

★★★★★

Royal Court Theatre

GUESS HOW MUCH I LOVE YOU?

Royal Court Theatre

★★★★★

“keeping you engaged from start to end and revealing deep truths along the way”

A couple waits in a hospital room, on the brink of labour. To pass the time, they play 20 Questions, trying to guess a character.

“Am I alive?”

“Maybe?”

Small, playful moments that feel ordinary and deeply intimate.

Rosie Sheehy, as the woman in labour, invites us into her world with a blunt, feminist voice that is both exquisite and hilariously honest. Robert Aramayo plays her partner with warmth, playfulness, and unwavering support, matching her wit beat for beat. Together, they give the immediate sense of a couple who have been together forever, who know each other inside out, who can talk about absolutely anything.

Written by Luke Norris, the play is rich with beautiful humour and a powerful, deeply felt depiction of a relationship riding an emotional rollercoaster. The jokes are sharp and natural, immediately welcoming us into the profound bond these two people share.

It soon becomes clear that the humour does more than showcase their connection – it also acts as a shield, attempting to mask an underlying tension slowly rising beneath the surface. No one – neither the couple nor the audience – is prepared for what’s to come.

Sheehy and Aramayo’s performances are undeniably stunning. They hold you in a constant state of attention, your eyes fixed on them. Through silence, emotional vulnerability, and moments of lightness, they offer their entire emotional world with generosity and precision. Their chemistry is electric, allowing us to witness the full arc of their relationship and individual emotional journeys with striking clarity.

Lena Kaur also appears as the midwife, delivering a beautiful performance that is equally funny and grounded.

Directed by Jeremy Herrin, the transitions between scenes are beautifully handled. Grounded in a realistic set designed by Grace Smart, we move swiftly through hospital rooms and private spaces, travelling with the couple across different times and places as their story unfolds. We are with them in every moment of their life together.

The story confronts the hardest moments that any couple – or any person – may face. A recurring thread weaves through the play, returning us again and again to questions that intensify its emotional core:

How do I love you when the sun no longer makes sense?

How much do I love you when part of me no longer feels alive? When sadness takes over?

It is not a comforting, “everything will be fine” kind of show. It doesn’t promise happy endings or ideal outcomes. Instead, it offers truth about real relationships, real hardship, and the terrifying choice between leaving or staying. It is about facing yourself and the other at their worst, and choosing love anyway.

Guess How Much I Love You captures this with raw authenticity, keeping you engaged from start to end and revealing deep truths along the way.

A few scenes may linger slightly longer than necessary, but this is minor compared to the emotional richness the play leaves behind. A work of rare honesty – and an absolute must-see.

 



GUESS HOW MUCH I LOVE YOU?

Royal Court Theatre

Reviewed on 22nd January 2026

by Nasia Ntalla

Photography by Johan Persson


 

 

 

 

GUESS HOW MUCH I LOVE YOU?

GUESS HOW MUCH I LOVE YOU?

GUESS HOW MUCH I LOVE YOU?

PARANORMAL ACTIVITY

★★★★

Ambassadors Theatre

PARANORMAL ACTIVITY

Ambassadors Theatre

★★★★

“Each bump, jump, scare and shock comes as a surprise in a perfectly paced and executed telling of the tale”

“As you enter, hold your nerve. As you exit, hold your tongue. Keep our secrets.”

The fact that we are handed a note containing a personal appeal from the writer to ‘keep spoiler secrets’ leaves me wondering what I can actually write about. Levi Holloway’s stage adaptation of the “Paranormal Activity” film (and its many offshoots and sequels) has enough white-knuckle twists and spine-tingling moments that, when taken away, leave just the bare bones of a chilling narrative scattered on the floor. It kind of makes my job easier in a way. The impact of this show relies on emotions rather than words and director Felix Barrett, along with illusionist Chris Fisher, tap into them like a sadistic surgeon’s catheter. There is the initial shock, followed by a tenuous sense of relief from knowing that we are, in fact, in a safe environment; surrounded by like-minded members of the audience. Often the gasps morph into nervous laughter.

I never saw any of the original film franchise, that featured the ‘found footage’ technique, whereby the characters are filming the story for themselves as they go along. This has been dispensed with for the live version (I think I’m allowed that spoiler?). Instead, the focus is on a normal couple. Two people in a two-storey house (Fly Davis’ set is a chillingly authentic reproduction of cosy suburbia, but with some dark corners where the shadows start playing tricks on our imagination). James (Patrick Heusinger) and Lou (Melissa James) have moved from Chicago to London, ostensibly to escape the evil presence that has been possessing Lou since childhood. They quickly discover, however, that places aren’t haunted, but people are (I am definitely allowed that one – it’s one of the shows taglines). Heusinger and James portray the couple with a naturalness and an almost humdrum domesticity. Until they are wrenched from everyday life into sleepless nights.

There has to be a reason for the supernatural goings-on. So, James brings in charlatan exorcist Etheline (Jackie Morrison). On this note – Holloway successfully slips in whisps of humour that, not just distracts from, but also manages to heighten the sense of impending fear. A sense intensified by Gareth Fry’s sound design and then taken to impossible heights by Anna Watson’s lighting, which are integral to the narrative. Watson paws at our senses, caressing the corners of our eye before plunging us into darkness or else revealing what may or may not be lurking in the corners of the house.

We are sometimes taken out of the moment by the trickery, and consequently wondering how they did it, but that is all part of the enjoyment of the journey. The story itself doesn’t require that much effort, until the final twists take our breath away. Teasers are continually provided by James’ mother, Carolanne (Pippa Winslow), who spends a lot of time at the other end of a video-call to James. When she eventually appears in the flesh, our own flesh is left tingling somewhat.

The four performances are quite outstanding, and give the impression that they are as fresh to the story as we are. Each bump, jump, scare and shock comes as a surprise in a perfectly paced and executed telling of the tale. I wish I could tell you more, but I’m minded of Holloway’s instructions in the press pack to ‘keep our secret’. So, it’s up to you. There’s only one way to find out. I’d urge you to… if you dare.

 



PARANORMAL ACTIVITY

Ambassadors Theatre

Reviewed on 15th December 2025

by Jonathan Evans

Photography by Johan Persson

 

 

 

 

PARANORMAL ACTIVITY

PARANORMAL ACTIVITY

PARANORMAL ACTIVITY