Tag Archives: John Dougall

A Voyage Around my Father

A Voyage Around my Father

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Cambridge Arts Theatre

A VOYAGE AROUND MY FATHER at the Cambridge Arts Theatre

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A Voyage Around My Father

“This production is as cosy as a Sunday afternoon TV period drama”

It is over fifty years since this play was first performed and the celebrity status of its author, John Mortimer, has surely waned. The size of this first night audience, however, suggests that he is still fondly remembered by many.

In a role played in the past by Olivier and Guinness, Rupert Everett triumphantly takes on the role of Father. The blindness, of which he will never speak, comes upon him with a blinding flash and a percussive explosion. From then on, Everett shows brilliantly his lack of sight by fumbling for a teacup, tapping his stick to find his chair, and displaying a disturbing blank stare into nothingness.

Ever by his side is his devoted wife (Eleanor David) whilst the Son – or Boy as his parents call him – is kept mostly at a distance. The primary story is that of the Son, confidently portrayed by Jack Bardoe. Narrated by him, linking scenes that take us through his school years – dressing down into short trousers, blazer and cap – following his father into a career in law and taking his first steps into married life. Of the Father, we see him promenading his garden, inspecting the flowers via a spoken description from whomever is nearest. There is a hit-and-miss running gag about counting earwigs. The Father’s blindness keeps him distant and aloof. He is irascible, prone to outbursts and provocative to those closest to him.

An excellent supporting cast is confidently moved around the stage by director Richard Eyre but the short scenes rarely involve more than a handful of characters at one time. Julian Wadham’s declamatory school Headmaster and Calum Finlay’s school pupil Reigate are cameo performances worthy of mention. Two scenes – both with echoes of wartime – fall somewhat flat. Perhaps the poignancy of one and the humour of the second have been lost to time. Everything lifts again with the arrival of the sparky Elizabeth (Allegra Marland), soon to be married to the Son despite the misgivings of the son’s Father.

The predominantly bare set (designer Bob Crowley) is a beauty. Images of thick green foliage, the sun hazily glinting through the leaves, evokes the halcyon days of summers gone by. This production is as cosy as a Sunday afternoon TV period drama. There is much to be enjoyed, particularly in the performances of Everett and Bardoe, but little of any relevance.


A VOYAGE AROUND MY FATHER at the Cambridge Arts Theatre

Reviewed on 17th October 2023

by Phillip Money

Photography by Manuel Harlan

 

 

 

 

Previously reviewed at this venue:

Frankenstein | β˜…β˜…β˜…β˜… | October 2023
The Shawshank Redemption | β˜…β˜…β˜… | March 2023
The Homecoming | β˜…β˜…β˜…β˜…β˜… | April 2022
Animal Farm | β˜…β˜…β˜…β˜… | February 2022
Aladdin | β˜…β˜…β˜…β˜… | December 2021
The Good Life | β˜…β˜… | November 2021
Dial M For Murder | β˜…β˜…β˜… | October 2021
Absurd Person Singular | β˜…β˜…β˜… | September 2021

A Voyage Around my Father

A Voyage Around my Father

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The Girl on the Train

The Girl on the Train
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Theatre Royal Brighton & UK Tour

The Girl on the Train

The Girl on the Train

Theatre Royal Brighton

Reviewed – 17th June 2019

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“the inherently flawed direction and script leaves us feeling a little short changed”

 

The stage adaptation by Rachel Wagstaff and Duncan Abel of Paula Hawkin’s smash-hit novel, The Girl on The Train, screeches into Brighton prior to transferring to the West End. It puts Rachel Watson, played by Samantha Womack, as an unemployed alcoholic who spies into her ex husband Tom’s home from the train and soon finds herself at the centre of a murder investigation. The victim? Her ex-husband’s mistress, Megan.

Rachel, who yearns for a different life is bitterly grieving for the one she has now lost. The plot is seemingly plucked from thin air as out of the blue, ex-husband Tom (Adam Jackson Smith) comes knocking at the door of her cluttered and untidy flat. He is investigating whether she had any involvement in the murder which happened on the evening she turned up at his house, berating his new wife Anna (Lowenna Melrose).

With crime thriller interest at an all time high with smash-hit TV shows like Broadchurch and Line of Duty, the production ultimately lacks genuine research and integrity which is a shame. The inspector tasked with the case incoherently deals with Rachel as a potential suspect and it doesn’t sit well. DI Gaskell, played rather too melodramatically by John Dougall, gives away confidential information and access to murder scenes which confuses. The relationship between suspect and police could be more intelligent, the psychological analysis of interrogation could have been a strong point but again, the poor writing fails miserably in it’s feeble attempt at being somewhat mildly realistic and poetic.

Director Anthony Banks could do more to raise the stakes within each scene, we are watching a murder investigation and so called β€˜psychological thriller’ but yet I do not believe the majority of the performances or staging. The clunky transitions between scenes see Womack walk into a focused light for ten seconds or so with no real purpose except for masking a scene change and ultimately drops the rare bit of energy that is created in the scene before. Womack has a big task in carrying The Girl On The Train as Rachel is centre of every scene but unlike in the novel and film, Rachel lacks real character depth and likeability. I feel for Womack as I know she has the ability to carry a good script, but she is desperately underserved by the writers but supported by the rest of the cast (Oliver Farnworth, Naeem Hayat, Matt Concannon and Phillipa Flynn). One redeeming performance is Kirsty Oswald as Megan, her brief monologues are complex and performed with a real level of emotion and truth.

The Girl On The Train is a clumsy and poorly directed adaptation of a story which is somewhat of a literature phenomenon. Despite it’s stunning design by James Cotterill and admirable ambition, the inherently flawed direction and script leaves us feeling a little short changed.

 

Reviewed by Nathan Collins

Photography by Manuel Harlan

 


The Girl on the Train

Theatre Royal Brighton until 22nd June then UK tour continues

 

Previously reviewed at this venue:
This is Elvis | β˜…β˜…β˜… | July 2018
Salad Days | β˜…β˜…β˜… | September 2018
Rocky Horror Show | β˜…β˜…β˜…β˜… | December 2018
Benidorm Live! | β˜…β˜…β˜…β˜… | February 2019
Noughts And Crosses | β˜…β˜… | March 2019
Rotterdam | β˜…β˜…β˜…β˜… | April 2019

 

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