★★★★

“a masterfully silly and creative show”

‘Gwyneth Goes Skiing’ by Linus Karp and Joseph Martin is an inviting, fun, and creative dive into the oddities of a 2023 court case between actress Gwyneth Paltrow and optician…I mean, optometrist Terry Sanderson over a ski collision in Utah. Chock-full of g-winning puns and musical numbers, and a strong cast and crew, it is easy to see why Awkward Productions bring in a crowd.

An audience interactive heavy show, this whirlwind of celebrity nonsense and oddity will hurtle you onto uncertain slopes and chaotic courtrooms and have you bracing for impact. From hurling snowballs at actors to participating in a very crucial jury vote, you are brought into this very unpredictable world from the get-go. Part of the key charm of the show is the willingness to include the audience every step of the way, on and off-stage! The production team excel in casting such a keen team of audience members pre-show to aid Martin and Karp in achieving such hilariously uncomfortable moments throughout. Any technical hitches or audience hesitancy are dealt with deftly by Martin and Karp as they portray both of their uniquely peculiar characters. Both nail the stylised physicality and voice of their characters and match each other’s awkwardness nicely.

Karp and Martin light up the stage with their enthusiasm and comedic timing- eloquently telling such a ludicrous story in an engaging and accessible way. Rocking up to this show with little to no Paltrow proficiency is beyond fine, as exposition and characterisation tell you pretty much all you need to know. It is a shame that some of the more “online” humour don’t always pack a punch. Lots of references feel either a patch outdated or a tad too specific for some of the audience to catch on, mean some jokes feel somewhat too on the nose. A few moments stagnate with dramatic tension and drawn-out punchlines, particularly towards the end of the show, however, this is not to detract from the raucous laughter the team garner from the audience at every stage of Paltrow’s turbulent tale of skiing and scam beauty care products.

Ciara Pidgeon’s dead-pan stage management is another excellent facet to ‘Gwyneth Goes Skiing’. As props and set inventively build the silliness and spontaneity of the performance, Pidgeon’s timing, facial expressions, and execution are marvellous. Recurring gags are paid off even more so by the creative set and prop use; a particular highlight is the portrayal of Paltrow’s daughter, Apple. The audio-visual elements of the show equally keep the show chugging along nicely, with guest appearances from the likes of Trixie Matel, and inspiring graphic design by Alice Gorman. Often laughs are picked up from simply hilarious audio-visuals or sound design (by Roly Botha). Leland’s musical numbers are also a brilliant aspect of the night. Whilst the songs at times get a little bit repetitive, they are catchy and brimming of tight comedy.

Awkward Productions ‘Gwyneth Goes Skiing’ is a masterfully silly and creative show that will put you in the right mood before, during and after the show. If you’re looking for a warm, welcome and camp night of theatre, and don’t mind a light-hearted bit of millennial humour, this might be the show for you.

LUCY AND FRIENDS at the Soho Theatre

★★★★★

“You will leave gasping for air, and an urgent desire to wash your hands.”

Lucy McCormick returns to the Soho Theatre with another outrageous, audacious, and electrifying show that keeps the audience on the edge of their seats, and with an umbrella to hand.

Is it cabaret? Is it comedy? Is it a comment on the precarious basis of artistic endeavour in 2024’s Britain? Is it, McCormick asks whilst downing a bottle of red wine, art? The answer to all of these has to be emphatically yes.

If you have come to McCormick through her galvanising performance in Emma Rice’s Wuthering Heights, or as part of the RSC’s Cowbois ensemble, you may have a shock. McCormick’s shows are loosely based on cabarets in that they contain several semi-distinct performances. She sings and dances to a professional level. There is often a throughline: previous shows have looked at women through history, and the New Testament. But then she will dial the subversive elements to eleven.

While the audience is still filing in for this show, McCormick can be seen dashing around them, dressed as a Christmas tree, handing out props to select audience members. You’re left darting your eyes between her and the stage, set up in classic cabaret style. There’s a glitter curtain backdrop, fairy lights framing that, and metal rigging surround it all like a proscenium arch. Centre stage is a pole. So far, so conventional, so Bethnal Green Working Men’s Club.

“Though some performances push the boundaries of what’s acceptable in theatres, underpinning them all is McCormick’s phenomenal talent”

Then the lights go down, McCormick takes a microphone, and immediately upends multiple theatrical conventions, taking the audience on an emotional rollercoaster. The concept behind Lucy and Friends is that having developed much of this material in the aftermath of the pandemic, there was not enough funding to support other performers. This is therefore McCormick’s first solo show, and she needs help from the audience to be her friends, community, and fellow performers.

It is hard to describe much else that happens without ruining the jokes that emerge from the unwinding of set ups. In brief then, highlights included the act with the pole, a reinterpretation of Norah Jones’ “Don’t Know Why”, a cat impression, and a reminder of 2016’s viral Bottle Flipping craze.

Though some performances push the boundaries of what’s acceptable in theatres, underpinning them all is McCormick’s phenomenal talent. Even the most absurd situations, that have the audience somewhere between being in stitches and shock, she is utterly in control of both herself and them. Her voice is strong, tackling big songs that juxtapose what else is happening visually. Audience members who are called upon to participate are at her beck and call. It is worth saying there is a sizable amount of nudity and sexual content, so maybe not worth seeing with family… unless you are the audience member designated to play McCormick’s mother.

Another audience member is assigned to be a critic, and McCormick narrates her own review for them, much more articulately than I have managed here. However for all the concept, callbacks and motifs, Lucy and Friends is still desperately funny. You will leave gasping for air, and an urgent desire to wash your hands.

Tag Archives: Jonny Ruff

GWYNETH GOES SKIING

★★★★

UK Tour

GWYNETH GOES SKIING at Live Theatre

★★★★

“a masterfully silly and creative show”

GWYNETH GOES SKIING at Live Theatre then UK tour continues

Reviewed on 13th November 2024

by Molly Knox

Photography by Jonny Ruff

Previously reviewed at this venue:

ST MAUD | ★★★ | October 2024

GWYNETH GOES SKIING

GWYNETH GOES SKIING

Click here to see our Recommended Shows page

LUCY AND FRIENDS

★★★★★

Soho Theatre

LUCY AND FRIENDS at the Soho Theatre

★★★★★

“You will leave gasping for air, and an urgent desire to wash your hands.”

“Though some performances push the boundaries of what’s acceptable in theatres, underpinning them all is McCormick’s phenomenal talent”