Tag Archives: Katy Baker

FLAT AND THE CURVES – ROSÉ-TINTED

★★★★

Edinburgh Festival Fringe

FLAT AND THE CURVES – ROSÉ-TINTED at the Edinburgh Festival Fringe

★★★★

Flat and the Curves ladies at table with wine and food

“the audience for last night’s performance left happy and entertained, and you will, too”

Flat and the Curves are back at the Edinburgh Fringe Festival with their new show, Rosé- Tinted. If you’ve never seen this talented group before, don’t hesitate to book a ticket. Oh, and take your men friends. They’ll learn a thing or two about how these satirical sirens see men and their less endearing habits. But it’s all good fun, and even the lads will appreciate the ladies, their music (and their jokes).

This talented group is Katy Baker, Charlotte Brooke, and Issy Wroe-Wright. When I last saw this group in London, they had a fourth member as well, and honesty compels me to admit that Flat and the Curves do better when they’re a quartet. Rosé-Tinted is just as sparkling as earlier shows, but having an extra voice helps carry the load of their incredibly energetic performances. They can perform everything from opera to soul, with a touch of raunchy blues thrown in for good measure. They have much more to offer than your average cabaret show. And that includes a running commentary with songs to make your grandma blush. Or maybe not. After all, they are singing about experiences that every woman has had, regardless of one’s date of birth.

Many of the songs in Rosé-Tinted will be familiar to fans of Flat and the Curves. They range from useful advice you can get from meeting female soulmates in the loo, to less than happy memories about hen dos. In fact, when Flat and the Curves have advice to offer, you’d better listen. (Don’t ever wear a jumpsuit where there’s a lot of competition for the loos. Just sayin’). Then there’s all the angst that comes with hosting middle class dinner parties. And a torch song about the disappearance of “real” men. The song about P*** suggests reasons for this—and it’s hilarious. There’s some new material including a rather offbeat little song about The Easter Bunny but why the heck not? It gives the girls time for a breather before launching into their next energetic set. At just sixty minutes, this is a shorter show designed for Fringe conditions, but the audience for last night’s performance left happy and entertained, and you will, too.

 


FLAT AND THE CURVES – ROSÉ-TINTED at the Edinburgh Festival Fringe – Underbelly Bristo Square

Reviewed on 4th August 2024

by Dominica Plummer

Photography by  Rebecca Need Menear

 

 


ROSÉ-TINTED

ROSÉ-TINTED

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A Pissedmas Carol

★★★★★

Leicester Square Theatre

A PISSEDMAS CAROL at Leicester Square Theatre

★★★★★

“a rollicking good time”

There’s nothing better to get you in the Christmas mood than a smashed Ebenezer Scrooge slurring his way through some festive pop songs while ranting about free range chicken eggs.

‘A Pissedmas Carol’ is a retelling of A Christmas Carol, stuffed full of songs, improv and panto style gags. On top of that, each night one of the actors is riotously drunk. Cue hilarious and chaotic fun, in a very merry way. There are even mince pies at the bar!

This show is a rollicking good time. Rather than its non-holiday themed Shakespearean counterparts, this production allows more space for all of the actors to have a laugh. The energy doesn’t drop when the drunk actor is off stage, because there’s scripted and improvised silliness to be had by all.

James Murfitt and Lewis Ironside’s adaptation of the Dickens classic keeps some of the original text, some iconic lines (possibly more if all of the actors were sober) but injects some ridiculous fun into it. The key moments are there, but the play never stops for long enough to get too bogged down in the plot or characters. Katy Baker’s directing, as well as strong improvising from the cast, keep the energy soaring throughout.

There are a cast of eight, with ten in the troupe, so the rotating roles, and rotating drunkenness, can be shared around. The whole cast were really strong, all having their own moments to shine. Hal Hillman and Katy Baker are charming and hilarious as the Cratchits, James Murfitt is an excellent MC, Daniel Quirke is a bit of a scene stealer as the Ghost of Christmas present, and Izzy Wroe Wright proves to have an incredible set of pipes as she belts out some classic Christmas bops. John Mitton as Scrooge was hilarious, and very drunk.

Having Charlotte Brooke as an on-stage pianist brings the whole performance together, making it feel like a cohesive musical, and I think is a big reason the energy stays so high. Nicola Jones’ set is playful and crucially safe for drunk actors. Jess Davies’ lighting also plays with the gothic drama, but in a camp, fun way.

The show is a laugh, and highly worth a visit. It’s short and sweet and it’s great to see that the actors are having as much fun as the audience.


A PISSEDMAS CAROL at Leicester Square Theatre

Reviewed on 30th November 2023

by Auriol Reddaway

Photography by Rah Petherbridge (from previous production)


 

Previously reviewed at this venue:

The Ayes Have It! The Ayes Have It! | ★★★★ | November 2023
Sh!t-Faced Shakespeare®: Much Ado About Nothing | ★★★★★ | July 2023
Shit-Faced Shakespeare: Romeo & Juliet | ★★★★ | July 2022
A Pissedmas Carol | ★★★★★ | December 2021
Sh!t-Faced Macbeth | ★★★★★ | July 2021

A Pissedmas Carol

A Pissedmas Carol

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