Tag Archives: Katy Baker

SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

★★★★

Leicester Square Theatre

SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

Leicester Square Theatre

★★★★

“chaotic and gloriously daft”

If there was a drunk actor on the stage in any other production, it would be an ugly cautionary tale about the perils of fame. But in A Pissedmas Carol, it’s contractually obligated. Sh!t-faced Showtime bring us the classic tale of miserable Scrooge’s redemption forced by paranormal visitors on Christmas Eve, spiced up with the addition of copious amounts of alcohol. It’s just one actor in the cast who gets inebriated, leaving the rest to respond to the chaos and push the drunkard onto his marks, with predictably hilarious results. In our case, it was Ashley Gerlach as Scrooge, who complained about how loud the singing was, squared up to Bob Cratchit and asked where the mandem was when he arrived at his old school.

Written by Lewis Ironside and adapted for the stage by James Murfitt, this production holds firmly to the pillars of Dickens’ tale. The key characters are all here, and chunks of the original script are attempted, with obvious interruptions and digressions from our tipsy player. Lucy Fowler’s costuming is committed to the original era, with the women donning bonnets and the men waistcoats, all of which only serves to make the bumbling Scrooge’s antics and confusion funnier. When he suddenly complains that his Victorian nightgown doesn’t have pockets, it triggers a hilarious argument as others beg him to please just act like there are. The ghost of Jacob Marley is adorned with the expected shackles and chains, but still poked fun at by way of the two poorly disguised actors draped in black whose job it is to wave the chains spookily in the air behind him.

The Victorian story and setting are hit with all the non-negotiable decorations of festive theatre. There’s audience interaction – one attendee has to ring a set of bells if they feel the actor needs another drink, and another gets a sick bucket. There’s bawdy humour and innuendos, but it stays the right side of eye-roll-inducing. And of course, there are copious Christmas songs. It’s all very silly and the atmosphere is generously lively. There are a few lazier parts which rely on pantomime tropes, which just don’t feel necessary when the cast is as charming and competent as they are. The show really can be bothered, so it leaves the drunk actor free to just be funny and curious and incendiary. Even the lighting and Nicola Jones’ set design says: this is a real show with budget! Get drunk with us!

The only reason watching a drunk actor can be this funny though, is if they are propped up by a genuinely talented and quick-witted cast, directed by Katy Baker. There are solid comic performances from Hal Hillman and Daniel Quirke, with Daniel in particular getting huge laughs in solo scenes as Mrs. Fezziwig and the child who picks Scrooge’s turkey. Musical director Charlotte Brooke holds everything down on the piano at the back of the stage, constantly adapting to soundtrack the show as it stumbles about, so that the audience really can just sit back and enjoy the chaos. Vocals are largely led by Issy Wroe Wright and Alice Merivale, who flip from ghostly operatic lullabies to the Wham! crooner with impressive range. The whole debacle is kept in check by a sequin-suited Dickens who acts as a ringmaster when things get really off the rails.

If you’ve never heard of A Christmas Carol, this would be a truly terrible way to introduce yourself to Dickens’ genuinely moving story of redemption and community. But if, like me, you’ve seen a thousand iterations of the story, and can sing all the ensemble parts in the Muppet version, then this might be the only production that holds something new for you. It’s chaotic and gloriously daft – you’ll be laughing about it long after last orders.



SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

Leicester Square Theatre

Reviewed on 11th December 2025

by Jessica Hayes

Photography by Andrew AB Photography


 

Previously reviewed at this venue:

SH!T-FACED A MIDSUMMER NIGHT’S DREAM | ★★★★ | July 2024
RACHEL PARRIS: POISE | ★★★★ | June 2024
SH!T-FACED SHOWTIME: A PISSEDMAS CAROL | ★★★★★ | November 2023
THE AYES HAVE IT! THE AYES HAVE IT! | ★★★★ | November 2023
SH!T-FACED SHAKESPEARE®: MUCH ADO ABOUT NOTHING | ★★★★★ | July 2023
SHIT-FACED SHAKESPEARE: ROMEO & JULIET | ★★★★ | July 2022
A PISSEDMAS CAROL | ★★★★★ | December 2021
SH!T-FACED MACBETH | ★★★★★ | July 2021

 

 

SH!T-FACED SHOWTIME

SH!T-FACED SHOWTIME

SH!T-FACED SHOWTIME

FLAT AND THE CURVES – ROSÉ-TINTED

★★★★

Edinburgh Festival Fringe

FLAT AND THE CURVES – ROSÉ-TINTED at the Edinburgh Festival Fringe

★★★★

Flat and the Curves ladies at table with wine and food

“the audience for last night’s performance left happy and entertained, and you will, too”

Flat and the Curves are back at the Edinburgh Fringe Festival with their new show, Rosé- Tinted. If you’ve never seen this talented group before, don’t hesitate to book a ticket. Oh, and take your men friends. They’ll learn a thing or two about how these satirical sirens see men and their less endearing habits. But it’s all good fun, and even the lads will appreciate the ladies, their music (and their jokes).

This talented group is Katy Baker, Charlotte Brooke, and Issy Wroe-Wright. When I last saw this group in London, they had a fourth member as well, and honesty compels me to admit that Flat and the Curves do better when they’re a quartet. Rosé-Tinted is just as sparkling as earlier shows, but having an extra voice helps carry the load of their incredibly energetic performances. They can perform everything from opera to soul, with a touch of raunchy blues thrown in for good measure. They have much more to offer than your average cabaret show. And that includes a running commentary with songs to make your grandma blush. Or maybe not. After all, they are singing about experiences that every woman has had, regardless of one’s date of birth.

Many of the songs in Rosé-Tinted will be familiar to fans of Flat and the Curves. They range from useful advice you can get from meeting female soulmates in the loo, to less than happy memories about hen dos. In fact, when Flat and the Curves have advice to offer, you’d better listen. (Don’t ever wear a jumpsuit where there’s a lot of competition for the loos. Just sayin’). Then there’s all the angst that comes with hosting middle class dinner parties. And a torch song about the disappearance of “real” men. The song about P*** suggests reasons for this—and it’s hilarious. There’s some new material including a rather offbeat little song about The Easter Bunny but why the heck not? It gives the girls time for a breather before launching into their next energetic set. At just sixty minutes, this is a shorter show designed for Fringe conditions, but the audience for last night’s performance left happy and entertained, and you will, too.

 


FLAT AND THE CURVES – ROSÉ-TINTED at the Edinburgh Festival Fringe – Underbelly Bristo Square

Reviewed on 4th August 2024

by Dominica Plummer

Photography by  Rebecca Need Menear

 

 


ROSÉ-TINTED

ROSÉ-TINTED

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