Tag Archives: Kennedy Bloomer

Fever Pitch

Fever Pitch

★★★★

Hope Theatre

Fever Pitch

Fever Pitch

Hope Theatre

Reviewed – 2nd September 2021

★★★★

 

“With Martha Godfrey’s lighting and Kristina Kapilin’s sound design, we are always in the moment of this thrilling production”

 

It’s practically thirty years now since Nick Hornby’s career defining book, “Fever Pitch”, was first published. I didn’t get around to reading it myself until later, already familiar with Hornby’s style from, among others, ‘High Fidelity’ which charted the failed relationships of a neurotic record collector. I could relate to that. Football, though, was a different beast entirely. My wilful ignorance of the ‘beautiful game’ was always a factor that pushed the book down my reading list. It was an unfounded prejudice. “Fever Pitch” is about football, but at the same time it isn’t. Yes, it’s a memoir about Hornby’s two decades as a football moron (his words!) but moreover it is an ode to obsession, depression, and the human condition; and whatever walk of life we are ambling along there is something we can all identify with. Although football is the main story, it is also just the backdrop to a life story.

Joel Samuels’ adaptation skilfully condenses the book into just under ninety minutes, without going into extra time. It is a lot to fit in, but Kennedy Bloomer directs from the touch lines with an economy of style that faithfully covers most of the ground, while certainly putting her team through the paces. Jack Trueman is the undoubted captain here, as narrator Nick. With a convivial charisma he also captures the geeky monomania, aware of but powerless against the effects his obsession has on his life. “I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it”. Trueman has a lot of words to deal with, but he rarely drops the ball. If he does, he gives a cheeky wink to the audience and ploughs on. The multi rolling cast move around him, switching characters in the blink of an eye, substituting mothers for daughters for girlfriends for fathers for brothers for teammates for commentators for friends for fans for hooligans… You get the drift. Ashley Gerlach, Louise Hoare, and Gabrielle MacPherson are equally marvellous in their versatility, digging deep into their treasure chest of accents, characters and emotional kaleidoscope. There are some hilarious moments of gender-blind role playing, particularly Gerlach’s brilliant female impersonations.

The rapid-fire delivery is spot on for the stage, but what is perhaps inevitable is that sometimes the finer nuances of Hornby’s writing are forfeited. There are some unforgettable moments in the book, particularly when Hornby describes the tragedies of Heysel and Hillsborough, that lose their poignancy in this retelling. However, for these aspects to be fully explored and given the respect they warrant, it would probably require a whole other show of their own. Similarly, there is a lot of talk about ‘filling a hole’ to explain away the mind-set of the obsessive and depressive personality. But again, this is another show, and Samuels has made the right editorial choices. His eye is on the entertainment value, and he certainly scores on that level. This production captures too the self-deprecation inherent in Hornby’s original. When Trueman bemoans that being white, middle class and suburban is the worst category to fit into, we laugh but are aware of where our sympathies should lie. The attacks on sexism and racism are made more pertinent using comedy as its podium.

With Martha Godfrey’s lighting and Kristina Kapilin’s sound design, we are always in the moment of this thrilling production. It is often panoramic in the way it shows us how much times have changed over the past decades, but it also hones in on home truths in an intimate and quite loopy way. It is meditative one minute and raucous the next. You can reflect and cheer at the same time – which makes this production quite unique. Whether you love or hate football, there’s much to love in this production of “Fever Pitch”.

 

Reviewed by Jonathan Evans

Photography by Ali Wright

 


Fever Pitch

Hope Theatre until 25th September

 

Jonathan’s reviews this year:
Sherlock Holmes: The Case of the Hung Parliament | ★★★★ | Online | February 2021
Remembering the Oscars | ★★★ | Online | March 2021
The Picture of Dorian Gray | ★★★★ | Online | March 2021
Disenchanted | ★★★ | Online | April 2021
Bklyn The Musical | ★★★★★ | Online | March 2021
Abba Mania | ★★★★ | Shaftesbury Theatre | May 2021
Cruise | ★★★★★ | Duchess Theatre | May 2021
Preludes in Concert | ★★★★★ | Online | May 2021
You Are Here | ★★★★ | Southwark Playhouse | May 2021
Amélie The Musical | ★★★★ | Criterion Theatre | June 2021
Bad Days And Odd Nights | ★★★★★ | Greenwich Theatre | June 2021
Express G&S | ★★★★ | Pleasance Theatre | June 2021
Forever Plaid | ★★★★ | Upstairs at the Gatehouse | June 2021
The Hooley | ★★★★★ | Chiswick House & Gardens | June 2021
Forgetful Heart | ★★★★ | Online | June 2021
Staircase | ★★★ | Southwark Playhouse | June 2021
Be More Chill | ★★★★ | Shaftesbury Theatre | July 2021
Heathers | ★★★ | Theatre Royal Haymarket | July 2021
The Two Character Play | ★★★★ | Hampstead Theatre | July 2021
My Night With Reg | ★★★★ | The Turbine Theatre | July 2021
Big Big Sky | ★★★★ | Hampstead Theatre | August 2021
The Windsors: Endgame | ★★★ | Prince of Wales Theatre | August 2021
The Rice Krispie Killer | ★★★★ | Lion and Unicorn Theatre | August 2021
Constellations | ★★★★ | Vaudeville Theatre | August 2021
Operation Mincemeat | ★★★★★ | Southwark Playhouse | August 2021
When Darkness Falls | ★★★ | Park Theatre | August 2021
Cinderella | ★★★★★ | Gillian Lynne Theatre | August 2021
Fever Pitch | ★★★★★ | Hope Theatre | September 2021

 

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When it Happens

★★★★★

Tristan Bates Theatre

When it Happens

When it Happens

Tristan Bates Theatre

Reviewed – 30th July 2019

★★★★★

 

“a manic tour de force performed by a hugely talented cast”

 

Scatterjam Theatre’s When It Happens by Rachel Causer, is part of the 2019 Camden Fringe Festival. This delightful three hander, performed by powerhouse actresses, turns on the idea that each woman is going about her daily activities until, at 2.16 pm, she experiences a transformation that utterly changes the world as she sees it, and, just as importantly, as the world sees her.

The small, intimate space at the Tristan Bates Theatre is precisely the right venue for Rachel Causer’s play. With a bare bones performance space that sketches an area bound by chairs on three sides, and two microphones at points of entry and exit, the audience is free to focus on the acting. And it’s the acting (ably directed by Kennedy Bloomer) which provides everything from portrayals of character to sound effects, lighting effects, props and music. This play is a manic tour de force performed by a hugely talented cast that is fifty five minutes or so of time well spent.

When It Happens begins quietly enough as we are introduced to Freya (Niamh Watson) who skitters on stage with some mysterious stains that look like blood on her white hoodie; Jenny (played by playwright Causer), in a work smart red blouse and a I-can-do-this grin, and Beth (Roisin Bevan), in a black shirt with a white towel draped over her shoulders. The towel turns out to have an important role to play as well. As each character begins to narrate her experience of what happens at 2.16 pm precisely, the other two swing into action as eager listeners but also supplying other characters as the stories proceed. Bevan is particularly good with her body language when called upon to portray the creepy male colleague that Jenny has to deal with, but it is a pleasure to watch all three at work.

The script itself is totally brilliant and confounds expectations. Each time that Causer introduces an overly familiar trope (for example, three women trapped in an anonymous dark space; three archetypes of women as virgin, madonna and whore) she transforms these into something utterly unexpected. The writing is by turns anarchic, explosive, but, by the end of the piece, empowering, and yes, fun. There are a wealth of memorable one liners that had the audience in stitches, and full of appreciative applause at the end of the show.

I strongly recommend that you book your ticket and rush to get your own theatrical epiphany while you still can.

 

Reviewed by Dominica Plummer

Photography by Lexi Clare

 

Camden Fringe

When it Happens

Tristan Bates Theatre until 3rd August as part of Camden Fringe 2019

 

Last ten shows reviewed at this venue:
Me & My Left Ball | ★★★★ | January 2019
Nuns | ★★★ | January 2019
Classified | ★★★½ | March 2019
Oranges & Ink | ★★ | March 2019
Mortgage | ★★★ | April 2019
Sad About The Cows | ★★ | May 2019
The Luncheon | ★★★ | June 2019
To Drone In The Rain | ★★ | June 2019
Sorry Did I Wake You | ★★★★ | July 2019
The Incident Pit | ★½ | July 2019

 

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